Paneuropa 1931™ is a faithful recreation of XX-century Polish classic, made by Idzikowski foundry in Warsaw, 1931. Original Paneuropa was a renowned and highly popular typeface in XX-century Poland, and was widely used in all kinds of design, editorial use and printed materials for decades. Paneuropa is a geometric, clean and versatile font family inspired by Paul Renner's famous Futura - it is a bit narrower, with different proportions and details in drawing, completely different figures and punctuation shapes than Futura. It is an interesting and refreshing alternative to Futura with its own distinct personality and a subtle authentic vintage flavour. Paneuropa 1931 contains separate styles for display and large sizes as well as styles for small text sizes - differing in spacing and the softness of letterforms. The family features an original Paneuropa Double font - a beautiful inline style for headlines and display use. The whole family is completed with added missing inbetween styles as well as italics. The original subfamily set is available for purchase and it contains solely the original Paneuropa styles (Thin, Regular, Bold, Text Regular, Text Italic, Double). Paneuropa 1931 characteristics: letter shapes and proportions are very faithful to the original, keeping its idiosycrasies and inconsistencies spacing and kerning are carefully adjusted in order to achieve the colour of the original fonts, keeping maximum possible consistency - a compromise between authentic vintage feel and legible consistent text colour (for hardcore users: just turn off the kerning) weights precisely matching the original (Thin, Regular, Bold, Text Regular, Text Italic, Double), inbetween weights were added (Light, Demi Bold, as well as missing italic styles) italic angle faithful to the original (8 degrees) softened corners help achieving the character of old imprecise printed display styles for big sizes are sharper and have tight spacing, text styles have softer shapes (recreating small print imperfect print) and broader spacing for use in paragraph text (spacing in both display and text styles matches the original as well) original style names in Polish for devices with Polish set as their primary language The family is very versatile. The Inline style as well as bold and thin weights are perfect for headlines and display use, other styles works wonderfully as paragraph text. Paneuropa 1931 consists of 18 fonts - 5 display weights with corresponding italics + 3 text weights with corresponding italics + 2 inline styles (for big and small print sizes). It has extended support for latin languages, as well as broad number of OpenType features, such as case sensitive forms, fractions, superscript and subscript, ordinals, currencies and symbols.

HGB Memento was designed to replace 12 bronze plaques with the names of those who died in World War I. The 12 plaques were stolen in 2016. Stone tablets were made on which the original writing was engraved using sandblasting. Memento is therefore suitable for commemorative plaques and for texts of a sacred nature. Extremely short ascenders and descenders allow very narrow lines. The design language of the Memento comes from the 1920s with echoes of Art Nouveau and Art Deco.

Here's a fresh take on an old favorite, originally named Abbott Old Style, which exudes antique charm, and also suggests exotic locales.

Introducing Syndra, a typeface that’s as timeless as it is modern. With its unique Y2K style, this typeface boasts letterforms that seem to have come straight from a machine. You can almost feel the hum of technology when you look at it. But don’t let its cold, emotionless shapes fool you. Syndra’s tireless character set works hard to make your message sound authoritative and technical. With OpenType fractions, numeric ordinals, and plenty of currency symbols included, you’ll have everything you need to create a professional and polished look. It’s the perfect font for anything related to plastics, medications, technology, and renewable energy. And with seven weights to choose from—Thin, Extra-Light, Light, Regular, Semi-Bold, Bold, and Extra-Bold—you’ll have the flexibility to create the look and feel you want. So if you’re looking for a typeface that’s both unusual and tech-savvy, look no further than Syndra. It’s a font that’s sure to turn heads and make your message stand out in all the right ways. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Vasili Vasilyevich Radlof or Wilhelm Radloff (Russian: Василий Васильевич Радлов; German: Wilhelm Radloff; 17 January 1837 - 12 May 1918) was a German-born Russian orientalist and founder of Turcology. Radloff is a Russian Turkologist of German origin, who researches the Turkish world from different aspects, opens a new era in the history of Turkology by bringing them to light, and has devoted 60 years of his 81-year long life to these studies. In his work known as Radloff Atlas, it was published with a runic font that he developed specifically for the Old Turkish Runic Alphabet. I made the Turkish Runic Font using Radloff's Atlas. I developed this viking font based on this font and adapted it to Viking writing. I will adapt other runic versions when I have the opportunity.

