BD Barbeaux is a condensed typeface, chic and fashionable with a touch of Art Nouveau. BD Barbeaux Numérique version features rounded corners. The BD Barbeaux fonts are great for fashion and lifestyle related headlines in blogs and magazines.

Impakt is the work of British designer Leonard Currie, a cold, condensed typeface inspired by the Soviet Constructivist movement of the 1920s. Impakt's powerful geometric appearance makes it an ideal choice when a commanding, masculine effect is required.

Bague Inline Pro is the inline version of Bague Universal a contemporary geometric typeface family which blends distinct minimalist characteristics with mainstream details. Despite its inspiration from Herbert Bayer’s drawings of the 1920s, it diverts from the constructivist rigidity and display structure of early geometric typefaces by incorporating humanist characteristics as well as classic letterform shapes which balance out the extremity of the minimal shapes. Bague Inline is a typeface that stays true to its urban nature and heritage. A very interesting feature of Bague Inline is its vast array of uppercase alternates and ligatures which truly shine when set at display sizes. Make your selection from 4 groups of alternates as well as a rich set of discretionary ligatures and watch it transform into a flexible, charming and stylish typeface with strong modern aesthetics. This typeface offers enormous possibilities and variations for editorial design and branding. Bague Inline is the only commercially available inline typeface that comes in 4 weights for uppercase and lowercase letters. Each style consists of 775 glyphs with more that 128 alternates and ligatures and an extended set of characters which supports simultaneously Latin, Cyrillic and Greek. PDF Specimen Bague Inline on Behance

Originally intended for TV captions, this is a flattened style of font for horizontal typesetting. Although it can be used in vertical typesetting, this universal-design font maximizes legibility by directing the eye naturally along the line of text. 元々TVのテロップを想定した、ヨコ組用の平体デザインのフォントです。タテ組でも使用可能ですが、ヨコ組時に文字を追う視線がスムーズに進むよう考慮した横ラインの揃えと和欧混合文における英数字の視認性を高めたユニバーサルフォントです。エッジを丸みを持たせて、タテ画は太く、ヨコ画は細い明朝体のリズムを取り入れることでデジタルゴシック体特有の堅さや強さを軽減。デジタルフォントでも活字体のような目に優しく読みやすい文字を目指しました。

The only Persian Arabic font featured on Behance [Graphic Design / Typography] Published in multiple books including New Illustration With Type and DesignAndDesign Vol. II Carefully and meticulously designed by selecting, choosing, vectorizing and editing so many different Persian and Arabic calligraphic scripts and old typefaces glyphs forms to create this one of a type [pun intended!] font. And if it's not enough, it's got patterns, textures, artistic elements, ornaments, in a grunge and dirty style. But it not over yet! Persian Grunge [Dirty] font has two styles: Dirty and Neat. Not only the Neat style is cleaner, but also a lot of same glyphs are different from the Dirty style. This Arabic grunge font is a great choice for all graphic designers, typographers and visual artists. Your posters, banners, artistic typographic projects are gonna be awesome with these fonts! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Strings vibrating against wood. Counterpoints. Strong beated rhythms and smooth flexible melodies. Repetitive sequences and syncopations. Sweeps and slides. Folk and tradition. That's how Dobro sounds. Inspired by the spirit of bluegrass music and the aesthetic of its wood type gig posters,this typeface explores certain concepts of rhythm and seeks to translate a piece of this universe into writing. Meant to be used in large sizes, Dobro is a 6-font set designed to work nicely together. It comes in 4 different weights, one color font with miscellaneous and connectors, plus frames and borders that pay tribute to vintage wood type catalogues. As an old company motto used to say: "Dobro means good in any language!" ––––––––––––––––––– IMPORTANT INFO ––––––––––––––––––– When you license Dobro you will download a pack with OpenType fonts but also a Color Font version of Dobro Drunk. (To use color fonts Photoshop CC 2017 /2018, Illustrator CC 2018 or QuarkXpress 2018 is required). If you create outlines in illustrator you can also modify the colors! Dobro Drunk BW OTF font (works like any font but is black & white.) Web files are only black and white until browsers support color fonts.

This Arabic typeface is one of Parachute’s most involved text typefaces. For the first time -back in 2010- a contemporary Arabic equivalent to a comprehensive DIN series of fonts was available. In fact, this set of fonts contains the most complete and powerful array of Arabic features commercially today. It comes in eight weights and includes Latin. Based on the DIN Text Pro superfamily, Parachute® released -in collaboration with designer Hasan Abu Afash- 2 new versions. DIN Text Arabic is the basic Arabic version which includes Latin and supports all variations of the Arabic script such as Persian, Urdu and Pashto. The second version DIN Text Universal is the most advanced DIN superfamily ever. It combines the powerful DIN Text Pro with DIN Text Arabic bringing the number of glyphs to 3320 per font. It is also enhanced with 30 advanced opentype features and kerning for all languages. Altogether it supports hundreds of languages, proving to be an essential tool for corporations which operate internationally. The whole family consists of eight weights from extra black to hairline. DIN Text Arabic is featured in the recent book Arabesque 2 by Gestalten.

