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  1. Pestario Vargas - Unknown license
  2. 687-CAI978 - Personal use only
  3. Diet - Unknown license
  4. Nue Medium - Personal use only
  5. Alter-Ego - Unknown license
  6. Culia / ANTIPIXEL.COM.AR - Personal use only
  7. Released - Personal use only
  8. Twist n Curves - Personal use only
  9. KleinsAmazon - 100% free
  10. anthem - Unknown license
  11. DBE-Oxygen - Personal use only
  12. Molot - Personal use only
  13. crustype_crust - Unknown license
  14. Punk Kid - Personal use only
  15. happyloverstown.eu_fatlove - Unknown license
  16. PAss the CheX - Unknown license
  17. StarshineMF - Unknown license
  18. Mathmos Original - Unknown license
  19. District - 100% free
  20. verdy évolution - Personal use only
  21. Bold Ugly Sweater - 100% free
  22. faqro - Personal use only
  23. BOOKER ITALIC PERSONAL USE - Personal use only
  24. LT Asus Pro - 100% free
  25. Chocolates Italic - Personal use only
  26. BARBEDWIRE PERSONAL USE - Personal use only
  27. LT Saeada - 100% free
  28. THE BOLD FONT (FREE VERSION) - Personal use only
  29. BAHAMAS TWO PERSONAL USE - Personal use only
  30. Tambau by Tipogra Fio, $30.00
    Tambau is a display typeface crafted by Matheus “Fio” Gonçalves, a Brazilian design student, still in college, inspired by Brazilian concert urban posters and wood type that I saw at the Oficina Tipográfica São Paulo. The font was first made for a magazine project in design school, making it beautiful on giant pages headlines, billboards, signs, etc. There’s no lowercase, the character set is dramatic and objective. The uppercase is actually expanded letterforms causing some eyes and breathing paths to the very condensed and very modular glyphs, which creates a quite interesting striped texture between form, counterform and spacing. The lots of ligatures come to give it more closure between the letters, when they try to form blank spaces. So do the diacritics, fitting in the space given to them by the dynamic letterforms, making dense rectangular blocks. You may use Tambau as big as you can or do a high tracking to it and still it will be pretty. The titles can be dynamic, just condensed or just large. It’s on your own. Don’t be afraid to play with Tambau, it’s an alive typography. Curiosity: For the magazine in design school, the pilot project of Tambau was cut in a MDF board, to print it with texture and paint. Later was added more characters, languages and special glyphs to it. Set: Tambau is a singular font typeface, with extended and condensed characters, numbers, ligatures, punctuation and symbols for Basic, Western, Central and South Eastern Latin languages.
  31. Red Dog Saloon by FontMesa, $25.00
    Red Dog Saloon is an old classic western looking type font and one that never goes out of style. A fill font is included with this font, you will need an application that works in layers in order to use the fill fonts that come with FontMesa fonts.
  32. Buncits by DLetters Studio, $15.00
    Hellow Buncit’s is two-layered font solid and holes. Unique and funny style custom font It’s very good for cartoon logos, snack food products, short titles, children’s books, and greeting cards. Created for the cutes celebration and fun. The font includes uppercase, lowercase, numbers, punctuations, and has multilingual support.
  33. Belyard by Blankids, $18.00
    Introducing a new layered bold script font called Belyard .Belyard inspired by bold script logotype and retro font. Belyard came with open type features and multilingual accent good for logotype, poster, badge, book cover, tshirt design, packaging and any more. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype
  34. Exa Metline by Gleb Guralnyk, $14.00
    Exa Metline is a conceptual font. It's a modern style geometric typeface with unusual letter shapes. This package consists of 3 fonts with separate inside line layer. Also 10 alternate characters are available, if you'll need a more familiar letter shapes. Thank you and have a nice day!
