Typewriters are becoming scarce, but fonts designed to look like they came from typewriters aren't. In this case, however, Gripewriter is meant to look as if it were typed on a textured paper and enlarged, emphasizing flaws and lending it a funkier, grungier look than your average typewriter face. This was originally called Hypewriter until it was pointed out that a font already existed with that name. The current name is a better fit, anyway, since Gripewriter looks like it might hold a grudge.

Dick Jensen (USA) designed Serpentine, is a contemporary-looking display font, for the Visual Graphics Corporation in 1972. With the rise of digital typesetting and desktop publishing, this typeface quickly became both popular and ubiquitous. This dynamic, wide, boxy design is identifiable via tiny triangular swellings at the stroke endings - what might be called semi-serifs. Serpentine is available in six different font styles: Light, Light Oblique, Medium, Medium Oblique, Bold, and Bold Oblique. Serpentine" is a greenish rock that sometimes resembles a serpent's skin, and is often used as a decorative stone in architecture. Though this font doesn't seem at all snaky or sinuous, it does have an architectural, stone-like solidity. The subtle, almost non-existent curves and semi-serifs keep it from being too stern or cold. Although the underlying strokes of each weight are similar, the six members of the Serpentine font family all present their own individual personalities. Serpentine Light lends itself well to text for onscreen displays, for instance, while the numbers from typeface's heavier weights are seen around the world on soccer jerseys! Additionally, the oblique styles convey a streamlined sense of speed, furthermore lending Serpentine well to sport and athletic applications (especially the faster, high-speed varieties). Because of its 1970s pedigree, Serpentine has come to be known as a genuine "retro" face. This makes the typeface even more appropriate for display usage, in applications such as logo design, magazine headlines, and party flyers. If you like Serpentine, check out the following similar fonts in the Linotype portfolio: Copperplate Gothic (similar serifs) Eurostile (similar width) Princetown (another "athletic" font) Insignia (similar "techno" feeling)"

Dick Jensen (USA) designed Serpentine, is a contemporary-looking display font, for the Visual Graphics Corporation in 1972. With the rise of digital typesetting and desktop publishing, this typeface quickly became both popular and ubiquitous. This dynamic, wide, boxy design is identifiable via tiny triangular swellings at the stroke endings - what might be called semi-serifs. Serpentine is available in six different font styles: Light, Light Oblique, Medium, Medium Oblique, Bold, and Bold Oblique. Serpentine" is a greenish rock that sometimes resembles a serpent's skin, and is often used as a decorative stone in architecture. Though this font doesn't seem at all snaky or sinuous, it does have an architectural, stone-like solidity. The subtle, almost non-existent curves and semi-serifs keep it from being too stern or cold. Although the underlying strokes of each weight are similar, the six members of the Serpentine font family all present their own individual personalities. Serpentine Light lends itself well to text for onscreen displays, for instance, while the numbers from typeface's heavier weights are seen around the world on soccer jerseys! Additionally, the oblique styles convey a streamlined sense of speed, furthermore lending Serpentine well to sport and athletic applications (especially the faster, high-speed varieties). Because of its 1970s pedigree, Serpentine has come to be known as a genuine "retro" face. This makes the typeface even more appropriate for display usage, in applications such as logo design, magazine headlines, and party flyers. If you like Serpentine, check out the following similar fonts in the Linotype portfolio: Copperplate Gothic (similar serifs) Eurostile (similar width) Princetown (another "athletic" font) Insignia (similar "techno" feeling)"

Mario De Libero designed Swanstone while investigating XIX Century Old Style typefaces. Designs like Theophile Beaudoire’s Romana (1860) or Miller & Richard’s Modernized Old Style, that re-imagined the classical “Venetian” letterforms adding flared serifs and early Art Nouveau influences. In Italy, one of these fonts was Raffaello Bertieri’s Raffaello, which De Libero used as the starting point of his research in a contemporary retelling of these exuberant and sexily unsettling letterforms.

Laricio is the italian name of the larch tree. This typeface has naturalist and renaissance connotations. The design of the stems is organic. The general feeling is slightly prickling like the foliage of conifers. In french, the word "fût" qualifies the "stem" (of a letter) and also the "bole" (of a tree).

British type designer Rian Hughes created this display FontFont in 1993. The family has 5 weights, and is ideally suited for music and nightlife. It comes with tabular lining and proportional lining figures.

Released by the Monotype Corporation around 1932, Inflex Bold is a Scotch Roman fat face design similar to many others popular in the nineteenth century. A high-contrast bold roman, Inflex Bold is good for informal display work when used sparingly.

Moonbandit proudly presents, Typerisme. The modern take on the typewriter font. This typeface is perfect for your old, retro, vintage distressed look without going overboard. Huge kerning to boost clarity. Use it for body text, headline, title, one liner, anything! this typeface is versatile.

Ralph M. Unger, known for his preference for blackletter designs, brought this beautiful blackletter variant back to life. Based on artwork from old catalogues, he redesigned, digitally remastered and completed the character set for this typeface. Breite Kanzlei cannot be avoided by blackletter lovers!

