Arbinova is a strong slab serif font. With its swash and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Caps only Fonts.

It has a higher uppercase structure than the normal ones. It has a condensed, rounded and squared character. It is a typeface which you can use in posters, packagings, newspaper & magazine ads, logos, banners, promo images & soccer uniforms.

Cobya is inspired by the waves and the ocean. Some letter like A,W,V reflects the dynamic and beautiful shape of the waves. Try All Capitals and play with the spacing for a modern and fashionable look. Cobya consists of three widths condensed, normal and expanded. Each width has 9 weights, also a variable format. Cobya has distinctive and unique characteristics, so it is very suitable when used as a branding logo or fashion design concept.

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

fj Alabaster Antique™ is a hybrid typefamily with a 10 styles inspired of the develop and exploration of “serif” since the first half in XIX century, envolves a special influence of the slab humanist typefaces, —with a calligraphy flavor in his Italic— with the goal to generate a contrast in to texts sheets. Has a three display versions based in the universe of “woodtypes” to deliver a “unity” in all typeset, like his versions fj Alabaster Antique™ Display, Engraved & Shaded. Include Small Caps, Swashes, Modern and OldStyles figures to decimal notation that envolve to fj Alabaster Antique™ in a ideal typeface for first and second lecture in the most of the visual communication pieces. • To exclusive licenses and to follow the develop of this project please visit frncojonas.com Learn about upcoming releases, work in progress and get to know us better! WB: frncojonas.com BE: beh.net/frncojonas TW: @frncojonas ING: @frnco.jonas

Introducing Bringhum, a bold and nostalgic typeface that captures the essence of the 90s era. Immerse yourself in its retro charm. This font is exceptionally well-suited for a range of applications, particularly for logos and various formal formats such as invitations, labels, magazines, books, greeting stationery, novels, and diverse advertising materials. Features :Uppercase & lowercase, Numbers and punctuation, Alternates & Ligatures , Multilingual, & PUA encoded

Power Display Inspired by Fun cartoon style combined with modern style. This Playful Font Comes In Three Widths; Condensed, Normal, Expanded. This Font Can Be Used For Modern And Vintage Designs, Also Can Be Easily Paired With Some Graphic Elements (Illustration, Photography) This Font Perfect For, Logotype, Branding, Title, And Packaging.

Introducing our latest display typeface called Junker - Normal And Italic Paint Brush Font with a natural style and dramatic movement can make your logotype become more interesting. Best Vintage font and multilingual support. inspired by the decorative arts and architecture movement

ResotE-Pastels family was created inspired by the poetry of natural colors: the elegance of Pearls, the freshness of Mint, romanticism of Lavender and Cherry Blossom. Fully vector color Letters allow you to create any size headers, banners or advertising slogans. Because of the predefined pastel colors, of course, fonts work best on darker backgrounds. Automatic contextual alternates and ligatures built into the fonts compensate for whitespace area differences. Normal OTF ResotE (AllCaps) font is included in the package, which allows you to create text in smaller sizes in style of the ResotE family. Technical info to use: The package contains 6 color font variants in OpenTypeSVG TTF format and a normal TTF font in Black White. To be able to use the color files you need to have installed Adobe Photoshop CC2017, Adobe Illustrator CC2018, Mozilla Fire­fox or Microsoft Edge.

Dower is a playful decorative geometric sans serif. Inspired by the doodle style and hand-drawn lettering. Dower contained three widths: Condensed, Normal and Expanded, four styles each, including dozens of ligatures.You can use Dower in many types of creative modern concept designs.

Introducing Abesif sans serif font. This font is stretched from the normal theme, it is boring, while different, it seems strange. from there we design the appearance of this font that is not normal so that it is not boring and we display it differently but not look strange. so if you use this font it will look different from the others but it doesn't look strange because it has a normal design. so that it creates an impression that is easy for each of your audience to remember when they first see your project. This font is very suitable as text with displays for various kinds of branding, advertisements, posters, banners, packaging, news headlines, magazines, websites, logo design, banners, social media design and of course you can use a lot more.

Kota datoma an luxury and unique calligraphy font. Carefully designed to work together in harmony that makes it perfect for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires unique, formal or luxury. Try Kota datoma, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Included Multilingual Support And Special Ligatures Your download will include OTF format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows)

Andit is an unique calligraphy font. Carefully designed to work together in harmony that makes it perfect for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classics, formal or luxury. Try Andit, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Included multiligual support and special ligatures Your download will include OTF format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows)

Magzo is specially designed for food logo brand identity and packaging design projects. Some other industries that are very suitable for this font are beauty cosmetic and handmade projects. Magzo consists of 16 fonts including: 7 normal, 7 italic and 2 alternate (semi Bold) normal and italic versions too. As a note, alternate characters and ligature only available in Magzo Alt regular and italic . You can see an example of using the Magzo Alt font on covers 1 and 3. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Hercílio is a typographic family without condensed serif, modern and geometric inspired by the architectural forms of the Hercílio Luz Bridge in Florianopolis | Brazi Comprising eleven (11), weights of which ten (10) business are: Five weights Romans: Light, Normal, Regular, Medium and Bold Five Italics weights: Light, Normal, Regular, Medium and Bold And a weight (FREE) Hercílio Decorative Comprising 430 glyphs in each source, brings support for 56 languages (Latin and West, Central and East European) still has features Open Type, ligatures and tabular figures. http://www.cort9.com/wp-content/uploads/2016/05/Specimen_Hercilio.pdf

Welcome to the new font! A fun and playful handwritten font with universal letters that looks great in ALL CAPITAL letters or is regularly used in sentence cases. Perfect for book covers, children's books, birthday invitations, stationery, calendars, magazines, Instagram posts and more! Each letter is a tall, all caps typeface with lots of bouncy glyphs Please note that the Nannaula-colorvector font is COLOR and COLOR CANNOT be changed! BUT Nannaula-normal font is normal font and you can change the color:) Feel free to email me shabanovasprt@gmail.com if you have any questions. :)

NorB Sketch is inspired from my NorB Felt Pen font, so trying a new technique of lettering. It is a handwritten text font witch can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 6 weights, Normal, Bold and Heavy each with their Italics.

Inspired by monospaced letters, Britonix is ​​designed with normal spacing but seems mono. Uppercase Britonix can be used for headlines or displays giving it a minimalist, professional yet modern look. Britonix also carries 20 weights including italic style, minimalistic lowercase letters can also work well for long sentences or paragraphs. happy exploring with Britonix.

Stenblak is a rough, stencil blackletter design created by Terrance Weinzierl. There is just the right amount of grunge and texture to make Stenblak stand out from other formal blackletter designs. Stenblak would be great for any printed Halloween materials as well as posters, flyers and greeting cards. Stenblak is available in OpenType and TrueType font formats and is best used in medium to large headline sizes.

Gulfs Display Inspired by the 90's playful cartoon & comic books. This playful font comes in six widths; condensed, semi condensed, normal, semi expanded, expanded and extra expanded. This font can be used for modern and vintage designs, also can be easily paired with some graphic elements (Illustration, Photography) this font perfect for, Logotype, Branding, Title, and Packaging.

This narrow neoclassical revival is based upon a font released by the Haenel Foundry, Berlin, in the 19th century. By typing [alt] + p respectively [alt] + b you have access to a framing element as it can be seen on the posters. By using the OT feature stylistic alternative you can change the normal numbersign into an oldstyle numero sign.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Three are word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Three is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Four includes word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Four is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Two are word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Two is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.