Findastone is a delicate and fine script font. It can be applied to a variety of design ideas, from invitations, to cards and pretty much anything that requires a lovely touch.

Mixed Silhouettes are inspired by people, animals and various situations. It includes a wide variety of topics and may be used individually or in combination with wide range of design possibilities.

Textur Gotisch is a real historic blackletter that contains a wide variety of ligatures and offers, with the Lombardic letters, a sacral style. Ideal for documents like certificates for mediaeval games.

Borka is sans-serif, clean and simple family that can be used for wide variety of purposes. It is well suited for web text, advertisements, designs, flyers, posters, brochures and more.

Based on the Batman logo, this font (and a medium weight which is unreleased) were designed especially for Rian Hughes' "Batman: Black and White" comic book. It retains the signature reversed-stress weight distribution, seen to best effect on the A.

Frisco Bay JNL is an entirely original design from Jeff Levine with strong Art Deco influences. A medium weight letter form, this design finds itself at home in any application where a touch of elegance from the past is needed.

Really excited to introduce Catellos is a serif family and comes with with two variant: Medium and Bold with many alternates and ligatures. It is suitable to create any branding, product packaging, invitation, quotes, t-shirts, labels, posters, logos and more.

Edgewater Small extends the popular Edgewater and Edgewater Square families with the inclusion of lower-case characters, creating a flexible typeface perfect for individual use in medium-to-large sizes or in concert with its sibling fonts in the series.

Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the Italics.

Vivizza Bold - Modern, classy and elegant! New stylish multifunctional Serif from Julia Visht! Perfect at large and medium size - Vivizza Bold does well from large eye-catching headlines , to medium headings. Two different models of letter spacing for uppercase and lowercase letters! Carefully constructed built-in opentype kerning pairs to ensure impeccable letter spacing throughout the font. Main features: -Ligatures. Set of opentype ligatures allows to make your design truly unique. -Great for web-design, logo creating, modern branding, posters, headers, advertising and so much more. -Multilingual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic,Indonesian, Irish, Swiss German, Portuguese, Finnish. Stylish Serif for Stylish Projects!

Taking the name from substance of the best quality perfumery, Musk present an elegant form of high contrast sans serif combine with an expressive connected script. The sans serif contain three weight; regular, medium and bold within it’s quality for display and also text. Each glyphs shown an unique variation of forms, especially the terminals in regards to achieve legibility and readability. The sans serif contain three weight; regular, medium and bold within it’s quality for display and legible for body text. With over than 240 glyphs. Some open type features contain in Musk sans; old style figures and standard ligature and the Musk script contain swash.

Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

SK Cynic is a modern geometric experimental font. Inspired by modern industrial graphic design. The font form is based on a 8x8 grid, which makes it stricter and more accurate. Bevels are created at the corners of each letter, giving the symbols a special industrial look. The font is multilingual and supports almost all Latin and Cyrillic languages. For some characters, stylistic alternatives are provided for better readability. The font will give any work a unique look and is suitable for use on print and on the Internet. This font delivered in 8 styles: Thin, Light, Regular, Medium, Bold, Outline Light, Outline, Outline Medium

Scientia (means 'knowledge', 'science' in Latin) is a neutral serif typeface in eight styles. It contains four weights (Regular, Medium, Bold, Black) with corresponding italics. All the styles support Western and Central European Latin, basic and Asian Cyrillic and Greek. Regular and Medium styles include smallcaps for all supported languages. In addition to the standard set of non-alphabetic characters Scientia has arrows and some supplemental mathematical symbols. The font was created by Natalia Vasilyeva. Being a professional book designer, Natalia uses Scientia in astronomy books. Scientia is a good choice for literary fiction and academic non-fiction texts. The typeface was released by ParaType in 2016.

Linotype Finerliner is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contest. The American artist Gary Munch, from whom we also have Linotype Ergo and Ergo Sketch, designed Linotype Finerliner as a handwriting font with calligraphic influences. The small, regularly formed lower case letters contrast nicely with the generous, sweeping capitals. The font is available in a light and medium weight and displays no stroke contrast. The lighter weight, micro, is best used for shorter texts in point sizes 18 or larger and the medium weight, macro, is mainly intended for headlines in larger point sizes.

A treasure trove of typographic rarity, found in an old print shop in the Saxon town of Frankenberg, now revived and carefully extended.

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

Ravensara Stencil - elegant high contrast classic serif. Ravensara family was born from the idea of taking the Didone concept to weight extremes. In light and medium weights Ravensara transmits a very elegant and high fashion style attitude, but stays readable in small sizes and can even be used as a text font. That makes it an ideal solution for projects, that needs an injection of contemporary sophistication. Heavy weights perfectly complement light and medium ones and also works great by their own in large sizes. It is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Serif. Ravensara Stencil is available in 9 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black and ExtaBlack. Ravensara font family, combining its classic origins and contemporary elegance, is a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, posters, advertising, etc. Ravensara Stencil extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

