The newest addition to the Outside the Line collection of picture Doodle fonts... Christmas Doodles. The perfect font for that quickie Christmas party flyer. It includes gifts, gift tags, gingerbread man, gingerbread house, candy canes, hot cocoa, bow, crackers, 2 kinds of trees, poinsettia, jingle bell, ornaments, snowflakes and a star. This font works well with Holiday Doodles and Holiday Doodles Too which have some Christmas icons in them.

TOUCHDOWN! This is not a Hoax, not a What If, not an Imaginary Font! The Eagle has Landed... Comicraft's latest manned mission: Space Age Faces for Space Age Spaces! Our Apollo Modules have settled in the moondust and our Astronauts are buckled up in the Rover collecting little rocks and looking for suitable spots to play golf. We invested billions and billions of dollars to send these fonts into space using the largest and most powerful rockets ever built, and rest assured, our Orbiter is coated with a phenolic epoxy resin ablative heatshield to protect you for your journey back to Earth. Features: Six fonts (Modular, Modular-Bold, Orbiter, Orbiter-Bold, Rover, Rover-Bold) with upper and lower case characters. Opentype version of Orbiter also includes 52 auto-ligatures.

Kevin Simpson was five years old when the stylized "E" of the Electrolux vacuum cleaner logo caught his eye. This is his earliest recollection of an interest that ultimately became an obsession. Type remains his major preoccupation, and he admits to attempting to work a good typeface design into any project where he can get away with it. Aitos was inspired by a metal sculpture Simpson saw while driving through the French countryside. "The statue was very strong. It was heavily weathered and had obviously been there for some time, yet it also seemed very delicate and light." Aitos, like the statue, is a rugged design. At first glance, it is chunky and bold, perhaps a little jarring. If you look again, however, you'll see it has refined qualities. Aitos commands attention - yet is still affable.

Alex Kaczun, originally designed BottleKaps for Linotype-Hell, in 1992, as a QuickDraw GX multi-master font series. A few new GX applications, like 'Unicorn', where able to utilize these unique fonts. The GX application allowed the user to adjust weight and proportions, on the fly, including glyph substitution for small capitals, old style figures, swash and alternate endings. The technology was never successfully deployed by Apple, so the individual fonts, 21 styles and variations in all, where sold in the Linotype Font Library as separate Truetype fonts up until 1998. Unfortunately, the fonts collected dust for many years thereafter, but now have been reworked and rejuvenated by Alex in OpenType format for both Mac and PC. 'BottleKaps' is a 'unique', 'playful' and 'decorative' font series. Use it for those bold headlines to stimulate interest and show off your 'unique' individual style.

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.

Poster is the first type created by this team. Its an experiment. This geometric typeface is based on bold and clean rounded rectangles. It’s soft and friendly look lends itself to a number of applications. It´s a good choice for company logotypes, magazine headlines and, of course, posters applications. This font was designed to be used in large sizes, so you can appreciate the little details.

Regatta is a bold, narrow sans serif designed by Alan Meeks in 1987. Its strong, robust figures makes it a particularly good font for headlines in larger point sizes. Regatta is distinguished by its diamond shaped dots on i and j as well as the slanted strokes of several figures. These characteristics relax the closed, static image of Regatta and let the font seem cheerful and friendly.

MAGICA is a book and display face that is both distinctive and legible – clear letterforms and a generous x-height make Magica a good choice for text or titles. The typeface has elegantly chamfered serifs and a confident, vivacious character that is equally suited to formal and informal usage. Magica is available in three weights – Regular, Medium and Bold – each supplied with a free italic.

