This four-piece family is the DIN design, but not as you know it. The famously, crisp, clean and precise typeface has been given a textured update that's reminiscent of rusted metal, or rubber stamps. Underneath this lies the same sturdy, geometric shapes that have allowed DIN to stand the test of time, but with a new sense of tangibility. “This kind of treatment is more about creating a feeling or a mood that goes beyond the communication of the words themselves,” explains Monotype Studio director Tom Rickner. “I think it expands the repertoire of what DIN Next can express.” Designed for display, these four typefaces – DIN Next Rust, DIN Next Shadow, DIN Next Slab Rust and DIN Next Stencil Rust – show a new side of DIN Next's personality, as if the surface of each letterform has been gradually worn away over the years.

Godger Condensed Sans Serif: Boldness Redefined Step into the bold world of Godger, where strength and simplicity converge. This bold, masculine font is a powerhouse, built for strong, memorable branding. Its condensed form is not only space-efficient but also packs a punch, perfect for headlines that demand attention. Masculine and Commanding Godger’s bold, condensed letters exude a sense of command, making it a go-to for titles needing a masculine touch. Each letter is crafted for high impact, ensuring your words aren’t just read, but felt. This font doesn’t whisper; it shouts with a clear, authoritative voice.

Realtime Stencil is part of the Realtime type family which draws inspiration from information displays. The result is a technical yet friendly design with details that serve function and visual impact alike. As a monospaced typeface it lends itself to tabular designs, sturdy columns and tidy layouts. Nevertheless Realtime Stencil comes with a feature for setting continuous text — a proportional design employable through OpenType — it further comes in five weights, from light to black, and with a character set that covers over 200 latin languages. Please see the Realtime Stencil Type Specimen PDF in the gallery. A soft version of Realtime Stencil is available separately: Realtime Stencil Rounded. Its soft edges apply warmth to the otherwise rather technical appearance.

Introducing Breksit font made from natural brush hand-drawn look, with adventure concept and bold character. This Font is perfect for traveling and adventure design, badges, logos, posters, branding, packaging, signage, book cover. Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Web Fonts Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Catterpie Font is a modern classy typeface. It's a great choice for your needs, pairs perfectly with another font style. Attached them to your wedding invitations, gifts, brand, logos, tagging, and even to promote your personal business. Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Makutha Script Font is an elegant script typeface. Designed primarily as a captivating handcrafted with style. This typeface is easy on an eyes font that excels at captivating headlines, or branding. Makutha Script Font multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Web Fonts Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Flysito is a modern script font with a bold brush style and fun characters. This font is perfect for any design needs such as badges, logos, posters, branding, packaging, signage, and book cover. Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Keanister is a modern signature script with a natural & stylish flow. This collection of scripts is perfect for personal branding, greeting cards, magazine, social media, print, packaging, and many more. Keanister Font multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Web Fonts Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Introducing a new Stylish Signature font, Yelenia Sareta! This Font is perfect for elegant logos, upscale packaging, wedding stationery, websites, and any other projects requiring a handwritten and luxurious touch. Yelenia Sareta Font multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Silent is a semi-serif typeface that combines readability with fluidity in a discreet and clean design. It works great on short texts such as captions, charts and graphs. The soft curves offer a calm rhythm. The design is smooth and bring silence and concentration while reading. Silent Alternates was born from the deconstruction of Silent Light, resulting in a most impressive typeface. Ideal for use in large sizes, such as posters and titles, it is an alternative to italics. It can be used to highlight some words in conjunction with Silent Light.

Isabel Condensed and Isabel were made out of necessity to create a new font for children and teenagers, that could be enough friendly and versatile for text in words or even easy-to-read long texts. The purpose of Isabel is to combine all the nice and friendly features of the simple letters that the teachers teach to the pupils at primary school, as they starting to learn to read, together with the normal editorial fonts we read every day. In this way it generates a very joyful serif font, or even friendly font, with some conservative aspects. In other words, Isabel is a font that, despite of being a “classic features” typography, is proud to show its innocent and ingenuous elements, this gives to the font a new point of view. The family is composed of 3 parts: the regular version, the italic version and the unicase version. Each one of them has 5 weights. The italic version has 825 characters; the regular and unicase have 739 and are composed for 220 latin languages, plus cyrilic.

