Meet Auntie Lee - a hand drawn and playful sans serif! An upper-case-only font with upper-case-variants on the lower-case letters. With three happy versions - regular, outline & thin - you just can't go wrong! Don't forget to pay Uncle Lee a visit!

Balaeno seamlessly combines modern sophistication, technological innovation, sporting spirit, and timeless elegance into one captivating font. With its sleek design and sharp lines, the font not only reflects contemporary trends but also exudes cutting-edge technological vibes suitable for a range of design projects.

Wardrum is an expanded sans with four style! Use this font for your new project. Suitable for branding, poster, or your headline! This font contain uppercase only with number, symbol, punctuations and also support multi language! Email us to letterhend@gmail.com for some questions!

An early design, but it has its moments. It is very narrow and spindly in the vertical strokes, so it really only makes sense to use fairly large point sizes, and for short phrases. Vowels are included, and just for variety, cantillations are also included

Introducing High Noon; this very old font originally known as Antique Tuscan dates back into the 1800s and was available only as an uppercase font. Now with the addition of a new never-before-seen lowercase you'll find new uses for this old classic.

Adapted from lettering found on a poster by an Italian artist with the unlikely name of Marcello Dudovich, this ultrabold Art Deco font, with its graceful curves, commands attention. Primarily an uppercase only font, there's a variant lowercase m with a strong design element.

The name says it all. It is aesthetically located between American Gothics and European Grotesques and features small caps, a Central European character set and four number formats plus small caps numerals. This makes it not only a heartbreaking headline font, but also extremely versatile.

The name ‘HARBER’ comes from the first letters drawn. It is a sans serif family designed of dots on a grid, that gives it this round and rhythmic aesthetic. Only dots grow, approaching or moving away, changing the aspect of letters but keeping its characteristics.

Font Etruria is based on a real Etruscan inscriptions and realistic accurately simulates the writing of the Etruscans. The idea of the font Etruria is to give an opportunity for anyone to touch the past of mankind! The character of the Etruscan alphabet involves the creation of a font with only uppercase letters. However, I did not limit this font by that. Etruria has not only a lowercase is different from uppercase, but an additional sets of alternative characters. In General, the main characteristic of Etruscan writing is randomness and diversity of characters. Differs from lowercase to uppercase is only the first step on the road to make randomness effect. Next to the aid of the OT features. To recreate the randomness effect, in Etruria there are several OT features (Contextual Alternates, Stylistic Alternates and Stylistic Sets), which built a script to simulate randomness. Additionally, another script creates the effect of random positioning. Together they create incredibly realistic Etruscan inscription. Thus, any of these features can be disabled at will. I also used a small line spacing, because it is characteristic of the Etruscan writing. Actually the Etruscan writings is a mirror of the writings compared with the current European alphabets. I didn't use this feature all the letters, because this would make the font difficult to perceive, but to make the font characteristic of the Etruscan style, Etruria has a few letters in mirror image. However, if for someone it may seem unusual, mirrored letters can be disabled instead of them will appear more familiar to them. Another feature of Etruscan writing is the use instead of a space dotacentered. Font Etruria has this feature, there is a OT feature Stylistic set ss03. Naturally, it also can optionally be disabled. All these features can be used together, separately, or turn it off. The main goal achieved! The text typed in Etruria, creates full impression of these Etruscan inscriptions.

Located in the Valencian Community, Spain, Manises is very famous for its pottery. In the Middle Ages and the Renaissance, Manises was the most important production center for Spanish-Moresca ceramics, which was exported throughout Europe. At the beginning of the 16th century, Manises tiles were very commercially successful, especially of the heraldic type. Much appreciated by the Aragonese crown, Manises ceramics was also exported to France, Italy, and especially to Naples. As a big fan of Paterna and Manises ceramics, Naples influenced other Italian courts. Calixto III and Alejandro VI continuously commissioned Valencian pieces and tiles for the halls of the Vatican. The export also extended to Sicily, Venice, Turkey, Cyprus and even Flanders and the Baltic countries. The palaces of all the courts of Europe were enriched with this art. Many painters reproduced it in his paintings. It can be seen in the work of Hubert and Jan Van Eyck, and in the central panel of a triptych by Hugo Van der Goes (Uffizi Gallery, Florence). In this city there are also some frescoes by Domenico Ghirlandaio in which the Arabic-Valencian earthenware appears. Manises font is inspired by a text written on a 16th century tile, but adapting it to our times and giving it a very modern air. It is characterised by being able to combine uppercase and lowercase letters in a conventional manner, or use only capitals, or only lowercase letters, or, a random combination of both. It comes with an extra of many ligatures, stylistic alternates, and a set of very useful catchwords, to give more modernity to your text. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Manises looks lovely on wedding invitations, greeting cards, logos, posters, labels, t-shirt design, logos, children's material, in ink or water-colour based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds!

