Tucker Script is an informal handwriting script named for an exuberant yellow Labrador Retriever. The font is perfect for memos, fliers, cards and of course, a personalized dog dish. It is wonderful for adding a jovial appearance to any document. Designed by Steve Matteson. Tucker Script Character Set - Latin 1.

Ascender Serif was designed by Steve Matteson as an originative, unique serif design that is metrically compatible with Times New Roman. Ascender Serif offers refined on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers searching for width-compatible fonts to address document portability across various platforms.

At home we have a wood stove. Last year, I bought a whole bunch of tree trunks, which I cut up with a chainsaw and then chopped with my Swedish axe. In Holland we have a saying that firewood keeps you warm three times: when you cut the tree, when you chop the wood and when you burn it in the stove. Our stove is rather small, so it is not exactly a blazing furnace, but I liked the name because it seems to fit this font. Blazing Furnace was made with ink and a brush. It is a bit messy and rough, but it comes with multilingual support and a nice set of alternates for the lower case letters.

Bertham Pro Family (4 fonts) is a revival of Frederic W. Goudy’s Bertham typeface. Steve Matteson produced this unique typeface and added bold, italic and openface styles. The fonts include a variety of OpenType features including swash capitals, small capitals and old style figures. It is unmistakably American in appearance recalling a day of quality craftsmanship and hard work. Publishing, branding and packaging materials will draw inspired attention due to its grace and distinctive appearance.

Frederic Goudy designed Tory in the spirit of the ‘lettres batarde’ found Geoffry Tory’s Champ Fleury. He was looking to create a romantic type for which to typeset the book Auccasin et Nicolette. It was one of Goudy’s favorite typefaces of his own creation and it is digitized by Steve Matteson to preserve that legacy.

Originally designed by Les Usherwood for a famous European car company, Elston Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Elston Pro family has been fleshed out with a glyph set that is over 40% larger than the original Elston release, and contains all the high-end features expected in a quality OpenType Pro font.

Frederic Goudy’s Village typeface was originally used exclusively for his Village Press publications. Designed in 1903, Village is a Venetian book face with sturdy, open forms. Steve Matteson digitized this typeface from books printed by the Village Press. An excellent companion to any of Goudy’s other typefaces.

Goudy Titling was designed by Steve Matteson. It is based on the 2" wood engravings Frederic Goudy made for his book ‘The Trajan Capitals’ - a seminal book about the history of the Roman letter. These letterforms predate the work of Father Catich’s exhaustive study of the Trajan Column and, while remarkably faithful to the inscription, have Goudy’s interpretive fingerprints.

Soylent Blu is an original wedge serif, single font designed by Steve Zafarana. Its high contrast character style and bouncy baseline create a visual impact that makes it a good candidate for Signs, headlines, logos and advertisements. The full lowercase set with balanced white space also functions quite well in text. Soylent Blu, with OpenType features, is clearly an attention-getter!