Isabel SemiCondensed, together with Isabel condensed and Isabel were made out of necessity to create a new font for children and teenagers, that could be enough friendly and versatile for text in words or even easy-to- read long texts. The purpose of Isabel is to combine all the nice and friendly features of the simple letters that the teachers teach to the pupils at primary school, as they starting to learn to read, together with the normal editorial fonts we read every day. In this way it generates a very joyful serif font, or even friendly font, with some conservative aspects. In other words, Isabel is a font that, despite of being a “classic features” typography, is proud to show its innocent and ingenuous elements, this gives to the font a new point of view. The family is composed of 3 parts: the regular version, the italic version and the unicase version. Each one of them has 5 weights. The italic version has 825 characters; the regular and unicase have 739 and are composed for 220 latin languages, plus cyrilic.

The Yasmine Mutamathil type family follows the guidelines of the Mutamathil type style. It has only one glyph for every basic Arabic Unicode character or letter. The Yasmine Mutamathil family includes all required Lam-Alif ligatures and selected marks positioning so it does use limited glyph substitutions or forming. Yasmine Mutamathil employs four fixed x-height values, two above and two below the x-axis. Values are high to give a slight vertical overall look. Its design uses full curves with equally distributed weight. Text strings composed using types of this family are non-cursive with stand- alone isolated glyphs. The Yasmine Mutamathil family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. It is available in regular, italic, bold, and bold italic styles.

Remember when you first saw the credits of a Woody Allen movie and thought, "I love that typeface!" Well, maybe that was just us. That typeface—Windsor (specifically Windsor Light Condensed)—is a classic. But it has problems. The letterforms are sometimes REALLY wonky. And the ampersand is a tragedy. Plus, there's no italic, and the weights and widths available in digital form are a hodgepodge. That's where Mrs. Keppel comes in. Alice Keppel, one of the most famous illegitimate members of the Windsor household ever, lends her name to this typeface family with numerous weights and a true italic. It's a slim serif with Edwardian leanings. She's approachable, she's refined. She's equally charming and at home in mercantile settings, in elegant settings, in populist settings, and in Polite Society. She's a design response to a genuine need. She's Mrs Keppel!

Information displays have an aesthetic of their own. Functional design where transmission of information is key — and best in real time. The Realtime typeface is not meant to recreate the appearance of those applications, instead it takes inspiration from them. The result is a technical yet friendly design with details that serve function and visual impact alike. As a monospaced typeface it lends itself to tabular designs, sturdy columns and tidy layouts. Nevertheless Realtime comes with a feature for setting continuous text — a proportional design employable through OpenType — it further comes in five weights, from light to black, and with a character set that covers over 200 latin languages. Please see the Realtime Type Specimen PDF in the gallery. A soft version of Realtime is available separately: Realtime Rounded. Its soft edges apply warmth to the otherwise rather technical appearance. Thanks for visiting!

Tamba Sans has strong geometric frames. Somewhat condensed and somewhat squarish letterforms can create a powerful atmosphere. At the same time, the very clear, neutral and distinguishable letterforms make it legible and readable. With the spread of the internet, the digital world is overflowing with “designed” stuff. To survive this chaotic world as a designer, you should use a strong typeface to catch the eyes of an unspecified large number of visitors/customers. This is why it is so important to be strong and powerful. One more important thing is the legibility, but the eye-catching design has a tendency to be unusual. Those two things conflict with each other. Tamba Sans solved this problem with an exquisite balance. Tamba Sans consists of 7 weights and their matching Italics for a wide range of usages. Farther, Tamba Sans is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