Katastrofe is danish for … well, catastrophe - you may have guessed that! This font was almost a catastrophe to make! I cut out all the letters in a cardboard, and went outside to spray the letters with a spraycan. Everything went smooth as planned, but suddenly the wind started to blow and the papers started to fly away! Luckily I found some stones I used to make the papers stay in place. Lucky for me - otherwise it would have been a catastrophe! Seconds after finishing this font project, it started to rain…I just avoided a catastrophe! But is this font really a catastrophe, or does it just mimic punk/spray/grunge/riot? Make your own statements using Katastrofe, or perhaps your very own punk sayings like “Punk is not dead”, “Anarchy Rebel” or what suits you the best. Whatever you choose to write, you will definitely get that real punk look! Perhaps you could even do a t-shirt print that says “Katastrofe” :) Comes with different upper and lowercase letters along with alternate versions of each letter - and of course a lot of foreign letters, because punk is not dead and punk is universal!

The word ‘Ghibli’ per se refers to a Saharan hot and dry wind commonly known as the Sirocco. In Arabic language, ‘Ghibli’ is known as ‘Qibli or Kibli’, meaning ‘Southern’ for those Arabic nations who live in the North of Africa. The ‘Ghibli’ wind is most common during spring and autumn, and can blow at almost 60mph; it is this wind which is responsible for the dry, dusty conditions on the Mediterranean coast of North Africa. ‘Ghibli’ can last for days making life miserable and is therefore feared by the desert dwellers in that region. It can also have profound effect on the landscape by moving vast quantities of sand and dunes. Inspired by the Studio Ghibli’s unique and magical characters, the ‘Ghibli’ typeface is designed as a Latin free and literary serif typeface. It strongly expresses transition, imagination, sharpness, characterization, and modernization. It is a literary type that can capture the eyesight of readers and other observers with its acute and stylistic letterforms, dots, and numerals. It has transitional serifs and it is generally based upon the Latin printing style of the 18th and 19th centuries, with a pronounced vertical contrast in stroke emphasis (i.e., vertical strokes being heavier than the horizontal strokes). It has more regular forms in which serifs are bracketed and more symmetrical. The main characteristic of ‘Ghibli’ typeface is in its new designed serif letters. Special letters that can be described as having modern designs include small ‘g’, ‘p’ (with their open ends), ‘x’, and capital ‘B’, ‘P’, ‘Q’, and ‘R’ (with their open ends). ‘Ghibli’ typeface has also both of lining and old-style numerals which makes it more suitable for any literary and printing purposes. This gratuitous font comes in only two weights (i.e., Ghibli Regular and Ghibli Bold). It is absolutely preferable to be used in the wide fields related to literature and publication industry. This includes typing titles of diverse literary and academic books, readable texts of novels, novellas, short stories, prose, poetry, textbooks, newspapers, and magazines. It is also notable if chosen for designs that include movies’ titles, logos of academic institutions such as colleges and universities, organizations and associations’ names, medical packages such as those dedicated for tablets and syrups, and also other different educational and social materials. ‘Ghibli’ is simply a free literary typeface dedicated for all who want to write and read using a modern and stylish serif font. Enjoy it.

Ranch Hand JNL is a tall, condensed wood type with slab serifs. The font is somewhat bolder in weight than Nostrand JNL, but like its counterpart, fully captures the spirit and flavor of Nineteenth Century advertising, fliers and notices.

A vintage brass stencil for an individual or company named ‘Rodrigues’ was spotted in an online auction. The hand punched, condensed Roman lettering inspired the digital typeface Nameplate Stencil JNL, which is available in both regular and oblique versions.

Empire was originally designed in 1937. This version is an all-capitals face with tall condensed characters. The Empire font can be used for headlines and posters where space is tight, or where an empression of height is desired.

This font was originally designed for one lettering job with only one simple purpose—to be as much condensed as a font can be. Then it was developed as a font family of 4 weights with regulars and italics.

Mystyline is a modern thin line condensed font inspired by hipster aesthetics. The letters are decorated with lines and dots. Mystyline is suitable for contemporary typographic posters (event design, movie posters, advertising, music production, photo overlays), hipster design etc.

Introducing Delluza - Authentic Condensed Sans with strong and challenging nuances. very suitable for the title, typography, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional, You can activate Ligature OpenType panel.

