Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Pan-European family has 17 fonts in total, supporting the W1G character set. It spans six weights from ultra light to heavy, each with an italic complement. In addition, three condensed designs and two monospaced (typewriter) typefaces were drawn to further expand the family’s vast range of uses. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity. While the family is also large enough to manage complicated typographic hierarchy, SST pairs handsomely with typefaces as far reaching as ITC Berkeley Old Style®, Meta®, PMN Caecilia®, Malabar® and Neue Swift®.

I’m not particularly fond of beans. I do eat them, but they’re not my idea of a delicacy… But this font has ‘fairy tale’ feeling to it, and I liked the name Beanstalker. Beanstalker is a hand made font (I used a fineliner to draw the glyphs). It is quite neat and organized, but does come with some rough edges and a bit of texture.

Grand Heist is a bold and unique display typeface, fully equipped with basic and Western European Latin characters, numbers, punctuation, some symbols and special characters. Now we don't condone robbing banks here, but if you do, we can't deny that you'll have way more street credibility if you have this font in your handy fontbook. Just sayin'. Aa-Zz Numbers Multi-language support Symbols Special Characters

Hello gaes! How are you guys doing ? i’m sure that’s nice! Meet our newest product, we call this product Montera font. Montera font are cute typeface font Whit a uniqe touch and assertive Monteras font is very nice to use on: fashion magazine,logos, ,and photography,landing page,fliyer, What’s includes - Montera (TTF/otf) - mutilngual support - alternate - ligature Thank you,salutations Ali Sifak Muftari

Do you want a unique and attractive display font?. Murisa Paula is the answer. This very attractive font will make you happy and excited. It has a unique shape with the edges of the letters torn to shreds, like torn paper. This type of lettering will make it easier for you to design a display product with a cracked effect or something else. Get it now.

Meet Balisay, A Calligraphy font that is perfect for branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, and more. Features: Uppercase and lowercase letters 70+ Lowercase Swash alternates Multilingual symbols, numerals, and punctuation How do access swashes alternate? https://sronstudio.com/sronstudio-font-guide/ Any question? Don't hesitate to drop me a message :) Follow Instagram: @sronstudio

Hello, friends. Here's my new experiment. This font breaks the boundaries even more. Rosalina combines all these qualities: simple and clear, looks at ease. It is perfect for signatures or design, wedding invites and cards, where you do not need a strict style :) Test it out below to see how it could look for your next project! Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

Mousse Script is based on Glenmoy, a 1932 Stephenson Blake typeface. Glenmoy a prime example of what display typography was in pre-WWII American ad art. It graced the pages of magazines, sold numerous products and services, then simply died out when the typographic trends shifted towards the more personalized, stylized and handwritten types of calligraphy. The current trend in typography is a revivalism that brings all of the distinctive display typography of the 20th century, without chronological discrimination, back in the name of ‘retro’. Who are we to deny the masses what they want? Mousse Script doesn’t just bring Glenmoy back from the ashes of the 20th century. It expands upon the limited metal character set nearly twice over and takes advantage of the latest type technologies. This makes Mousse Script a striking typeface, both functionally and visually. A simple, attractive display font on the surface, Mousse Script is unique in its bold upright calligraphy, something rarely found these days. The OpenType version of Mousse Script combines both the regular and alternate character sets into a single, cross-platform package that takes advantage of the extended typographic features of the OpenType format.

Linotype Punkt, from US designer Mischa Leiner, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This font, from US designer Mischa Leiner is available in three weights, light, regular and bold. The basic forms are those of a robust sans serif, however the figures are composed of evenly placed dots, hence the name Punkt, the German word for dot. This distinguishing characteristic lets this font look as though it appears on a background of light. One other unique trait of this font is the nature of the three weights. The figures of each weight have exactly the same measurements, the same width, breadth, etc. The only variable measurements are those of the individual dots making up the forms, making the bold weight much darker than the light while retaining the same outer contours. Linotype Punkt should be used in larger point sizes, as when it is too small the dots blur together and rob the font of its 'light'. The font is therefore best for headlines in large and very large point sizes.