A friend once jokingly told me that what I really do is mine extinct arts for parts to use in modern things, like going to the scrapyard to pick up bumpers, quarter-panels and dashboards off of Datsuns and Ponies to build a shiny new Ferrari. I still kind of grin at that, but I certainly do spend a lot of time looking at old things and imagining ways they would work today. This shiny new Ferrari here is called Bibliophile, and it contains scrap heap parts from various pages by Louis Prang, the Prussian-American printer and publisher who inspired my Prangs fonts. This is my second engagement with the late 19th century man, and it’s quite a bit more intricate than just an italic Didone with a connected lowercase. Bibliophile marries Round Hand calligraphy with Italian capitals, two styles not often relayed in the same alphabet, but work together beautifully when combined well. When you combine them well with a few long-practised tricks of the trade, then mix in a few trusted features from my previous work over the years, you get my usual crazy exuberance, like 17 different shapes for the d, 21 different forms for the y, endings, beginnings, swashes, ornaments, and so on. It’s no secret that I can get carried away when I’m so consumed by an idea. — Bibliophile comes in 2 weights, each of them with over 900 glyphs covering all the latin languages. Bibliophile also comes with a bold weight, something I’m always reluctant to do with something as adventurous and complex as the structure of this historical mashup. But I couldn’t chase away the idea of increasing the contrast while maintaining the hairlines in a lowercase this narrow. Part of it was the curiosity about the outcome, and part was the sheer challenge of it. I think it turned out OK. Words set in either weight will show delicateness and elegance, and the more time you spend inside the font and micro-manage the setting, the more ways you will find to magnify either. Bibliophile can be as muted or luxurious as you want it to be. This is the kind of alphabet that fits well in fashion marketing and high-end packaging, from the very subdued to the super-exquisite. Enjoy the gleaming new vehicle made with freshly polished old parts.

Inspired by the Indonesian island’s laid back feel and easy going culture, Bali Script is a tribute to the hand-lettered signage on beach bars, surf shacks and cafes. The swell of the stroke endings and the bolder-than-your-average gooey look convey a cool, contemporary take on baseball scripts. Overlay Bali Script Highlight for a cartoonish, glossy finish. Perfect for logos. This font is jam-packed with OpenType features that make smooth flowing text a doddle. Contextual alternates and ligatures are best left on by default. The alternates especially work a subtle magic that helps letters connect with an even rhythm, and automatically substitutes letters with the best fit alternatives based on their context, such as at the end of words, or adjacent to certain other letters. There are four stylistic sets (or all grouped together in the stylistic alternates feature for those without easy access to them) which do the following: SS01 - changes the r to a script form SS02 - makes certain caps more ‘scripty’ SS03 - capital I (and accented versions of it) get serifs SS04 - underline function. typing two or more underscores extends on underline beneath the previous word. Also included for your pleasure - oldstyle figures, automatic fractions, superior and inferior numbers, ordinals, some discretionary ligatures, swash alternates and extended language support.

Demetria is a font created in 2012 by Carlos Fabián Camargo and works to form words and headlines with medieval expressiveness. Thus his concept mix uncial, Roman and italic letters resulting serifs some here and there, extended width and high amount of contrast between thick and thin strokes. That way its vigorous ups and downs are higher than its “x” height, highlighting it as a font with regular caliber,outstanding to design headlines with strong proportions and texture. Consequently, typographic and aesthetic possibilities of Demetria are visually appealing by its chaotic forms that are embedded and remain fixed in the minds of its viewers; also, “Demetria Pro” has OpenType features such as “Swash”, “Titling”, “Discretionary Ligatures”, “Standard Ligatures”, Ordinals, Fractions and Superscript that make shine what is written by their abstract shapes resembling elongated paths of black ink diluted in water. This font also works in software without opentype features, so it is recommended to use the remaining files NON-PRO. In short, the expressiveness and mysticism of Demetria is reaffirmed with some capital letters with lower height designed to be interchangeable with similar metrics to lowercase but aesthetically different.Thus the font mimics strong imperfections and splashes that get slim or grow depending on their degree of spontaneity. In that sense Demetria is recommended to compose words, phrases and typographic textures in graphic design projects related to epic, historical or legendary matters.

