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  1. Spidro Marley by Alit Design, $18.00
    🍃Introducing Spidro Marley typeface🍃 The Spidro Marley Serif typeface is an elegantly themed font that has a dynamic serif style. The details of the shape of the "Spidro Marley Serif Elegant typeface" are very smooth and flow to create unique and beautiful curves. Elegant Serif typefaces such as “Spidro Marley typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Spidro Marley typeface contains 608 glyphs with many unique and interesting alternative options.
  2. Price Tags JNL by Jeff Levine, $29.00
    Price Tags JNL is a multi-use dingbat font. Along with over twenty nostalgic price tags, there is a set of individual numbers [1 thru 0 keys] and number pairs [A-T and a-i keys] for creating old-style white-on-black price tags. Blank end caps are available on the parenthesis keys, the decimal point is on the period key, catch words FOR, DOZEN and EACH are on the left and right arrows and right brace respectively, and the dollars and cents marks are on the dollar and hyphen keys. You'll even find a few extras placed upon the bracket and left brace keys.
  3. Bulone by Alit Design, $18.00
    ðŸŒŧIntroducing Bulone Serif Elegant typefaceðŸŒŧ The Bulone Serif typeface is an elegantly themed font that has a dynamic serif style. The details of the shape of the "Bulone Serif Elegant typeface" are very smooth and flow to create unique and beautiful curves. Elegant Serif typefaces such as “Bulone Serif Elegant typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Bulone Serif Elegant typeface contains 613 glyphs with many unique and interesting alternative options.
  4. Grafika by Alphabet Soup, $45.00
    Grafika is a completely original design, done in an “Art Deco” spirit reminiscent of the 1920s and ‘30s. I designed Grafika many years ago to be typeset for title cards, and both opening and end credits for the Merchant/Ivory feature film “Savages”. After the film, the design languished in my archives until I rediscovered it. I have digitally redrawn Grafika, completing it with all the alternates, ligatures, math, foreign accented characters and punctuation that weren’t required of the original design for film. Grafika is strongest when set in upper and lowercase—its unique caps extending below the baseline—although all caps settings are encouraged as well.
  5. Flirt by Canada Type, $25.00
    It's a very happy day when we stumble upon beautiful alphabets that were never digitized. It is even a happier day when the beautiful alphabet finds its way to us through friends and people who like our work. Some two months ago, the forms of this gorgeous font were pointed to us by a friend who saw it in an old Dover Publications specimen book showcasing historical alphabets. It was there under the name Vanessa, with nothing else to go by. We looked and researched for further information but found nothing else. So this gem comes to you like a coal that winked its way out of the ashes because it wanted to shine again. Flirt is very authentic art deco with a noticeable element of artistic pride, swashy delicate majuscules and very aristocratic, fashionable and flirty minuscules. The majuscules can be used as every other capitals usually are, or as initial caps. The minuscules can very nicely stand on their own quite independently from the caps whenever desired. These letters are quite similar to the hand lettering used on of the kind of theater posters, specifically burlesque and opera entertainment, which are now considered very retro-chic and fashionable to see hanging on walls in home or office. The initial specimen we worked from showed a single basic art deco alphabet with numerals which seemed as they belonged to another font. That alphabet became the base Flirt font, the numerals were redrawn to fit much better with the minuscules, and the character set was greatly expanded to include punctuation, accented characters, and many many alternates, especially for the majuscules. Majuscules with a descending right vertical stroke were a common artistic touch in the high days of theater posters, so we thought they would be great additions to the character set. These alternates can be found all over the font. So to maximize the design fun, have a character map or glyphs palette handy when you use Flirt. After the base font was finished, we thought it would be a good idea to give it a bold treatment unlike anything seen out there, and the farthest thing from the mechanical bolds seen everywhere now. This bolding treatment consisted of thickening the lowercase's vertical strokes inwards, but leaving the horizontal stroke weight as is, and thickening only the thicker vertical strokes of the uppercase. The result is quite the visual feat. We encourage you to test both the regular and bold weights and see for yourself.
  6. Go by Canada Type, $24.95
    Five years into the 21st century and the promise of nanotechnology, high-end popular culture design seems to thrive on combining opposites and drawing a fine line between traditionally contradictory ideas. This is seen in modern society's usual cultural frontrunners - like consumer electronics, fashion items, music packaging and publications, where it is evident that traditionally complex marketing statements of fashionability and lifestyle are attempted with simple minimalism. But at the typographic end of this realm, the creative majority still uses old faces that help the modern statement only in passing. Some of the more adventurous creative professionals actively seek new elements to emphasize contemporary impact in their modern design. To those adventurous types (pun intended), Canada Type presents this new face called Go. It is very much a child of the new millennium, inspired by the unmistakable minimalist style of modern 21st century corporate logos, recent design shifts in electronic music and club-marketing collateral, and disc jockeys who have enthusiasm, energy, precision and total control of each and every vibration traveling from mixer to speakers. Go is an original modern techno-lounge face that offers the eyes pleasing collages of friendly minimal forms that give the words an impression of simplicity and depth at once. This is a font that prides itself on its precise grouping of elements and just enough original creativity in combining those elements. The precision builds the sharp edge sought for modern statements, while the creativity keeps the message rejuvenated, clear and interesting. Go's character set consists of a versatile and unexpected, yet mild mix of the uppercase and lowercase forms, with multiple variations on the majority of the letters. The e being a vertical mirror of G is only the first of the pleasant surprises. More than 30 alternates are inside the font. All the accented characters in Go have been meticulously (perhaps obsessively) drawn to be unusual for logos and short statements. Take a look at the character map and be ready for a space-age surprise. To borrow a Star Trek clichÃĐ, this font can Go where no font has gone before.