Stola is able to be used with all European languages including ancient and reconstructed languages like Old Church Slavonic (it can be written by Cyrillic or Glagolitic script), Proto Slavic, Ancient Greek etc. Also it includes IPA, so it can be used in education.

Inspired by the elegant, rounded geometry of classic sans-serifs like Harry™ and Cirkulus™, Evcial was designed in 2000 to serve as the logo font for EVCco's website. The composition of each alpha-numeric glyph in Evcial is restricted solely to circular curves and lines of either 90 or 55 degrees, thus lending an air of chic consistency to this sophisticated typeface. Comes packaged in both TrueType and OpenType formats with standard complement of alpha-numeric glyphs, punctuation marks, mathematical symbols, and Western European diacritics.

The extremely narrow Robotik was created by the British typeface designer David Quai and appeared with ITC in 1989. The figures are robust and strong and form tightly packed, bar-like lines. The characters' slim, narrow and angular forms suggest mechanical exactness and cool distance. The similarity of the forms are also reminiscent of machinery and the letters form chains of words. The form principle shows parallels with the constructivism of Moscow after the First World War. Robotik is best used for headlines in large point sizes.

Sobek, the Egyptian crocodile god, comes to life in this font as a striking and impressive set of characters. Somewhat alien and dangerous, Sobek uses sharp corners, excessive lines and geometrically circular curves to create a font that looks both organic and crafted at the same time. Use Sobek when you want your words to stand out from the crowd, and convey the feeling of something Other. Sobek even has support for numerous languages, so you can create interesting forms in many different dialects.

Moon Bleacher is a display experimental aesthetic serif font that have sharp edge to make it look more elegant and luxury, Moon Bleacher inspired by nuance of mysterious thing, but keep it elegance with contrast line on each character. This font can be use in various project like, posters, magazines, logos, banner, invitations, brochure, album cover design and many more. Moon Bleacher also has several features including multiple languages support, punctuation marks, symbols, alternative and ligature. Moon Bleacher ready to stylish your beautiful word.

Introduce a display font named Kinuhi. What can you do with a font like this? With a simple line of code and some creativity, you can make it the centerpiece of your next snowboarding gear or create a cool logo for your design agency. Or, maybe use it to quickly make a fun Halloween party invitation. The possibilities are endless. Of course with this font your various design projects will be perfect and amazing, get a beautiful title and start using our font for your special project.

Brakoda is a delightful sans-serif typeface that effortlessly combines playfulness with a clean and modern aesthetic. Its lively and quirky letterforms exude a sense of fun, making it a perfect choice for projects that aim to capture a youthful and dynamic spirit. With a balanced blend of rounded curves and straight lines, Brakoda maintains readability while infusing a sense of whimsy, making it a versatile choice for a wide range of design applications, from branding and headlines to digital interfaces and creative marketing materials.

New September is a whimsical and fun display font. Looks great on a variety of design ideas that need a trendy touch. Whatever the topic, New September will be a great asset to your font library, as it has the potential to enhance any creation. The New September is also made with the crafter in mind: there are no closed counters in either type, meaning they can easily be used for stencils and electronic cutters like the Cricut and Silhouette lines. Enjoy and thank you.

Koi is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. The result is something of a hybrid, sitting somewhere between an outline and an inline style, and with an asymmetrical look — something quite rare in a typeface. Many of the characters look like ready made logotypes. Further customisation is easily achieved by extending the end strokes of characters, possibly aligning them and joining them to others to create bespoke arrangements.

If you ever dream about light vibe, playful, easy going, cute, has some nature touch in it and still has a good read-ability font: it's time to wake up. Florentina is here. The "ink bleed", irregular line, it looks like you write it by yourself. Not mentioning that dreamy hand-drawn bonus... LOTS OF THEM. And it is support 22 languages as well. I hope it support yours. Happy designing! BONUS vector can be downloaded from https://www.dropbox.com/sh/fwgkzcecjy8tqsu/AADi06i-Hf0R49mtT8_DPMw8a?dl=0

Mentone is a new general purpose typeface, an attempt at extending the line of the great sans-serifs of the previous century, Frutiger - Stone Sans - Myriad. The font has round corners and subtle chamfers, which are all but invisible at text sizes, but add an upbeat, irreverent expression at display sizes. The typeface is named after the beautiful bayside suburb of Melbourne, Australia, where the designer lives. This new version (2.01) was spaced and kerned by Igino Marini of iKern. The semibold cuts are now free!

Introducing Bradrock, a vintage slab serif typeface. Inspired by old-school cowboy design, and circus-style. Bradrock has a more decorative typeface by adding bold bifurcated serif on the letterforms. This font is a perfect choice for vintage or old-school themes. Bradrock is an all-caps font, which represented strength, confidence, and an old-school aesthetic. You can use this font for many purposes such as vintage logos, mugs, embroidery, prints, display, short text, packaging, cards, emblem, signage, and many more! Equipped with special characters to get your design more powerful. TTF & OTF in a zip file including : Uppercase Small-caps Numbers & punctuation Accented characters Stylistic alternates Stylistic set 01-03 That's all, folks! Thank you for visiting.