Mastro is a contemporary design comprising 72 styles. With 9 weights and 4 optical sizes: Caption, Text, Sub-head and Display. A super versatile font family ideal for editorial, graphic design, branding and web. Filled with iconic unusual shapes, yet with a super rigorous professional look this design will stand out and work efficiently. Caption styles are meant for very small text like footnotes; Text styles are meant for long strings of text; Subhead styles are meant for sub-headlines; Display styles are meant for large size type setting. Mastro has many OpenType features such as Small Caps, Standard and Discretionary Ligatures, Superscript Letters, Case Sensitive Forms, Lining Figures, Old Style Figures, Tabular and Proportional Numbers, and more. If you want to enlarge this font family make sure you get its sans counterpart: Mastro Sans.

Unzial typefaces consist of letter forms of the Capitalis Monumentalis and the majescule cursive. The origins of Unizial faces date back to the 5th century. The Neue Hammer Unziale was developed from the Hammer typeface, which was designed by Victor Hammer in 1921, cut by A. Schuricht and appeared with the font foundry Klingspor in 1923. In 1953, American Unizial was expanded to include some new figures, also designed by Hammer, and was rereleased by Klingspor with the name Neue Hammer Unziale. The forms are based on old scripts in books of antiquity and the early Middle Ages and the font is a new variation of a classic. Neue Hammer Unziale has been a favorite for certificates and diplomas and is recommended for headlines and shorter texts in a point size of 12 or larger.

Forget everything you know about TT Smalls because we have re-released the font! TT Smalls useful links: Specimen | Graphic presentation | Customization options TT Smalls is now a decorative font that makes it easy to attract attention. Use it to design expressive headings, in the packaging design or to highlight text on a site. Be sure that the text set in TT Smalls will arouse the interest of the audience. Once TT Smalls was a neutral geometric sans serif, and the inline version was an alternative stylistic set. However, the TypeType collection of universal fonts is extensive, so we focused on creating a unique and expressive font and released an updated TT Smalls. The font contains only uppercase characters in the inline version, and glyph designs are based on a geometric sans serif. With an increase or decrease in weight, the number of strokes in the font goes up or down, respectively. Stylish and easy to use, the TT Smalls font can complete a collection of eye-catching decorative typefaces. Font TT Smalls contains 12 styles: 6 upright and 6 inclined. The character set of the font is 172 glyphs. It has basic Latin and Cyrillic and the main punctuation marks. The standard OpenType feature calt has been added to the font.

Vtg Stencil Ornaments are designed to work with all the US stencil fonts from astype. Have a look at Vtg Stencil US No.2, No.51 and No.72.

Arestons is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Arestons comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters,letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. To make everyone enjoyed Arestons give you one extras font including ornament , catch word and some traditional badge. If you use Areston with you imagination, you just cobine with the another font like script , serif or san serif font and adding some effect finally.. BOOM..!! you get a great design for your project.

Introducing, Naville Sans, the all caps font family. This family has 6 weights - extra light, light, reguler, medium, semibold and bold. The clean and simplicity look of the font suitable for wide range of graphic needs especially for headline, title, sign board, information board, billboard and for UI/UX design.

Cavalier is a bold and extravagant headline typeface. Drawing inspiration from the iconic Lubalin classic, ITC Serif, Cavalier maintains in its design an approach more geometric and slightly cleaner. Equipped with plenty over 100 discretionary ligatures, Cavalier makes for a striking headline font, yet capable of legibility even in longer texts.

D^44 Caps represents a sort of inverted creative process: start from the printed element to create the font to print. The esthetic analysis of pression's missprint is the origin of D^44 design. The redesign of this misprint has created 3 versions differentiated by optical weight: Bold, Only and Light.

