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  1. Kid Kosmic by Blambot Fonts is a vibrant, energetic typeface that embodies the spirit of adventure and creativity, making it an ideal choice for projects aimed at younger audiences or those seeking t...
  2. The Illuminati font by Iconian Fonts is a unique and intriguing typeface that seems to possess a certain mystique, reflecting the mystery and secrecy often associated with the name 'Illuminati'. This...
  3. FruitForEars font is at once playful and imaginative, embodying a refreshing twist on traditional typefaces. Designed to capture the whimsy and joy of summertime orchards, this font features characte...
  4. "**Walshes**" is a distinctive font crafted by the renowned font designer Ray Larabie, known for his prolific and diverse typeface creations. Walshes stands out in the typographic crowd for its uniqu...
  5. The essence of the Graffiti font mirrors the vibrant, expressive, and sometimes rebellious spirit of street art from which it draws inspiration. This type of font captures the raw energy and boldness...
  6. Cardiff, a font created by Altsys Metamorphosis, is an intriguing typeface characterized by its unique design elements and typographic qualities. This font distinguishes itself through a blend of tra...
  7. As of my last knowledge update in April 2023, there is no widely recognized or standard font specifically known as "Mika" within the graphic design or typography communities. However, the name itself...
  8. Arabolical, designed by BenTagain, is a striking font that stands out for its unique blend of traditional Arabic calligraphic art and modern design elements. This font is a visual feast, merging the ...
  9. The font Mastodon, created by Apostrophic Labs, is a distinctive typeface that stands out due to its unique style and versatility. It belongs to a category of fonts that combine elements of both nove...
  10. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  11. Kornucopia, a delightful font crafted by Astigmatic One Eye Typographic Institute, stands out as more than just a collection of characters. It transcends the ordinary, infusing creativity and imagina...
  12. The font "KR Trees" by Kat Rakos is a charming and inventive typeface that ventures beyond the conventional realm of typographic design. Rather than focusing on letters and numbers, this font embrace...
  13. As of my last update in early 2023, the font named "OZH" created by Paprika Breitholtz is not broadly recognized within mainstream font databases or among widely circulated typographic resources. How...
  14. The DiPed Thick font is a distinctive typeface that immediately commands attention due to its bold and robust character. It is designed with a unique blend of thickness and clarity, making it an idea...
  15. CorpusCare, designed by the prolific Canadian type designer Ray Larabie, stands out as a distinct and innovative font that marries accessibility with aesthetic appeal. Larabie, known for his vast and...
  16. E by De Nada Industries is a distinctive and innovative typeface that has garnered the attention of designers and typographers for its unique characteristics and versatile application possibilities. ...
  17. Whirl Cyrillic is a captivating font that stands out for its unique blend of elegance and dynamism. Designed to cater to both the Latin and Cyrillic scripts, it offers a versatility that makes it app...
  18. Cienfuegos is a compellingly unique typeface designed by deFharo, a Spanish typeface designer renowned for his creativity and diverse range of fonts. With its roots deeply embedded in typography's in...
  19. The Selectric font traces its origins back to an iconic piece of technology: the IBM Selectric typewriter. Launched in 1961, the IBM Selectric revolutionized typewriting and document creation with it...
  20. ImperiumSerif is an intriguing font crafted by the accomplished type designer Manfred Klein. Klein, known for his prolific work in the field of typography, has developed a diverse array of fonts, and...
  21. As of my last update, An Creon is not a widely recognized or standard font in popular typographic resources. However, in envisioning what An Creon might be like, let's create an illustrative descript...
  22. Perestroika, masterfully crafted by Clément Nicolle, is a typeface imbued with historical context and a modern flare, harnessing characteristics that reflect transformation and rebirth. The name itse...
  23. As of my last update in April 2023, there is no widespread or well-known font specifically recognized by the name "CAITLYN." However, envisioning a font named "CAITLYN" allows for a creative and imag...
  24. As of my last update, there isn't a widely recognized font explicitly named "Playtoy" within mainstream design resources or typographic libraries. However, the fantasy or imaginative concept of a fon...
  25. Rockabye, crafted by Silverdav Studio, is a dynamic and charismatic font that embodies a blend of modernity and nostalgia, exuding an air of elegance with an underlying strength. This font is charact...
  26. Indulta SemiSerif, conceived by the talented Spanish designer Fernando Haro (deFharo), is a font that strikes an elegant balance between functionality and aesthetics, making it an excellent choice fo...
  27. Hyundai, a font devised by the talented designer Samuel Park, presents a captivating blend of modernity and practicality, echoing the innovative spirit and aesthetic principles of the brand it is ali...
  28. The Gunship Italic font, created by Iconian Fonts, a noted type foundry known for its diverse and expansive portfolio of type designs, is a marvel in the realm of typographic artistry. Embodied with ...
  29. As of my last update in April 2023, "Improvisation" as a specific font may not be widely recognized under that name in the vast landscape of typography. However, let's create an imaginative descripti...
  30. Cetus is a font that embodies the fluidity and vastness of the ocean. Inspired by its namesake, the whale constellation in the night sky, Cetus is both majestic and mysterious, offering a deep dive i...
  31. As of my last update in early 2023, "Loco" is not a widely recognized or specific font within mainstream typographic resources, and it might refer to a custom or less publicized typeface. However, le...
  32. As of my last update in early 2023, the font PharmaCare might not be widely recognized like Helvetica or Times New Roman, but it carves its unique aesthetic, potentially specialized for the healthcar...
  33. "Kleptocracy" is an intriguing font crafted by the talented type designer Ray Larabie, known for his distinct and diverse font creations. This font embodies a unique blend of stylized elements that c...
  34. As of my last update in April 2023, the "Flower_Font" does not refer to a specific, widely recognized typeface within the vast catalog of digital fonts. However, the concept of a flower font or any a...
  35. Monoment, designed by the renowned typeface designer Måns Grebäck, stands as a testament to the intersection of tradition and modernism in the world of typography. Characterized by its sleek and refi...
  36. Mouser Outline by Sharkshock Productions is a distinctive font that captures the imagination through its unique design and playful character. Its overall appearance is influenced by the concept of ou...
  37. Dyer is a font that exudes a blend of traditional charm and contemporary flair, making it a versatile choice in the world of typography. Its design strikes a harmonious balance between the elegance o...
  38. Oliandre Demo, designed by Katario Studio, is a font that effortlessly captures the essence of modern sophistication and artistic expression, blended with a hint of whimsicality. This distinctive fon...
  39. As of my last update, there isn't a specific font publicly known as "Tekken 6 2." However, I can provide information that interprets this request in a way that might be helpful. "Tekken 6" refers to ...
  40. Mexican Tequila, designed by Vladimir Nikolic, is a display font that captures the lively spirit and boldness of Mexico's famous spirit, tequila. The essence of this font lies in its playful yet stri...
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