BINTARO is a clean and powerful serif font with a bold, rounded shape. It comes with two regular styles, and outline. BINTARO is a good choice for a variety of projects such as logos & branding, invitations, stationery, social media posts, clothing, advertising, product packaging, product design, labels, photography, watermarks, special events or whatever. WHAT IS INCLUDED: Multilingual support Alternatives A, B, E, F, P, R PUA Encoded

Wargear is a black display type. Simple in a good way and tough look. This font designed with tight kerning making this font a perfect choice if you want a bold way in your design. The font is great to create a logo tagline, flyer header, or even magazine title. Features: All Standard Glyphs Multilingual Support Numbering & Punctuation Thankyou for Choosing this font Regard, Grontype

Brave Eighty One is inspired by futuristic design concepts and space-like design concepts. This font is good for future, modern, space, sports, bold and speed themed designs. This font is perfect for collecting on your computer for up-and-coming design projects or work in progress, because the Brave Eighty One has no trending period, and will always look cool whatever year it is.

Megar is a display font with a bold retro feel and available in 2 styles, regular & oblique. It is suitable to complement your work with a retro or pop art theme. Megar is sold at affordable prices and you will get lots of bonus background gradient & gradient shapes. Get this font right now! Don't miss this product from us! Also check out our other products. Viaction Type

Introducing - Meroche Sweet and Classsy Sans Display Family Meroche Sans Family consists of 4 weight : Thin, regular, medium and bold equipped with 20+ ligatures and alternative letters that look sweet and classy and are very good for your work such as logos, branding, packaging, posters, invitations, insta stories and your advertising needs. If there is anything you need to ask, you can contact me at mlkwsn999@gmail.com

The design of Grosser* is inspired by the northern european modern architecture with it's rational shapes. The font was born for posters and to be used on large formats, the geometric shapes and the solid structure makes it a very good choice to do posters and graphics where you need an extra bold font with sharp lines. *Grosser (Größer) is a german word, which means "bigger/larger".

Inspired by a bustling village within Aotearoa New Zealand’s capital city of Wellington, Tinakori is an elegant and sophisticated serif font that invokes art deco, classical art and thin balletic structures. It’s been a passion project that’s finally come to fruition. The simple italic and bold versions help accentuate the individuality of the serif which is precise but holds a fluidity that makes it feel inventive.

Run amuck and head on down to Toon Town with us to enjoy some Madcap Laffs with our latest Frolicking Font, 'THAT'S ALL FOLKS'. It's good, clean family fun for all your favorite comic cuts and looney'toons! What's more, it's (sing along) S-O-E, A-S-Y, T-O-U-S-E! Includes new Inline Regular and Bold weights, Western European accents, and Crossbar I Technology!

Here are 29 hearts to say "I love you" through out the year. Some are stand-alone hearts and others have matching hearts for creating all-over heart patterns or a series of similar but slightly different hearts. Created in the same style as Outside the Line's other Doodle fonts.

Say hello to Willson - Clean Serif Font, Willson designed with a modern and clean style. It's suitable for branding, logo, printing and many other designs. Included: Willson (otf) Features: Accents (Multilingual characters) 6 Alternates 11 Ligatures PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for visiting and purchasing my font!

ITC Pious Henry is the work of South Carolina designer Eric Stevens, a typeface which for him evokes a feeling of the rural South. Maybe it's a naive quality that belongs on a 'Boiled Peanuts' sign," he says. The letters of ITC Pious Henry seem to dance across page or screen."

Say hello to Xutwef, a superhero-style display font that will emphasize the strong and bold message of your projects. Whether in the world of film, gaming, or design, Xutwef is the perfect solution for creating extraordinary and eye-catching looks. With tough and bold characters, Xutwef presents a strong and eye-catching theme. Each letter is filled with inspiring power, taking your project to another level and creating an unforgettable impression on the audience. Xutwef offers not only a bold style but also special features that enhance your creativity. With the available ligatures and alternative characters, you can explore a variety of unique and interesting typography combinations. Apart from that, this font also supports multiple languages, allowing you to present a strong message to an international audience. Join the greatness of Xutwef and let your projects shine. With its incredible superhero style and superior features, this font will amplify your message and create an unforgettable impression. Don’t miss the chance to own Xutwef and turn your every design into an inspiring and impressive masterpiece. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support