Ellabette™ is a script font that was created by a wedding stationery designer after working in the industry for over a decade and getting request after request for script fonts that were formal but legible. Ellabette is warm and inviting, playful but elegant. Perfect for all things weddings, branding, editorial, social media, and websites. Designed with weddings in mind with fun special ligatures like "RSVP" "and" and "to" and works beautifully for legible address lists and envelope printing.

Quirked is a quirky bold font with unique letterform. You can playaround to fit the form using standard character with alternate character to create new looks. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates/Ligatures Multilingual PUA encoded

Introducing, Gargamoth - A modern blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose. Features : uppercase & lowercase layered fonts numbers and punctuation stylistic alternate multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The Bilany is a font duo package contain a classic script and slab serif which looks great to be paired especially for vintage and adventure theme! This font duo is purposely made for headline, display or logotype, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Edberd is a beautiful font. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Happy Designing!

Introducing Morydane a script font perfect for designers looking for a modern and casual style. With its clean lines and flowing curves, this font is ideal for adding an interesting touch to your designs,especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Shaliya is a beautiful font. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Happy Designing!

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Taro Why do designers make more and more geometric fonts? There are already many geometric sans in the world. Because It is a natural flow of design. It is true that we like geometric type instinctively. Taro was designed to archive a good balance between the following three things geometrically. 1. To be Natural, Flowing, Organic. 2. To be Neutral, Unbiased, Universal. 3. To be legible, distinguishable, readable. Consists of eight weights and their matching italics. Supporting almost all latin languages. All-caps text for one line or a few is as wonderful as normal mixed-case typesetting.

This family was inspired by numerous documents and books printed in Paris during the end of the 1700s. Mainly, documents printed by P.G. Simon & N.H. Nyon, “Printers of the parliament” were used for the Normal and italic styles and “Caps”. “Titling” characters were coming from a collection of hymns printed by Nicolas Chapart. In France these Fournier characters, as Baskerville in Great Britain, were the most often in use in the late 1700s, just before the Didot designs. This font supports strong enlargements, specially the capitals of “Caps” file and “Titling”, remaining very smart, elegant and fine.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

The Fou typeface family was designed as an alternative to Trade Gothic condensed bold. During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. Fou can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics, expert sets and numerous special characters.

MVB Gryphius is a digitization of uncommon type from an era normally associated with the work of Nicolas Jenson. Produced by Otto Trace, the fonts come from types used by Sebastian Gryphius in Lyon in the early 16th century. The italic appears in a book from 1524 and the roman and small caps appear with the same italic in another book printed by Gryphius in 1541. Retaining the rough contours and uneven texture of its source, MVB Gryphius is best used at text sizes from 12- to 15-point, but its old world character can work in display settings too.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Expanded, Wide, Normal, Narrow and Condensed The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Comma Base is a sans typeface for it has no serifs. No wait, it is a typical serif typeface because it has a high contrast. Strictly speaking, Comma Base is a missing link between serif and sans, offering the best of both worlds. Comma Base supports several OpenType features for advanced typographic control. It consists of 16 styles, 8 weights from Hairline to Ultra, in both roman and italic. Comma Base is a uniwidth font. This means changing a text from normal to bold doesn’t effect the set width, a professional feature that is highly appreciated by graphic designers.

I created my new »EXEC« sans font during the years 2018 to mid 2020. The Normal »EXEC«-family has 7 weights, ranging from Thin to Bold (plus 7 italics). This elegant Sans is suited for editorial, book text, advertising and packaging, logo, branding, small text as well as web and screen design. »EXEC« has advanced typographical support including ligatures, small caps, alternate characters, case-sensitive forms, fractions, super- and subscript characters. »EXEC« comes with a range of figures—oldstyle and lining figures, each in tabular and proportional widths. »EXEC« supports Basic-, Western-, and Central-European Latin-based languages.

The "Fou" typeface family was designed as an alternative to "Trade Gothic condensed bold". During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. "Fou" can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics and condensed styles, expert sets and numerous special characters.