Gothic Love is a modern serif font with elegant wavy details. The font is created in condensed proportions with high serifs. The font is suitable for the design on the theme of fashion, feminine branding, mysticism, gothcore, punk, surrealism.

A surprisingly modern looking condensed sans serif issued by Mackellar, Smiths & Jordan foundry in 1887. Its narrow width makes it useful for long copy headlines. Designed by the freelance type cutter Charles Beeler who did many fonts for Mackellar.

The second volume of the Robbins Music Corporation's "Hollywood Song Folio" features the word "Hollywood" lettered in a condensed block style with inline, strongly reminiscent of sports or college-themed typography. This was the inspiration for Winning Team JNL.

Way back in the 1990s, the fatter the fast food generation got, the more condensed letters became. I figured when the taste in fonts started to mirror the contemporary bodily norm, Hunky Chunk should be there. Here it is.

Introducing Cozee, a quirky tall and narrow handwritten font with stylistic alternates! This modern condensed sans serif is fun and skinny - ideal for creating minimalist illustrations, cricut projects, kids books, branding projects, custom home decor, and so much more.

ABOUT THIS FONT Vectro is a casual and clean condensed sans font designed to make powerful corporate branding, copy ads, logotype, and much more. FONT FEATURES - Additional Accents - 66 Languages - Kerning SOFTWARE RECOMMENDATION - Adobe Photoshop - Adobe Illustrator - Adobe InDesign - Affinity Designer

Aorta was designed for independent subcultural zine. It have stencil in place of lower-case and digit stencil in place of old style digit. Aorta good for headlines, posters, editorial design... Aorta have condensed proportion and good in solid matter.

Bokeseni is a cute and casual sans serif font with an undeniably clean feel. It includes a condensed, and expanded version. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs.

Moris™ is a family of modern sans serif typeface with simple and condensed proportions. Moris is recommended for publication, screen and Corporate use. This new font family includes nine weights with true italics, numeric tabular function and Opentype features.

You can pack a lot of letters into a single line with this face, originally released as Clarendon XX Condensed in 1859. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The Torino font family was designed by Alessandro Butti in 1908 for the Nebiolo foundry in Turin. Torino is a narrow face in the Bold weight; the condensed weight is so narrow that it should be used in over 14pt.

Dinosaur is a very grotesk and extremely condensed display font. Only useful for very big and short texts. The font comes with three regular weights and three italic weights. With 448 glyphs, Dinosaur font supports over 200 Latin-based languages.

Geoffrey Lee designed Impact font for the Stephenson Blake foundry in 1965. The sans serif display typeface is very heavy and condensed in the grotesque style, similar to Helvetica Inserat. Use Impact font in display situations requiring a strong statement.

Geoffrey Lee designed Impact font for the Stephenson Blake foundry in 1965. The sans serif display typeface is very heavy and condensed in the grotesque style, similar to Helvetica Inserat. Use Impact font in display situations requiring a strong statement.

LCS Amsterdam is a condensed sans-serif typeface, inspired by college sports and football (soccer) jerseys. Features both outline and regular solid fill versions. Perfect for titles and headlines, included are uppercase and lowercase letters, numbers, symbols and European language support.

Anantason Reno is a versatile sans-serif typeface that offers a range of 162 styles, spanning from thin to black in weight and ultra-condensed to ultra-expanded in width. Its adaptability makes it well-suited for a variety of purposes.

SomaSlab Tall has all the same characteristics as SomaSlab, transferred into a style which has been condensed along the horizontal axis only. Available in 2 weights, XBold & Heavy, with an extended Latin character set and several glyph alternates for maximum versatility.

A condensed and stiff-looking typeface with an enormous x-height, Renslaer is meant for use as a display face. It has the feel of some of the 19th century display faces, which often had the same sort of unpolished look.

SK Bade is a demi serif and condensed font. It was designed by Salih Kızılkaya in 2020. This is a completely decorative font, but legibility is at the forefront. In this way, it can be used easily in long texts.

Casting Call JNL is a simple condensed sans modeled from the hand-lettered title of a piece of vintage sheet music entitled "Somebody Else is Taking My Place"; a 1940s song co-authored and made famous by bandleader Russ Morgan.

Gangsar is a Condensed typefamily, Inspired by Enge Hermes (1935). Having 6 weights including italic version, strong character, Sharp edges and proportional contrast. The typeface is versatile and can be successfully used in Branding, Posters, Magazines, Websites, Mobile Apps, etc.*

Trona is a retro-modern condensed serif. Inspired by the typefaces used in print media headlines in the 20th century and with geometrical sharp terminals. Trona comes in 5 weights and with 375 glyphs (covering the major latin based languages)