Hello, I'm back with my best product. This product is a serif font family because there are four style options, namely regular, italic, bold and bold italic. This font is also equipped with several alternates and ligatures so that you have the best choices for your work. This font can be used for wedding invitations, advertisements, web designs, quotes, banners, presentations and more. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Introducing Antonia Retro – a bold retro script font that takes you back to the ’60s. This typeface has an extruded version so you can easily create retro-effect fonts. It is suitable to be applied especially to logos, and various other formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, make-up, stationery, novels, labels, or any advertising purposes. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Greatest Fortune is an incredibly realistic and perfect handwritten font duo. The combination of various ligature (uniquely designed letter combinations) makes the font look more natural. In addition, the Greatest Fortune font also includes an all-caps version, complete with an alternative to the letters A-Z. Suitable as emphasis in a word or as a standalone font. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. This font also contains 61 ligatures which make the font look very natural. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Decima Round – one more addition to the Decima fonts family. It is a new version of recently released Decima Pro fonts with new content and styles. The main difference in the new version is a visual softer impressions of letter shapes made by the rounding of all glyphs’ corners and terminals. Decima Round is released in OpenType format with some OpenType features and support of most Latin languages as well as Cyrillic.

Iova Nova is based on Jowa Script, designed by J. Wagner in 1967. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio. The resdesign includes the modification of the numerals which originally had capheight size. Besides, we complete the character set to cover Western and Eastern Europe including Turkey and Romania. The font contains more than 300 characters. Iova Nova is a young, fresh and casual design.

Darwin Rounded, the resequel to Darwin, is ready for sea and new adventures! A new fresh design with an updated language support and different sets of figures. Darwin Rounded comprises 3 subfamilies: Darwin Rounded Pro, Darwin Rounded Essential and Darwin Rounded Alt Essential. The font includes alternative characters available as an OpenType feature as well as Oldstyle figures, numerators and denominators. Special thanks to Eli Hernández for her help with digital editing.

Catapult is designed based on my popular condensed versions of Cornerstone / 8 styles, Cornerstone Pro / 10 styles and Cornerstone Flair / 8 styles. Catapult / 8 styles is wider with much detail to kerning and keeping the overall color in paragraphs at a minimum. Catapult also contains extra glyphs and new alternates. https://www.myfonts.com/search/cornerstone/ Applications include Headlines, logos, ads, invitations, captions, packaging, bulletins, posters, and greeting cards as well as short texts.

Manas is the name of the epic of the Kyrgyz Turks. The font family is also designed with serifs to reflect the characteristics of the epic from which it is named. This typeface, which is a serif, consists of three families: ▪ Manas: Font family containing Latin letters ▪ Manas Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Manas World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets

Manas is the name of the epic of the Kyrgyz Turks. The font family is also designed with serifs to reflect the characteristics of the epic from which it is named. This typeface, which is a serif, consists of three families: ▪ Manas: Font family containing Latin letters ▪ Manas Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Manas World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets

Bertham Pro Family (4 fonts) is a revival of Frederic W. Goudy’s Bertham typeface. Steve Matteson produced this unique typeface and added bold, italic and openface styles. The fonts include a variety of OpenType features including swash capitals, small capitals and old style figures. It is unmistakably American in appearance recalling a day of quality craftsmanship and hard work. Publishing, branding and packaging materials will draw inspired attention due to its grace and distinctive appearance.

The name Corpid derives from “Corporate Identity” — which is what this family of low-contrast sans-serifs was made for. Corpid was originally commissioned by Studio Dumbar in the Netherlands as a corporate typeface for the Dutch Ministry of Agriculture, Nature Management and Fishing. The font was designed to replace the existing standard typeface (a well-known business-like sans-serif) to provide the organization with a unique and strong identity. Although it was designed to fit strict technical requirements, Corpid has a personality all of its own. This was in part a result of what Luc(as) calls “creating tension” between the inner and outer curves of each character. “I tend to put a little more diagonal contrast into fonts than is the case in most neutral sans serif fonts. This brings a certain humanistic touch to the typeface. Much more subtle here than in Thesis – but although it is almost invisible, it is still palpable.” Corpid was gradually expanded into a five-weight, three-width family. The new Corpid SemiCondensed has double functionality. It is a no-frills, compact headline font that offers optimum legibility in sizes from small to huge. It is also a great space-saving text typeface for magazines, newsletters or annual reports: economic, versatile, and provided with several different numeral sets. In this OpenType type version, all weights come with Small Caps. With its wealth of numeral styles and complete character sets (including Central European) the Corpid family is now well equipped to tackle the most complex of typographic tasks.