Marujo is a highly decorative typeface inspired by painted pieces of Arthur Bispo do Rosário, a striking Brazilian artist who lived for 50 years in a psychiatric institution. Besides its spirited Regular and Light cuts, Marujo family brings nifty eye-catching variations adorned with dots and stripes. It also brings complementary fonts to spice things up even more: there are 2 shadow options and yet a picture font packed with doodles, mostly on nautical subjects (which are strongly present on Bispo do Rosário, a former seaman apprentice.) Bispo do Rosário's works employs a multitude of materials and are often very intricate. Words are everywhere, painted or embroidered at most. He produced a vast amount of works, and is now - posthumously - widely recognized in Brazilian art scene. The psychiatric institution in which he lived is now a museum dedicated exclusively to his work. Marujo draws inspiration not only from Bispo's works, but also from this man's potency, a persistent man who produced amazing art locked in such a tough environment for a life-long. Marujo fonts are positively adventurous and will safely navigate through a sea of feelings, reaching free spirits everywhere. To navigate is precise...

The design idea for Meter Room JNL comes from a vintage brass hand-cut stencil of the words "High Voltage". What makes this stencil font a bit different than others is the placement and angle of some of the "breaks" within the letters.

By Note - Handwritten Marker Note Font By Note is a handwritten marker note font that's created with a natural and unique style. A Note Handwritten note font is suitable for various design graphics projects and can be used in any size. This Note font is also great for digital notes, quotes design, book cover, logotype, poster, food menu, t-shirt, scrapbooking, comic illustration, magazine titles, kids project and much more! Features; - Uppercase, Lowercase, Number, and Punctuation - Special alternates and ligatures - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy our font and this font is the useful font for your projects!

Our newest Font, Golden Dance This font offers beautiful abstract typographic harmony for a wide variety of design projects, including natural handwriting in digital form for designs, quote designs, social media business designs, advertisements, trademarks, promotional banners, posts, posters, signatures, and all. the design requires handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases, and several variations on each character including multi-language. What’s Included : Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; Afrikaans, Albanian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish

A Note - Handwritten Marker Note Font A Note is a handwritten marker note font that's created with a natural and unique style. A Note Handwritten note font is suitable for various design graphics projects and can be used in any size. This Note font is also great for digital notes, quotes design, book cover, logotype, poster, food menu, t-shirt, scrapbooking, comic illustration, magazine titles, kids project and much more! Features; - Uppercase, Lowercase, Number, and Punctuation - Special alternates and ligatures - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy our font and this font is the useful font for your projects!

Discover the Allure of Fadegent Font: A Signature of Elegance Step into a world of refined design with Fadegent Font, an embodiment of timeless elegance. Crafted with meticulous attention to detail, this signature-style font is a work of art in itself, with its graceful strokes and sophisticated curves that infuse every character with a touch of opulence. Features: Alternate Characters Numbers and punctuation Multilingual PUA encoded Thank You

Whassup y’all! Me and my bros got this li’l gang together: we is Ringo, and we got da bling, yo! We is da typeface family for ya all! We got some real sweet stuff for ya, some nice characters. We got all ’em OpenType features like fractions and proportional figgers, we even got da cubic root, man! And check out da question mark, man, is real sweet. And the ampersand, yeah! I luv ’em ampersands. Now my brothers over here got some light action for ya, and they got some real bold action for ya. We got some nice foxy curves goin’ on, some nice tension, and some nice relaxation. My bro Light over here is kind of like the subtle guy, ya know. He’s in for the female fans, ya know. Heh! Hell, yeah! And man, we speak like 84 languages: we speak the German, and the French, and the Spanish, and we speak the Polish, and the Czech, and the Hungarian, and we even speak Shambala and Swahili and Rundi, and we got some Esperanto thing as well for ya. And check out my bro Black right over here, he’s like the action superhero, man! He’s got impact, man! Yeah yeah, but you know, my bros Regular and Bold are the real deal. Them is like da word of da street, man! Like da word of you, and you. And we got a message for y’all: life is hard, life is real, but you should work your mojo, be smooth, be nice, chill. We got all them kerning pairs, and all them weights, and we got ’em alternate letters. So check us out, yo!

Minute is a handwritten font with 2 glyphs for each upper and lower– case letters as well as 2 glyphs for each digit, for a natural hand-done look. There are yet clever stylistic alternates that can instantly surround the word with lines that look somewhat like a shining or blinking effect: just put the desired word between parenthesis and turn on the Stylistic Alternates feature. Or manually pick the glyphs, if you prefer. Everything will look great in this Minute​!​ You bet!