Every element in this typeface shouts tall and narrow, slender and provocative. With wispy delicate serifs attached to elevator-style vertical stems, Stratosphere’s only goal seems to be getting to the top in style. And no matter how you describe it - ultra thin or ultra condensed - this typeface is best for short headlines and titles. Use only in large display sizes and use sparingly. Stratosphere Light is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

This font was designed to create unique typography in graphic design. It consists of one style and only capital letters. It is deliberately complicated by the addition of styles and lines that are not traditional for the latin or cyrillic alphabet, which adds zest, makes you look closely. The uniqueness of this font also lies in the fact that it is made in a geometric style using only square angles or perfect rounding in glyphs. This font will add futurism to your project, the unusual font always looks stylish and memorable. I am sure that the font will come in handy for those who want to add something new, modern and unique to their work.

It is not only coarse but extremly black, and it is quite right to name it Black Letter in English. Ernst Schneidler, the designer, created the smallest possible counters. Still, this very coarse black letter is sensitive in detail and drawn with a high level of aesthetics. By the way, it was said in Schneidler's design class in Stuttgart that his number one student Walter Brudi had cut some of the characters with �silhoutte scissors� from black paper. Sharing his ideas and work with his students does not at all decrease or lower his copyright.Ganz Grobe Gotisch is not only a distinguised but also a very catchy design.(Albert Kapr in Fraktur -- �Form und Geschichte der gebrochenen Schrift�.)

Zega Text is a top-heavy sans family, inspired in the imprecisions of letterpress printing. Zega has 14 versions that give to your text (printed or on screen) a delicious sense of old printing. Give an exclusive touch to your text with normal versions, without losing reading clarity. Try the heavier versions and add a nice impact to your titles! The family consists of 14 styles, 7 weights plus their respective italic versions. The fonts are available in OpenType PS and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Zega Text downloading the free trial font in Semibold version (TT only). This trial file supports only Western languages.

Enfonix is ​​a modern sans display font suitable for the needs of logos, magazines, posters, etc. with dynamic shapes, Enfonix is ​​equipped with 3 alternative width sizes and 2 typeface shapes (Std and Pro). Enfonix is ​​also available in a monospaced style Enfonix Std: Standard form 3 alternative width variations ( Strecth Font ) uppercase and lowercase symbols & numbers multilingual Enfonix Pro: More unique and proportional typeface 3 alternative width variations ( Strecth Font ) uppercase and lowercase symbols & numbers multilingual Enfonix Mono Std: Standard form only one width variation Monospaced uppercase and lowercase symbols & numbers multilingual Enfonix Mono Pro: More unique and proportional typeface only one width variation Monospaced uppercase and lowercase symbols & numbers multilingual

The 1930s era French textbook on lettering "100 Alphabets Publicitaires déssinés par M. Moullet" featured a hand lettered chamfered alphabet with slab serifs reminiscent of sports lettering. Although intended for advertising and signage inspiration, only a partial lower case was illustrated along with the capitals and no numbers or other characters existed. These had to be created from scratch. The finished result is not only a bit of classic lettering from the past, but the font also doubles as a typeface with a sports look and feel. A traditional (rather than stylized) M and N are located on the solid bar key and the broken bar key respectively. Old Sport JNL is available in both regular and oblique versions.

P22 Wood Type is a set of four fonts based on 19th Century American wooden printing types. Wood Type Regular is a condensed Tuscan styled font with a lower case and international character set. Wood Type Small Caps is a variation of the regular with small caps in place of the lower case. Wood Type Extras One & Two feature over 150 borders, stars, pointers, combination dashes, manicules & other decorative embellishments. Perfect for evoking 19th Century printing & Americana at its most genuine.