The 1765 Stamp Act ignited in American colonists a simmering distrust of the distant British Parliament, whose oppressive trade duties they deemed unfair assaults on their rights as English subjects. Before long, of course, this little dustup spawned The Boston Tea Party, the American Revolution, and the birth of the U. S. of A. But before the Battles of Lexington and Concord, a group of Philadelphia merchants made one last-ditch call for commercial cooperation across the Atlantic. This futile appeal survives to this day on a three-page broadside, finely engrossed by a penman of the period and passed down through the generations of a family named Remsen. Remsen Script is an interpretation of that penman’s neat, formal cursive—from its broad antique flourishes to its subtle unevenness and gently ragged strokes. Perfect for event announcements, fine product packaging, recreations of historical documents, or anywhere you wish to offer a whiff of a bygone era.

Immerse yourself in the beauty of Arabic calligraphy with our new and modern font, inspired by the Kufic script, distinguished by its boldness and contemporary flair. This font is characterized by intricate details that highlight its elegance and strength, making it perfect for prominent headlines and verses from the Holy Quran. A masterpiece that seamlessly blends the rich heritage of Kufic script with the spirit of modern design, showcasing bold characteristics that emphasize the power of the letters and convey simplicity and sophistication. These designs offer a perfect balance between tradition and innovation, where the beauty of traditional fonts harmonizes with the boldness of modernity. This distinctive font highlights the unique details of each letter, making it ideal for emphasizing the beauty of Quranic texts and shedding light on verses with strength and elegance. Enjoy a fresh and modern experience with Alnajdi 01 font, adding a touch of allure and sophistication to your artistic and design projects.

With reference to the Type Heritage Project, this font (designer unknown) was cut by Henry Brehmer of New York for the Dickinson Type Foundary of Boston in c1879 and had the original trade name of Renaissant. John F. Cumming later cut a light-face derivative called “Artistic.” A history of the un-patented face can be found at the Type Heritage Project website. Ressonant has a full character set as well as ligatures, superiors, inferiors, numerators, denominators, old style figures, and auto-fractions. There are also alternate caps for N and M as in the original, and, unlike the original, comes in four weights. This font is a documented revival of a 19th-century typeface. The year, country, designer and/or foundry of origin will be published in a series of textbooks entitled “The Type Heritage Project.” Volume I explores quintessential Victorian faces, a spectacular trove of innovative gems; you can see samples by clicking the Type Heritage Project link above.

Hot Pursuit: A Hand-Drawn Grind-house Roller Derby Font A grungy hand-drawn font with attitude inspired by comic books, Roller Derby and bad Grindhouse movies. Hot Pursuit is a boiling pot of pop-culture references ranging from 70s chase movies to Roller Derby, horror comics to Grindhouse cinema. All combining to create a hand-drawn font for grungy designs with maximum punch. Supplied in regular and italic styles, it creates titles that race off the page, perfectly suited for dynamic movie posters and headlines. Along with the 4 font styles you’ll also find a host of original comic art by Christopher King, plus symbols and underlines to compliment your type. Hot Pursuit contains unique uppercase and lowercase characters, numerals, punctuation and language support. It’s a bad-ass font ready for your t-shirts, posters, stickers, movie titles, YouTube videos and more! Check out the visuals to see it in action for yourself.

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

Bee Think This is a Rough Brush Typeface that is written casually and quickly. comes in two mode Standart this font are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Bee Think has Rough and strong characteristic more natural look to your text with a more modern look to your text. You can activate Ligature OpenType panel to make these two styles. Bee Think is perfect for homeware designs,branding projects, Logo design, Quotes product packaging, especially with horror and scary themes Bee Think a natural Hand Drawn feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more! That is has charming, authentic and relaxed characteristic more natural look to your text.

hello !! this time I released a new product called "all in" which has an elegant and modern style.This font is suitable for invitation cards, decorations, clothing products, greeting cards and others. This font also has uppercase, lowercase, numeric, puntuation and multilingual. and there are several ligature and stylistic alternate.

A 1929 German travel poster had the caption “Wer schlafwagen reist spart zdeit und geld” (“Whoever travels in a sleeping car saves time and money”) hand lettered in an Art Deco sans serif style. This is now available as Foreign Tourist JNL, in both regular and oblique versions.

HU Flat White is a retro vibe headline typeface. It has a full module, but, the inner space created by large strokes' contrast gives a cool feeling. Overall, the extended typeface with a wide width is attractive, and the shape of every alphabets' tip create a retro feel.

Alonquin is a typographical tribute to Dorothy Parker and the New Yorker crowd who haunted the Alonquin hotel in its 1920s heyday, sharing scintillating one-liners over sparkling cocktails. Deco and decadent, it aims to recapture the spirit of the age (mostly gin from what I can make out!)