Sassoon fonts package for handwriting starters The three upright "infant" fonts developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Letters have extended ascenders and descenders ideal on screen and print. They facilitate word recognition. The exit strokes link words together visually, also crucially, they space the letters for improved legibility. The "joined" font puts the skills gained into practice producing joined-up handwriting. Together these typefaces provide a valuable resource for Teachers to create consistent material across the curriculum. Sassoon Infant Tracker B font: This font with its direction arrows helps pupils to start in the correct place. Motor movements can be refined by keeping inside the line. When starting and direction is no problem, the arrow font can be dropped and the Dotted font used. Sassoon Infant Dotted B font: Writing over the dots of this font refines motor skills. The aim here is to give confidence by reinforcing starting points, exits and to now encourage fluidity. Sassoon Infant font: With some words in this font and a baseline beneath to copy onto, pupils can use their learned starting points and exit strokes to write freely along the baseline - still unjoined. Once learned, this leads to spontaneous joins along the baseline leading logically to a joined-up hand. Sassoon Joined font: Having learned to write letters with correct starts and exits, this is when the joined font for teaching handwriting can be used. With some words in this font and a baseline beneath to copy onto, pupils can use their learned starting points and simply extend their exit strokes to make joined-up writing. The default joins the font provides are recommended, however there are alternative letterforms that are so important for some Teachers which can be accessed. Create ‘pen lifts’ anytime too! NOTE: Fonts display unjoined by default on this website and are delivered that way - joining is controlled by your text editing application such as Word or TextEdit, read more for instructions… Free to download PDF resources: Stylistic Sets and how to access the alternative letters feature in these OpenType fonts. Using the separate letter fonts Using the joined font Teachers copybooks using these fonts: How to teach pre-cursive Copybook How to teach cursive handwriting Copybook

Imperio is a font inspired by old posters, especially those related to constructivism and futurism. It reflects both the rationalism of Bauhaus as a propagandist and revolutionary spirit of an era. On the other hand it is not nostalgic, but instead looks for its own way to get diagonals where there was rigidity. The poster itself is the language of graphic design, and geometry is its ally. This font aims for that goal. It has two variants that derive from its source. Imperio Giga Black attempts to be a negative typography, starting with the black and then searching for small windows in which they begin to uncover the morph. This is an extreme and modern font. Imperio West is a metamorphosis of the original one, with decorative details which transform it into a typeface of wood and saloon font. In all cases we recommend its use in large sizes (up to 20pt) and main titles. Imperio UltraBlack can work in smaller sizes than Imperio Regular.

In older American slang, a "bum steer" is a bad tip, some bad advice or being sent in the wrong direction (to name a few examples). Bum Steer JNL was modeled from some playful hand lettering found on a piece of early 20th Century sheet music entitled "When Uncle Joe Plays a Rag on His Old Banjo". It's very possible that "Hobo" (a popular type design of the time) was a strong influence on the sheet music's style of title lettering. It seems that songwriters in those bygone days were prone to cramming as many words from a line of their song into the title itself. Another such example of a wordy song title which coincidently is in keeping with the theme of a "bum steer" (pun intended) is a novelty number from 1915: "Cows May Come and Cows May Go but the Bull Goes on Forever" (words by Vincent Bryan, music by Harry Von Tilzer). [It's kind of self-descriptive, don't you think?]