TG Riota Gothic is a brand new digital sans serif typeface in geometric style with many faces and possibilities with good proportions forms. TG Riota Gothic is outstanding for use in small text or even bigger sizes with seven weights, two axes & 14 styles, including the variable font. It comes with three alternative groups (single story alternates, no tail alternates & square dot alternates), which you can combine to maximize your needs—also supplied with a bunch of ligatures (standard & discretionary ligatures), lining figures (proportional, denominators, numerators, fractions, subscript & superscript), case-sensitive forms, symbol & Each typeface contains over 674 glyphs covered more than 90 languages Latin based. Language Supports: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss-German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vunjo, Walser, Welsh, Western Frisian, Zulu. Typeface Designed by Iqbal Firdaus Published by Tegamitype® Foundry Presentation Design by Eunike Agatha & Dennise Nathalie

Borsnery is a decorative font that can be a great choice for your visual needs. With a modern vintage style, it can be more ideally used for posters, signage, and other visual branding needs And now we provide a different work than before, the first time for our fonts combined with well and carefully crafted illustrations. If you like and want this, please visit ameratype.com

'Meeeeoooow'! Seventies is another of my 'funkadelic' attempts (1) to fill the existing gap of seventyish looking fonts. In my opinion, that decade has a hidden treasure regarding type that remains unexplored: Only very few fonts rescue its 'groovy' essence, its ‘colourful’ qualities. But, don't have a cow man , and keep on truckin! With Seventies, my new foxy mama , your projects will stand out among the rest. Since there’s not much information available about this kind of lettering I had to get ideas from other styles: Nowadays it’s easy to find all kind of books or guides to understand and practice how different styles of calligraphy and lettering should be done. However, for some reason, 60s and 70s letters seemed to ignore/be free of rules... Was this suggesting the birth of postmodernism? I incorporated some ideas of the copperplate style of calligraphy: The ductus of its forms may be compared to the way letters are made in snell/engrosser’s script. Obviously, this is just the idea behind; the delicacy of thins is replaced here with the graceful imprint of really thick thicks with a brushy look and tons of good vibe . Seventies will work awesome in posters, brands, magazines, book-covers of any kind, due to its modern look adapted to our century. Well, catch you on the flip~side ! STYLES To make you more psyched , Seventies is a layered font! See examples in the posters using Seventies Shade, Seventies Shine and Seventies Printed. NOTES (1) My first one was with Beatle in 2014.

Tubby came about when I made a book with Cooper Black as a headline font. I started playing with heavy forms, and as a result was Tubby. It has a fat and friendly feel, and with swash italics it is fairly versatile in use.

The Kaffeesatz EF typeface was designed in 1993 by Ralf Borowiak in three weights: “Schwarz”, “Weiß” and „Süß“ (“Black“, “White” and “Sweet”). Since it is experiencing ever increasing popularity, the Elsner+Flake Designstudios augmented the “Schwarz“ and “Weiß“ versions with a complement of Cyrillic characters.

Grota Rounded is a very expressive font, has a gestural character inspired by the hand lettering . Grota Rounded is grotesque, unicase and exceptional. It has six weights ranging from thin to black with their italics. It is ideal for logos, brands, magazines, headlines, books. etc.

Spleach is a splendid mix of comic text, grafitti and unicase letters - as always, the pizzadude way! The letters are heavy and black, but still light enough to funk up your text! You will need to use OpenType supporting applications to use the autoligatures

Cantebriggia 1207 is Greater Albion’s Christmas Black Letter typeface for 2017. It’s a weathered calligraphic ‘English’ perpendicular. There isn’t a specific significance to the year 1207 - it’s just a reversal of the current year, 2017. Why not try Cantebriggia 1207 in your seasonal design projects?

Bartleby is a hand-drawn all caps display font. It has over 300 glyphs and several variations on the standard alphabet with all those €xtra pesk¥ foreign characters too. It is available in 3 weights regular, bold, black and as a family of all three.