Dick Jensen (USA) designed Serpentine, is a contemporary-looking display font, for the Visual Graphics Corporation in 1972. With the rise of digital typesetting and desktop publishing, this typeface quickly became both popular and ubiquitous. This dynamic, wide, boxy design is identifiable via tiny triangular swellings at the stroke endings - what might be called semi-serifs. Serpentine is available in six different font styles: Light, Light Oblique, Medium, Medium Oblique, Bold, and Bold Oblique. Serpentine" is a greenish rock that sometimes resembles a serpent's skin, and is often used as a decorative stone in architecture. Though this font doesn't seem at all snaky or sinuous, it does have an architectural, stone-like solidity. The subtle, almost non-existent curves and semi-serifs keep it from being too stern or cold. Although the underlying strokes of each weight are similar, the six members of the Serpentine font family all present their own individual personalities. Serpentine Light lends itself well to text for onscreen displays, for instance, while the numbers from typeface's heavier weights are seen around the world on soccer jerseys! Additionally, the oblique styles convey a streamlined sense of speed, furthermore lending Serpentine well to sport and athletic applications (especially the faster, high-speed varieties). Because of its 1970s pedigree, Serpentine has come to be known as a genuine "retro" face. This makes the typeface even more appropriate for display usage, in applications such as logo design, magazine headlines, and party flyers. If you like Serpentine, check out the following similar fonts in the Linotype portfolio: Copperplate Gothic (similar serifs) Eurostile (similar width) Princetown (another "athletic" font) Insignia (similar "techno" feeling)"

Dick Jensen (USA) designed Serpentine, is a contemporary-looking display font, for the Visual Graphics Corporation in 1972. With the rise of digital typesetting and desktop publishing, this typeface quickly became both popular and ubiquitous. This dynamic, wide, boxy design is identifiable via tiny triangular swellings at the stroke endings - what might be called semi-serifs. Serpentine is available in six different font styles: Light, Light Oblique, Medium, Medium Oblique, Bold, and Bold Oblique. Serpentine" is a greenish rock that sometimes resembles a serpent's skin, and is often used as a decorative stone in architecture. Though this font doesn't seem at all snaky or sinuous, it does have an architectural, stone-like solidity. The subtle, almost non-existent curves and semi-serifs keep it from being too stern or cold. Although the underlying strokes of each weight are similar, the six members of the Serpentine font family all present their own individual personalities. Serpentine Light lends itself well to text for onscreen displays, for instance, while the numbers from typeface's heavier weights are seen around the world on soccer jerseys! Additionally, the oblique styles convey a streamlined sense of speed, furthermore lending Serpentine well to sport and athletic applications (especially the faster, high-speed varieties). Because of its 1970s pedigree, Serpentine has come to be known as a genuine "retro" face. This makes the typeface even more appropriate for display usage, in applications such as logo design, magazine headlines, and party flyers. If you like Serpentine, check out the following similar fonts in the Linotype portfolio: Copperplate Gothic (similar serifs) Eurostile (similar width) Princetown (another "athletic" font) Insignia (similar "techno" feeling)"

Babysitter is a nice, feminine font. It can be used for a variety of purposes. Very unobtrusive in nature, yet with a big impact! Comes with all the accents, bells and whistles.

Roadway is an original typeface with an antique accent, inspired by Clarendon woodtypes from late 19th century. It comes in three matching varieties, with extended character sets and a lot of personality.

Gostyk is a bold and stylish font. Perfect for use in a variety of purposes, such as writing articles, magazines, branding projects or simply as stylish text to display on your screenshots.

Illusion™ is an original calligraphic script by Natalia Vasilyeva. The variety of alternates and ligatures makes Illusion especially suitable for use in advertising and display typography. Published by Paratype in 2019.

Sunsive Sans Serif Font family is the perfect choice for clean, minimalist, and professional designs. With a variety of weights and styles, it's suitable for headlines, body, web, print, and modern branding. This font provides a bold and elegant look to your graphic projects. Sunsive Sans Serif Font family provides a variety of variations from Regular to Black, allowing you to customize the appearance of the text according to your needs. From simple Regular to powerful Black, each weight provides flexibility in designing text with a professional, modern touch.

Stars contains 174 characters; a variety of solid and dimensional star designs with from three to twelve points, pentagrams, sheriff stars, stars of david, outline stars, burst stars and airforce stars. Stars Two contains 174 characters; a variety of five pointed outline stars with centers, star designs composed from various geometric shapes with from three to eight points, jagged stars, quilt stars, outline stars, starfish, arrow stars, burst stars, drop shadow stars, ragged starbursts, double stars and air force stars. Stars Three is a collection of 174 star designs.

Korb is a rounded sans serif family of four styles. It features a narrow geometric construction inspired by DIN letter shapes along with more unusual details like open counters and smooth connections between shoulders and stems. This makes the family suitable for a variety of applications, from corporate design to signalization. The fonts, provided in OpenType format, include diacritics for most European languages, a set of arrows and a variety of OpenType features like stylistic alternates, case-sensitive forms, tabular figures, etc. Check the pdf specimen in the gallery tab for more info.

Aesthete Signature embodies elegance and style in a handwritten font, with 57 perfectly integrated ligatures that give your projects a natural look and a touch of elegance. Offering a variety of alternative options to enhance your designs, this font makes a fun embellishment for a variety of design endeavors. Its versatility stands out, making it perfect for wedding-themed creations, dazzling wedding invitations, Valentine's Day, promotional materials, branding initiatives, business cards that leave a lasting impression, inspirational quotes, and a wide variety of design endeavors seeking a blend of sophistication and appeal. Additionally, multilingual support ensures global appeal, adding a touch of beauty across language boundaries. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Alternates, ligatures, and swashes PUA encoded Type j_1 until j_8 to features swash, ligatures will automatically replace the standard letter pairs whenever available, when using any OpenType capable software.

Crockstomp imitates misprinted, distressed or degraded type, containing internal distress and a degraded outline. It's probably best at larger sizes where the imperfections becomes more apparent. Also there are two "special effects" varieties.

Modjola is an elegant brushed handwritten font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on.

Katika is a sweet and cursive handwritten font. This gentle font will look gorgeous on a variety of design ideas. It will add a joyful and romantic touch to each of your projects!