Dress up your handmade holiday greeting cards, newsletters, programs, letters to Santa Claus, and party invitations with this vintage style true type font. It gives an old world feel to your Christmas paper creations.

The letters of this cursive font connect together to create script lettering that will add a unique touch to your special occasion announcements, invitations, scrapbook layouts, and programs.

Add some personality to scrapbooks, greeting cards, invitations, announcements, signs, menus, restaurant themes, and more. The thick, brush-stroked lines of Menu Item lend unique character to the letters of this cool font.

Personalize your paper creations effortlessly with this brush stroke lettering font. Add unique titles and journaling to scrapbook pages, handmade greeting cards, business cards, name tags, place cards, programs, announcements, or awards.

Find style and flair in this downloadable font. Its thin lines and handwritten look are perfect for scrapbook journaling, cards, and more.

Go beyond the basics with this cool font. Create one-of-a-kind scrapbook lettering and titles. Download it for groovy or retro flyers, announcements, and invitations.

Add some retro personality to scrapbooks, greeting cards, invitations, announcements, signs, and more. The round, thick lines of Groovy Smooth lend a playful 70s feel to the letters of this cool font.

Bring your scrapbook page to life with unique journaling and titles made possible with this cool italic font. It'll add instant flavor to posters, signs, bulletin boards, and word art that call for an old-fashioned, antiqued flair.

Gracia is a classic connected script design. OpenType features: - over 700 glyphs - central European faces - connection forms & stylistic alternates - proportional, mediaeval numerals & Roman numerals - numerators, denominators and fractions

Hand sketched lettering in a chalkboard, Pinterest inspired style.

Trade Gothic Next is Akira Kobayashi's 2008 revision of Jackson Burke's 1948 design. Developed over many years, the original Trade Gothic was filled with many inconsistencies. Under the direction of Akira Kobayashi, Linotype's Type Director, the american type designer Tom Grace, a graduate of the MA Typeface Design in Reading, was commissioned to redesign, revise, and expand the Trade Gothic family. Kobayashi and Grace refined many details such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. The Regular weight has been beefed up making it stronger and more robust in text settings. Trade Gothic is a staple of the advertising and newspaper industries, and now Trade Gothic Next brings more features and better quality for today's astute typographers. In addition several weights are available as soft rounded versions.

VAG Rounded Next Variable Regular is a single font file that features one axis: Weight. For your convenience, the Weight axis has preset instances from Light to Extra Black. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum.

A WPA poster announcing the latest production by—guess who?—the Big Tent Players inspired this eye-catching, if somewhat unconventional, typeface. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Jumpin’ Jack Extended is a fun, cartoon-like display font capable of taking any product out of the ordinary! Use it on bold and bright creations such as banners, posters, covers, titles, magazines, etc. This bouncy fun font is a perfect addition to your collection!

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version, extended.

This is almost a necessity if you are doing reproductions of mid-19th century posters and playbills.

In 1948, Mergenthaler Linotype released the first weights of Trade Gothic, designed by Jackson Burke. Over the next 12 years, Burke, who was the company’s Director of Typographic Development from 1948 through 1963, continued to expand the family. Trade Gothic Next is the 2008 revision of Jackson Burke’s design. Developed over a prolonged period of time, the original Trade Gothic showed many inconsistencies. Under the direction of Linotype’s Type Director Akira Kobayashi, American type designer Tom Grace, a graduate of the MA Typeface Design in Reading, has redesigned, revised and expanded the Trade Gothic family. Many details were improved, such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. Trade Gothic Next brings more features and better quality for today’s demanding typographers. Trade Gothic Next Soft Rounded introduces a new friendliness and warmth to the family.

Alige is a humanist sans serif typefaces made for body text and display. Carried classic roman proportion in higher letterform for better reading experence. Inspired by Optima Nova which designed by Hermann Zaph in early 50's, alige contains 28 cuts which 14 style in text and 14 in display. Kindly visit Alige Playground for more detail presentation.

Upton is a modern and condensed sans serif. The initial inspiration for its design came from lettering Wim Crouwel created for a poster design. It also takes some cues from neutral grotesks like Helvetica and Akzidenz. Because of its narrow letterforms, Upton is best applied to headlines and poster-sized typography. Upton’s italics were designed with high-quality compensation for all circles and strokes. Upton ships in two different formats. Depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 14 static OpenType font files instead. Those weights run from Extralight to Extrabold. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The weight axes in Upton’s Variable Fonts allow users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. In its fonts, Upton has several ligatures. That includes optional “discretionary ligatures,” which bring a unique tone to display usage. For instance, the fonts include optional ligatures for the letter combinations “E-T”, “F-l”, “L-E-T-T-E”, “L-E-T-T”, “L-E-T”, “L-E-L-O”, “L-U”, “i-j”. and “m-m”. There are also many alternate glyphs. Stylistic Set 1 substitutes in new forms for “G”, “R”, “a”, “f”, “g”, “i”, “r”, “t”, and “y”. Six more Stylistic Sets have alternates for the “æ”, “g”, “k”, “o”, “K”, “O”, and “Q”. Additional OpenType features activate other useful features, such as fractions, numbers in circles, or symbols.