Publica Sans is a clean geometric typeface, equipped with a variety of OpenType features to give you all you need for great typography: Alternates, arrows, rare currency symbols, case sensitive forms, various sets of figures and discretionary ligatures. Publica Sans has two sisters: Publica Play and Publica Slab Take a close look at our gallery (especially ‘OpenType Features 1–6’) to discover the versatility of Publica Sans. Alternates Give your typography a certain spin with the variety of alternate letters provided. Currency You need to set prices in exotic countries? No problem: Publica Sans gives you loads of rare currency symbols. Case Sensitive Forms Sometimes you write in all caps and there are some symbols (e.g. brackets) that need some extra treatment to make it look perfect – that’s what case sensitive forms are for. Figures Publica Sans provides 6 sets of figures, like lining, tabular, oldstyle, numerators ... Discretionary Ligatures Ligatures can make your logo or headline look spicy. So there are plenty of them.

‘Publica Slab’ is the serifed sister of Publica Sans and Publica Play – packed with subtle open type features, tabular options, rare currencies signs and symbols and arrows, ‘Publica Slab’ provides everything you need for big design tasks like signage, corporate design and magazine design. Take a close look at our gallery (especially ‘OpenType Features 1–6’) to discover the versatility of Publica Slab. Alternates Give your typography a certain spin with the variety of alternate letters provided. Currency You need to set prices in exotic countries? No problem: Publica Slab gives you loads of rare currency symbols. Case Sensitive Forms Sometimes you write in all caps and there are some symbols (e.g. brackets) that need some extra treatment to make it look perfect – that’s what case sensitive forms are for. Figures Publica Slab provides 6 sets of figures, like lining, tabular, oldstyle, numerators ... Discretionary Ligatures Ligatures can make your logo or headline look spicy. So there are plenty of them.

Publica Play is Publica Sans’ and Publica Slab’s playful sister. It comes with loads of subtle open type features, tabular options, rare currencies signs and symbols and arrows – ‘Publica Play’ has everything you need for playful design tasks. Take a close look at our gallery (especially ‘OpenType Features 1–7’) to discover the versatility of Publica Play. Alternates and Stylistic Sets Give your typography a certain spin with the variety of alternate letters provided. Explore the Stylistic Sets provided. Currency You need to set prices in exotic countries? No problem: Publica Play gives you loads of rare currency symbols. Case Sensitive Forms Sometimes you write in all caps and there are some symbols (e.g. brackets) that need some extra treatment to make it look perfect – that’s what case sensitive forms are for. Figures Publica Play provides 6 sets of figures, like lining, tabular, oldstyle, numerators ... Discretionary Ligatures Ligatures can make your logo or headline look spicy. So there are plenty of them.

Ronde Script (Ronde meaning "A kind of script in which the heavy strokes are nearly upright, giving the characters when taken together a round look.") is based on the original design named Parisian Ronde released in 1878 by the Chappelle Foundry in Paris. Other versions of this script include Inland French Script, French Script, French Plate, and Typo Upright. Different type foundries tied to the releases of this design include Mayeur (Paris), Stephenson Blake (London), Bernhardt Brothers & Spindler (Chicago), and ATF (Elizabeth, NJ). This style of script has been a very popular choice in designing wedding invitations and so many other formal announcements for over 130 years. Its very readable, formal and elegant with an antique or retro feel.

Introducing Paneur – Expressive Serif Typeface Serif Playfulness Paneur – Serif Typeface is far from your typical, formal serif font; it introduces a delightful touch of playfulness to traditional design. Informal Strokes Notably, Paneur’s strokes take on an informal quality, adding an expressive flair to your projects while steering clear of the formality usually associated with conventional serifs. Endless Expressivity What sets Paneur apart is its ability to offer endless expressivity. It’s the perfect choice for those who wish to break the monotony in design, infusing each project with an invigorating energy and dynamic spirit. Never Boring Design Indeed, Paneur is the antidote to boring and conventional design. Its informal serifs guarantee that your creations are never dull, but rather lively, captivating, and bursting with personality. In Conclusion In summary, Paneur – Serif Typeface is the font of choice for non-traditional expressiveness. It introduces a playful and informal touch to your projects, breaking free from the constraints of traditional serif fonts. By choosing Paneur, you ensure that your designs are engaging, full of life, and far from mundane.

Shield 2 Letters Monogram Font is a perfect shield shaped monogram font consisting of 52 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Shield 2 Letters Monogram Font comes with font file in OTF format.