Schrifti Alphabeti, a delightful collection of Cyrillic typefaces for posters from the former Soviet Union, strikes again, this time with a way-out West (Vladivostok?) theme. Extrabold, extra wide and delightfully different! Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Another stencil font? Oh, yes. Circular trip time of bus number 17 is so long and designer has one relaxation: look over the letters in the bus. So many tables with bus stop names in it! And now you can write it yourself - enjoy new Marshrut Stencil typeface.

Is that the trees rustling, or the hinges on the gate? Pull up your covers as daylight grows dim... there is indeed a chill of fear in your heart and the blood in your veins is turning cold. Try your best not to shiver and shake... The Iceman cometh!

This font has been derived from different transformations of the moon transcending into different moods which affect the world. A full moon can cause human beings to be aggressive. While a new moon is a good time for new beginnings. This font can function as headings and subheadings.

Red Mignolet is a hand-drawn slab type brush font. This font adopts a bold, firm, natural and trendy style. Very suitable to meet your design and packaging product needs at this time, especially when the current trend is Branding on MUG or CUP with natural fonts like painted!

Another tip of the hat to the halcyon days of woodtype, this cap-small cap typeface takes its name from the bustling Mexican metropolis just across the Rio Grande from Brownsville, Texas. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

In searching for a Roman to use, I found there were bits of Bembo, Times, Garamond, etc., that I liked and bits that I did not. So I set out to take the best bits of all my favorite Romans and tried to create the ultimate Roman Typeface.

Some time back, a few basic characters were drawn out (possibly inspired by some vintage sheet music) and set aside for a future font project. Despite being incomplete for a few years, this once-forgotten design is now available as Deco Revival JNL, in both regular and oblique versions.

It is an Extra Condensed, Extra Light, Extra experimental and Extra display font. Extra C is a fun font that doesn't take itself too seriously. Ideal for those who need a font with great character and personality but at the same time a delicate touch in their graphic pieces.

Cennerik is a plain, sans-serif typeface with rounded ends. It comes in five weights: light, regular, semibold, bold, and extrabold and each weight has both upright and italics styles. It was originally designed in 1992 and has been updated several times since then, most recently in 2020.

Palmilla is a very gestural Sans font that contains 7 fonts (Thin, Light, Regular, Medium, Bold, Black as well as a set of dingbats, it is perfect for informal or children's titles, it contains many Alternatives such as Ligatures, to have more options at the time of writing.

Powerful design of the Steel Race font will speed up your pulse! Wide with sharp serifs and a verified angle of inclination radiate confidence and respect. The "Steel" will save your time and nerves when creating the dynamic compositions, like sports events and promotions or logos. Make sure yourself.

Filt is based on hand-drawn sketches; no geometry, all visual. At the same time the curves are digitally constructed with extreme accuracy. The result – aggressive, playful, eager and ultra bold. This makes Filt a great headline and display unicase font. Filt Pro comes with a Greek set aswell.

The name Otis arose from an incident in a shopping mall in which, realising my shoelace was undone while on an escalator, I bent down to tie it, became aware of the approaching end, panicked, fell over, and in the process happened to notice the escalator's brand name.

Albion’s Very Old Masthead is inspired by traditional newspaper mastheads. A heavy Black Letter which brooks no argument, and can be emphatic and refined (emphatically refined?) at the same time. Very Old Masthead has been deliberately weather to suggest that it has been set with timeworn, well-used, type.

Have you been marking your words quixotically lately? Can't choose between an interrogative and a questionnaire? It can be quite the problem during question time, so we've quickly rounded up a quality quorum of questionable characters so you'll never be short of a Q during a Q&A!

Honnitta is a handwritten signature script with a modern look. It has a good readability and contains lots of glyph’s which give you the chance to give your designs a different look, each time you use Honnitta. Because of its diversity, Honnitta can be used for almost every design.

Oyuki's Ghost is a scary typeface made with a steel pen and Chinese Ink. The name comes from a painting by Maruyama Okyo (1733–1795), which depicts his mistress who died young. Maruyama Okyo claimed she haunted him in his sleep. The font comes with extensive language support.

Designed for a privately-published luxury edition of The Time Machine, HGWelles Ultralight, Regular and Bold are now being made available to the public. This is the Welles of the early 20th century, seeing many of his predictions coming true and anticipating the shape of things yet to come.

Cabazon is an informal blackletter inspired by handlettering samples from many sources, and various time periods. Works by Rudolf Koch and Friedrich Heinrichsen are reflected, as well as the work of showcard lettering artists Ross George and Samuel Welo. Medieval manuscript samples were also helpful in developing this style.

NeoScript Pro is a family of typefaces that leads Neoscript Pro Zero, a commercial script writing similar to those used in ads advertising the 40s and 50s, with fine lettering combinations of that time. NeoScript Pro is ideal for composing headlines and subheads and this is supplied four variations.