  7. Pariphoom by Jipatype, $27.00
    āļ‚āļ­āđāļ™āļ°āļ™āļģ Pariphoom āđāļšāļšāļ­āļąāļāļĐāļĢāļ­āļąāļ™āđ‚āļ‰āļšāđ€āļ‰āļĩāđˆāļĒāļ§āđāļĨāļ°āļ—āļąāļ™āļŠāļĄāļąāļĒ āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļ‡āļēāļ™āļ­āļ­āļāđāļšāļšāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ›āļĢāļ°āđ€āļ āļ— āļ”āđ‰āļ§āļĒāļ­āļąāļāļĐāļĢāđāļšāļš sans-serif condensed āđāļĨāļ°āļĄāļļāļĄāđ‚āļ„āđ‰āļ‡āļĄāļ™ āđāļšāļšāļ­āļąāļāļĐāļĢāļ™āļĩāđ‰āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļĄāļ”āļļāļĨāļ—āļĩāđˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āļŠāļ·āđˆāļ­āļ›āļĢāļīāļ āļđāļĄāļīāļĄāļēāļˆāļēāļāļ āļēāļĐāļēāđ„āļ—āļĒ āđāļ›āļĨāļ§āđˆāļē “Space” āđāļĨāļ°āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļŠāļ·āđˆāļ­āļ‚āļ­āļ‡āļĄāļąāļ™ āļŸāļ­āļ™āļ•āđŒāļ™āļĩāđ‰āļŠāļēāļĄāļēāļĢāļ–āđƒāļŦāđ‰āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļĄāļēāļāļ‚āļķāđ‰āļ™āđƒāļ™āļ‡āļēāļ™āļ­āļ­āļāđāļšāļšāļ‚āļ­āļ‡āļ„āļļāļ“ āđ„āļĄāđˆāļ§āđˆāļēāļ„āļļāļ“āļāļģāļĨāļąāļ‡āļŠāļĢāđ‰āļēāļ‡āļŠāļ·āđˆāļ­āļŠāļģāļŦāļĢāļąāļšāļŠāļĢāđ‰āļēāļ‡āđāļšāļĢāļ™āļ”āđŒ āļžāļąāļ’āļ™āļēāđāļ„āļĄāđ€āļ›āļāļāļēāļĢāļ•āļĨāļēāļ” āļŦāļĢāļ·āļ­āļ­āļ­āļāđāļšāļšāđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ Pariphoom āļĄāļ­āļšāļ„āļ§āļēāļĄāļĒāļ·āļ”āļŦāļĒāļļāđˆāļ™āđāļĨāļ°āļ„āļ§āļēāļĄāļ­āđ€āļ™āļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āđ„āļ”āđ‰āļĢāļđāļ›āļĨāļąāļāļĐāļ“āđŒāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ Pariphoom āļĄāļēāļžāļĢāđ‰āļ­āļĄāļāļąāļšāļĢāļđāļ›āđāļšāļšāļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āļāļąāļ™āļ–āļķāļ‡ 18 āļĢāļđāļ›āđāļšāļš āļŠāļīāđˆāļ‡āļ™āļĩāđ‰āļ—āļģāđƒāļŦāđ‰āļ„āļļāļ“āļĄāļĩāļ•āļąāļ§āđ€āļĨāļ·āļ­āļāļĄāļēāļāļĄāļēāļĒāđāļĨāļ°āļĄāļĩāļ„āļ§āļēāļĄāļĒāļ·āļ”āļŦāļĒāļļāđˆāļ™āđƒāļ™āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āđƒāļ™āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļšāļĢāļīāļšāļ— āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļŸāļ­āļ™āļ•āđŒāļ™āļĩāđ‰āļĢāļ­āļ‡āļĢāļąāļšāļŦāļĨāļēāļĒāļ āļēāļĐāļēāļŠāļģāļŦāļĢāļąāļšāļ āļēāļĐāļēāļ•āđˆāļēāļ‡āđ† āļĄāļēāļāļĄāļēāļĒ āđāļ•āđˆāļ™āļąāđˆāļ™āđ„āļĄāđˆāđƒāļŠāđˆāļ—āļąāđ‰āļ‡āļŦāļĄāļ” Pariphoom āļĄāļēāļžāļĢāđ‰āļ­āļĄāļāļąāļšāļŸāļĩāđ€āļˆāļ­āļĢāđŒ Opentype āđ€āļˆāđ‹āļ‡ āđ† āđ€āļŠāđˆāļ™ Small Caps āđāļĨāļ° Tabular āļ‹āļķāđˆāļ‡ Small Caps āđ€āļ›āđ‡āļ™āļ§āļīāļ˜āļĩāļ—āļĩāđˆāļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāđƒāļ™āļāļēāļĢāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāđƒāļŦāđ‰āļāļąāļšāļ‡āļēāļ™āļ­āļ­āļāđāļšāļšāļ‚āļ­āļ‡āļ„āļļāļ“āđ‚āļ”āļĒāđƒāļŠāđ‰āļ•āļąāļ§āļžāļīāļĄāļžāđŒāđƒāļŦāļāđˆāđāļ—āļ™āļ•āļąāļ§āļžāļīāļĄāļžāđŒāđ€āļĨāđ‡āļ āđƒāļ™āļ‚āļ“āļ°āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ Tabular āļāđ‡āļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ•āļēāļĢāļēāļ‡āđāļĨāļ°āļˆāļąāļ”āļ•āļģāđāļŦāļ™āđˆāļ‡āļ•āļąāļ§āđ€āļĨāļ‚āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ”āļđāđ€āļ›āđ‡āļ™āļĢāļ°āđ€āļšāļĩāļĒāļšāļĄāļēāļāļ‚āļķāđ‰āļ™ āđ‚āļ”āļĒāļĢāļ§āļĄāđāļĨāđ‰āļ§ Pariphoom āļ—āļģāđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđ€āļĨāļ·āļ­āļāļ—āļĩāđˆāļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāļŠāļģāļŦāļĢāļąāļšāļ™āļąāļāļ­āļ­āļāđāļšāļšāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļœāļĨāļ‡āļēāļ™āļāļēāļĢāļ­āļ­āļāđāļšāļšāļ—āļĩāđˆāļ™āđˆāļēāļˆāļ”āļˆāļģāđāļĨāļ°āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļž Introducing Pariphoom, a sleek and modern typeface that is perfect for a wide range of design projects. With its condensed sans-serif design and rounded corners, this font offers a unique balance of professionalism and approachability. Derived from the Thai language, the name Pariphoom means "Space" and just like its name suggests, this font can give you more space in your design. Whether you're creating branding materials, developing marketing campaigns, or designing websites, Pariphoom offers the flexibility and versatility you need to achieve your desired look. Pariphoom comes with 18 different styles. This gives you plenty of options to choose from and the flexibility to use it in various design contexts. Additionally, this font offers multi-language support for a wide range of languages. But that's not all – Pariphoom comes with some cool Opentype features such as Small Caps and Tabular. Small Caps are a great way to add variety to your design by using small capital letters instead of lowercase letters. Meanwhile, Tabular is perfect for creating tables and aligning numbers for a more organized look. Overall, Pariphoom making it a great choice for designers who want to create memorable and effective design projects.
  8. Disparador - Personal use only
  9. Teatral - Personal use only
  10. Escheresk - Personal use only
  11. Hard Light - 100% free
  12. Med Splode - Unknown license
  13. Ligne Claire - 100% free
  14. RM Albion - 100% free
  15. New Alphabet - Unknown license
  16. Pea Bethany's Doodles - Unknown license
  17. DarkPix - Personal use only
  18. Pullchain - Personal use only
  19. Structurosa Script - Unknown license
  20. Pea Stacy's Doodles - Unknown license
  21. Pea Jean Script - Personal use only
  22. Pea Jane In A Hurry - Unknown license
  23. Pea Katie Shea - Unknown license
  24. Plump - Unknown license
  25. SlabStruct Too - Unknown license
  26. Cheese Fontdue - 100% free
  27. Pea Johanna Script - Unknown license
  28. Pea Sara Script - Unknown license
  29. Pea Carrie Script - Unknown license
  30. Pea Happy Girl - Unknown license
  31. Pea Gretchie Print - Unknown license
  32. Vipond Chubby - Unknown license
  33. Pea Lou Who - Unknown license
  34. Pea Jenny Script - Unknown license
  35. Pea Jeannie Script - Unknown license
  36. Pea Luv-2-Scrapbook - Unknown license
  37. Divad - Personal use only
  38. heavyLOUDedge - Personal use only
  39. Herman by Monotype, $15.99
    An edgy little number here; Herman was created using a chiselled marker pen and is handwritten as a slanted, bold font with a distinct marker contrast. Designed with two sets of all caps, and alternates that rotate the upper and lower case; Herman is a standout that’s charming and slightly retro, too.
  40. Kianda by QubaType, $20.00
    Kianda typeface was created as a non-classic, sport logo typeface. Now it has only one style with Latin and Cyrillic uppercase, numerals and punctuation. Almost every letter have 3-4 alternates, which allows you to feature stylish text for your logo. Also this typeface works good with short slogans, packaging and more.
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