Introducing Bargo - Sans Serif 3 Styles by Look Minus Today. Behind these 3 styles, we want to combine a typeface that can provide a different perspective. Regular which gives

We live only to discover beauty, all else is a form of waiting. --- Khalil Gibran Wait no more, this beautiful font can be yours right now! This custom made font was specifically designed to fit whatever you need! The curvature of the Casira Script was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be! Discover the beauty in your own imagination while this font gives you a quick kickstart to what it can be. Everything’s well with cursive! Show your opulence and decadence with this fancy font and blow your audience’s mind away as you put these cursive letters in your projects. Communicate the extent of your mind so that whoever views your designs understand not just what you write, but also the tone and feel of it! The Casira Script makes a perfect addition for your collection of fonts, show love and bring out the true you! Feel free to contact us if you need anything else! If you have a request on what kind of fonts you’d like to see, tell us that too!

Spirited, unaffected and buoyant, the ITC Oldrichium type family pays homage to the calligraphy and typeface designs of Czech designer Oldrich Menhart. “I came upon one of Menhart's typefaces over a decade ago,” says George Thompson, designer of ITC Oldrichium. “I've been collecting examples of his work ever since.” Thompson was born in Chicago and grew up in north-west Indiana. “While I've been an educator and general graphic designer for over 30 years, lettering and type design have always been an important part of my work,” he says. Thompson now spends much of his free time designing typefaces. ITC Oldrichium is a subtle melding of the shapes and proportions of Menhart's Manuscript typeface, the energetic strokes of his calligraphy, and Thompson's own design skills. The result is a distinctive, powerful, and exceptionally versatile typeface family. Available in light, regular, demi bold and bold weights, with corresponding italics for all but the bold, ITC Oldrichium is comfortable setting both text and display copy. In addition to the basic weights, Thompson has created an Engraved version for those times when an especially powerful statement is called for.

Wardshus Calligraphy is a unique blend of medieval gothic style and modern script, creating a distinctive and eye-catching blackletter font. The heavy, hand-drawn design brings an air of the Middle Ages to your projects, making it perfect for logos, posters, rock or hip-hop music album covers, and other display purposes that require a cool and striking touch. The beautiful cursive elements add a touch of elegance to the font, while the bold strokes and intricate details give it a strong presence. Wardshus Calligraphy is a testament to the rich artistic history of the past, reimagined for contemporary design projects. Use # after any letter to make a crown. Example: Que#en Use underscore _ anywhere to make a swash. Example: Kingdom_Heroes Use multiple underscores to make underlines of different lengths. Example: Knig___hters The Wardshus Calligraphy font family includes nine high-quality styles to suit various design needs: Regular: A well-balanced, classic blackletter script style. Regular Upright: Adds a more controlled, vertical look to the regular style. Regular Italic: Combines the balance of regular with a touch of expressiveness. Bold: A stronger, more assertive version of the script for impactful designs. Bold Upright: Merges the boldness of the bold style with the structure of upright. Bold Italic: A dynamic fusion of the bold style and the energy of italic. Black: The heaviest, most powerful iteration of the blackletter script. Black Upright: Combines the weight of the black style with the upright structure. Black Italic: Adds expressiveness and flair to the intense black style. Built with advanced OpenType functionality, Wardshus Calligraphy ensures top-notch quality and provides you with full control and customizability. It includes stylistic and contextual alternates, ligatures, and other features to make your designs truly unique. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

With its split serifs, Vglee looks like it could be a copy of an “Old West” font but it is not. It was constructed by taking a motif and applying it regardless of consequences. Vglee does not have lower-case letters but it does include a full set of Western and Central European accented characters. Its distinctive, odd appearance can be useful in small doses for decorative purposes. The VgleeStar style contains only the ornament. It is intended to be used in layers with Vglee.

Methalia modern script typeface. Contains a complete set of lowercase, uppercase, alternative, ligatures, punctuation, numbers and multilingual support. Work in sync with Methalia to create awesome calligraphic creations. You can use it for a variety of purposes: logos, wedding invitations, titles, signatures, t-shirts, letterheads, signage, labels, posters, etc. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ thank you

Bridget I hope you are interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it contains a complete set of lowercase and uppercase letters, various types punctuation, numbers, and multilingual support. Fonts also contain several Binder and Device Style Style for those of you who have software it can work. Any question? Send me a message! I'm ready to answer any pre-sale or post-purchase questions you may have about this product! Enjoy! Regards,