  35. Spartan by Linotype, $29.99
    This typeface is Mergenthaler Linotype’s unlicensed version of Futura, copied weight by weight from Bauer. It was produced in 1939 when Metro failed to gain a significant share of the market, and was later adopted by ATF. The small sizes of Book and Heavy cut for classified are original.
  36. Abdo Title by Abdo Fonts, $49.50
    Abdo Title is a simple Naskh font for newspaper and magazines discriminate accurately design and clarity of reading. Abdo Title is compatible with the various operation systems and modern software. We will later add the rest of the weights. This font also suitable for books titles and advertisement.
  37. Trango by Juraj Chrastina, $29.00
    A funny childish handwritten font, with a spirit. This typeface can tell fairy tales. Trango is a sans serif that goes well with the slab serif Besley Hand.
  38. Besley Hand by Juraj Chrastina, $29.00
    A funny childish handwritten font, with a spirit. This typeface can tell fairy tales. Besley Hand is a slab serif that goes well with the sans serif Trango.
  39. Neuzeit Office Soft Rounded by Linotype, $29.99
    Every year, more and more text is read directly on a computer screen in office applications, or from freshly printed sheets from a copier or laser printer. Clear, legible text faces are more imperative to office communication than ever before. Yet every worker desires a small bit of personality in the corporate world. Most office environments are only equipped with a few basic fonts that are truly optimized for use in text, with laser printers, and on screen. The Linotype Office Alliance fonts guarantee data clarity. All of the font weights within the individual family have the same character measurements; individual letters or words may have their styles changed without line wrap being affected! All numbers, mathematical signs, and currency symbols are tabular; they share the same set character width, ensuring that nothing stands in the way of clear graph, chart, and table design. In addition to being extremely open and legible, the characters in this collection's fonts also share the same capital letter height and the same x-height. The production and reading of financial reports is duly streamlined with the Linotype Office Alliance fonts. The Neuzeit Office family is designed after the model of the original sans serif family Neuzeit S, which was produced by D. Stempel AG and the Linotype Design Studio in 1966. Neuzeit S itself was a redesign of D. Stempel AG's DIN Neuzeit, created by Wilhelm Pischner between 1928 and 1939. Intended to represent its own time, DIN Neuzeit must have struck a harmonious chord. DIN Neuzeit is a constructed, geometric sans serif. It was born during the 1920s, a time of design experimentation and standardization, whose ethos has been made famous by the Bauhaus and De Stijl movements in art, architecture, and design. Upon its redesign as Neuzeit S in the 1960s, other developments in sans serif letter design were taken into account. Neuzeit S looks less geometric, and more gothic, or industrial. Separating it from typefaces like Futura, it has a double-storey a, instead of a less legible, single-storey variant. Unlike more popular grotesque sans serifs like Helvetica, Neuzeit S and especially the redesigned Neuzeit Office contain more open, legible letterforms. Neuzeit Office preserves the characteristic number forms that have been associated with its design for years. After four decades, Neuzeit has been retooled once again, and it is more a child of its age than ever before. Akira Kobayashi, Linotype's Type Director, created the revised and updated Neuzeit Office in 2006. His greatest change was to retool the design to make its performance in text far more optimal. Additionally, he created companion oblique to help emphasize text. The other three families in the Office Alliance system include Metro Office, Times Europa Office and Trump Mediaeval Office.Some weights of the Neuzeit Office are availabla as soft rounded versions. "
  40. Rodeo Clown by FontMesa, $25.00
    Rodeo Clown is a revival of an old classic font that you may have known under the name of Carnival. The Rodeo Clown family includes Fill fonts that you may layer behind the letters to add color or set to white so any background image doesn't show through the letters. The half fill should be layered on top to change the color of the top inlay design. The fill font for Rodeo Clown may also work as a stand alone black weight. In our sales images you'll see a sample of the fill font being used, we've intentionally offset the fill font to give it a misaligned printed look which was common to see with fill fonts in the 1800's
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