Introducing The Kallman Font, a captivating display brush typeface that effortlessly commands attention. With its bold and dynamic strokes, this font adds a striking impact to your design projects. Perfect for eye-catching headlines, posters, logos, and more, The Kallman Font infuses your creations with a powerful and contemporary vibe.

Fox Bowling is a bold and playful display font that adds a captivating and energetic touch to your designs. Its main feature is its vibrant and expressive design, allowing you to create attention-grabbing headlines, t-shirt typography, banners, product labels, and more. With its versatility and eye-catching presence.

Punk-looking fonts usually embody the rebellious and edgy spirit of the punk subculture. It is characterized by its bold, jagged, and distorted letterforms, which often feature exaggerated or irregular shapes. This font is perfect for your design needs such as: for posters, magazines, covers, brands, logotypes, band logos, etc

Hello! Introducing a layered display font — Maggie's Luck. It's a vintage style bold typeface with layered feature. Maggie's Luck Font has five "fonts-layers" for more convenient recoloring. This font has a multilingual support (check out a screenshot with available letters and signs). Thank you and wish you a peaceful sky!

Alpha Midnight, reconstructed from an unnamed source by Dick Pape for Solotype, provided the pattern for this big, bold, unconventional stencil face, sure to grab your readers' attention. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

The 1927 beginner’s book for Shefte’s Rapid Course in Modern Piano Playing had its title hand lettered in a bold serif typeface that reflected some of the influences of the Art Nouveau era. This became the model for Music Course JNL, which is available in both regular and oblique versions.

An Art Deco condensed display sans font with 8 styles, +800 glyphs, +100 ligatures, +30 languages and many opentype features. It is perfect for poster designs, magazines, book covers, logotypes, headlines, newspapers and press. It's bold, daring, modern, geometric and covers a good range of weights from light to block.

Valgan is a bold, slanted, all-capital display font designed to energize sport-themed apparel and related content. Its dynamic style exudes power and motion, making it perfect for team logos, jerseys, posters, and event branding. Versatile and contemporary, Valgan ensures your designs command attention and convey the spirit of competition.

Texas Moliqu is a retro and western-looking display font. This bold, and vintage font can easily become your favorite. It can be used for books, magazine covers, social media posts, invitations, and so much more! So add this to your creations and take your designs to the next level!

Moon-Walk is an unique and very elegant font for brand and logo design. It is a bold, detailed and assertive sans serif font. This font is imposing and features uniquely shaped alternatives, and as a result, it will easily match a wide range of creations that require a distinct touch.

Bulk Weight JNL is a stripped down version of Inline Square JNL (based on 1930s sheet music hand lettering) with the inline removed. What is left behind is a thick, bulky, ultra bold lettering style suitable for attention-getting headlines. Bulk Weight JNL is available in both regular and oblique versions.

Zennor is the work of British designer Phill Grimshaw, a bold italic brush script with slick, dashing letterforms with an almost globular quality. Its uppercase can be used alone or as initials with a strong, authoritative lowercase. Zennor is an ideal choice for work requiring a casual yet confident look.

Folty Typeface is a display based an a geometric sans serif with unique characters and has a sharp vertex. Folty was inspired by Modern graphic design and contemporary typeface. The family contains 6 weights from Thin to Bold good for advertising, packaging, editorial and publishing, logo, branding, music software, etc.

In 1957, Helmut Matheis designed Charme for the Ludwig and Mayer type foundry, located in Frankfurt am Main, Germany. This informal script is of medium weight and has some variation of color. The caps are flowing and the lower case letters are close fitting. Their is a bold companion, called Slogan.

Churchward Marianna and Churchward Marianna Shadow are two more OpenType font releases by BluHead Studio, LLC from the exciting and unique library of Joseph Churchward type designs. The round, bulbous letterforms take on individual personalities of their own. These fonts can't wait to express humor, spunk and just plain bold fun!