How many times have you seen lettering on a book cover, poster, or card and wanted to make something similar? Decorata’s eight intertwining weights finally make that possible in an intelligent way. The first major collaboration of its kind, Decorata pairs the talents of supreme lettering artist Martina Flor and masterful type designer Neil Summerour. Lettering was traditionally understood as using words in an artistic way, while type design created written language for easy reading, the one overlapping the other in several ways. For this unique project, Martina created several versions of the alphabet and its decorative layers in her eye-catching style. Neil then took those designs and created an enormous eight-style font family that respects the designer’s need for control and capitalizes on the artist’s expressiveness. Each style can work separately but, on top of the foundational styles, try placing the Lace, then Filigree in contrasting colors. Use any OpenType-capable program to turn headlines from blasé to wowza, make posters with some pow, and design your own cards with that just-right level of detail. Whatever idea you can imagine with the Decorata family, it promises to be a playful and precise wordsmith where the words themselves are the art. Decorata’s glyphs are bifurcated, have medium contrast to showcase their intricate interactions, and include Shadow, Regular, Outline, Filigree, Lace, Fancy, Intricate, and Dingbat styles — eight in all. The Regular style sets the word or phrase to begin the design, Shadow ensures it lifts off the background, and Outline attempts to restrain its ornate flair. Think of those as the foundation and use the rest of the styles for flamboyance. The Intricate and Filigree styles vary only in the thickness of the glyphs, with Filigree being thinner. Lace removes the external curls around each letter but keeps the internal negative space from those decorative lines. The Fancy style is a solid lettershape that includes its attendant elements, and the Dingbats are exactly as expected: borders, manicules, patterns, frames, and many stylized items to bring designs to life.

Gorgonzola Gothic is a geometrically-inspired gothic sans serif family that's robust and versatile. Inspired by the geometric quirkiness of IxD (also by The Ampersand Forest), Gorgonzola Gothic expands into a thirty-style family that works for everything from branding to text. It further mitigates IxD's quirkiness by offering two options in the round and shouldered lowercase glyphs. The standard letterforms, like IxD, have notched joins, giving them an assertive, almost futuristic look. The alternates of those letterforms (housed in Stylistic Set 01, and available as immediate hoverable glyph options in the Adobe Suite) are more conventional (as are the SS01 ampersand, Q, S, a, and s). In this way, Gorgonzola Gothic offers the best of both worlds: a flavorful, slightly futuristic family (in the same world as geometric classics like Eurostile) and a workhorse gothic sans (like the Benton classics Franklin Gothic, News Gothic, etc.). Its three widths: Skinny, Slim, and Standard, give it a wide range of applications, from display to body. Gorgonzola Gothic makes a statement with strength and sureness.

Despeinada, which means "uncombed" in Spanish, is a loose script, perfect for when you want to convey informality. It'll look good in a long text, or when a few rough and spontaneous word are needed... Being a packaging designer, my faces are mostly oriented toward that sector, although they won't look in any way out of place in the editorial world or in advertising, for example. This face was generated in the University of Barcelona Master of Typography, in 2010, where I dictated the “Practicum” It's a very versatile design that can be used in small sizes or enlarged as needed. It won't deceive you! I think that this particular face is halfway between Mistral and Zapfino: rough but clean at the same time. None of its glyphs follow any order, nor do their weights... In short, if you start writing with Despeinada you won't want to stop.

Crazy Party is a quirky handmade font that will make all your project more unique and handy. This font also including a unique lowercase and uppercase with very different weight. Combining the uppercase and lowercase in one word will make your project even more stunning. You can use this font for quotes, your cover book or playing with words in your instagram post. This font also support multilingual!

Homework Dashed font was specially conceived/designed for teaching cursive writing. This resource allows tutors and parents to create worksheets for individual or class teaching. Associated with the Homework font, students can learn and exercise their handwriting abilities. All capital letters, excluding I, F, T and P, link to any following small letter: the sequence of the previous letter stroke always follows the angle of the initial stroke of the subsequent letter. This, in the real world, means that words built with the font can be handwritten without having to lift the pen from the paper (except to cross t and f and dot i and j) or interrupt the writing flow. All the letters are base aligned and all small letters have the same ‘x’ height. Homework Dashed font is a tool with which teachers and tutors can create repetitive alphabetical writing exercises that can be printed on lined sheets.

Rama Gothic is an antiqued sans serif, the design inspired by 1800s-style wood type. All glyphs have been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 18 styles will be the best solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, -r- has its alternative glyph that can be used with OpenType salt feature. Be sure to check out the slab serif style of this Rama series named Rama Slab. When you need more modern gothic, please try our Kaneda Gothic and Fairweather

ITC Dinitials is the work of German designer Helga Joergensen. When I started drawing the first of them, I was very much inspired by dinosaurs, but during the work my fantasy guided me more and more and then became rather fabulous creatures." ITC Dinitials is a capital letter alphabet available in both black on white and white on black weights."