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  1. Astigma, crafted by Kiwi Media, is a distinct font that basks in the realm of creativity and innovation. Its design exudes a strong character, blending elements of mystery and clarity that make it un...
  2. The Only Exception is a distinctive handwritten font created by Kimberly Geswein, a font designer known for her wide variety of script and display fonts that are imbued with personality and charm. Th...
  3. Rexlia Free, designed by the talented Ray Larabie, is a font that manages to balance a robust, industrial aesthetic with an undercurrent of playful quirkiness. This typeface is not your average font;...
  4. The "Cookies" font embodies the warmth and charm of home-baked goodness, encapsulating an essence that is both whimsical and inviting. Picture walking into a cozy, sunlit kitchen, the air filled with...
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  6. Zombie Food Demo by NihStudio is a font that, as its name suggests, captures the essence of horror and survival themes, wrapping them in a quirky and distinctive style. This font appears as if it has...
  7. Fiolex Mephisto is a distinctive and visually captivating font that effortlessly captures the essence of classic artistry with a touch of diabolical charm. This typeface is designed to evoke an atmos...
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  9. Yorktown is a distinctive font created by Dieter Steffmann, a renowned German typographer known for his prolific contribution to the realm of digital typography. With a keen eye for historical font s...
  10. Janda Cheerful Script is a captivating font that embodies a blend of casual elegance and playful flair, designed by the talented Kimberly Geswein. This font stands out due to its handcrafted appearan...
  11. The TaitDemo font, crafted by Daryl Askey, is an exquisite display of typeface design that merges modernity with a slightly vintage aura, creating a versatile font suitable for a wide array of applic...
  12. Azteak is a distinctive font crafted with inspiration drawn from the intricate and complex motifs found in Aztec art and culture. Designed by the talented typeface designer Peter Bruhn, Azteak embodi...
  13. MW POLKA2 is a captivating decorative font created by the designer known as milkwort. It's a font that breathes playfulness and creativity into any project it graces. At the heart of MW POLKA2 is a j...
  14. The Iron Lounge Smart Dot 2 font, created by PizzaDude, is a distinctive typeface that captures the essence of modern design with its unique blend of style and accessibility. This font stands out for...
  15. SF Foxboro Script is a captivating typeface designed by ShyFoundry Fonts, known for its charismatic and flowing style that breathes life into every word it forms. Distinctly modern with a nod to clas...
  16. Christian Crosses V by Unauthorized Type is a fascinating and unique font that stands out due to its theme and design focus. Unlike traditional typefaces that prioritize letters and numbers, this par...
  17. Fette Trump-Deutsch, designed by Dieter Steffmann, is a typeface that captures the essence of traditional German craftsmanship in typography. This font stands out for its bold and robust character, r...
  18. Husky Stash, a distinctive font created by the renowned type designer Ray Larabie, is a vivid embodiment of creativity and flair. This typeface exudes a playful yet sophisticated spirit, making it a ...
  19. Semiramis, a font designed by The Scriptorium, carries a distinct, artistic character that sets it apart in the realm of typography. This font beautifully mirrors its namesake's allure and mystery, S...
  20. The font !Sketchy Times by !Exclamachine is a unique typeface that stands out with its distinctive, hand-drawn appearance, making it a favorite among designers looking for a playful, informal vibe. T...
  21. Infobubble2, a distinctive font created by Iconian Fonts, embodies a playful yet articulate design that resonates well with a variety of creative and informative projects. Iconian Fonts, known for it...
  22. "Young Techs" is a captivating typeface created by the prolific font foundry, Iconian Fonts, known for their wide array of distinctive and thematic typefaces. This particular font is a homage to the ...
  23. The KR Leafy font, created by the talented Kat Rakos, beautifully captures the essence of nature in its design, making it a distinctive choice for a wide array of creative projects. Its uniqueness li...
  24. Tozuna is a captivating font meticulously designed by Alberto Rodriguez. It embodies a balance between modernity and tradition, offering a fresh perspective on typeface design. Tozuna stands out for ...
  25. The Pea Martha font, crafted by the creative collective known as Fonts For Peas, exudes a whimsical yet intimate charm that is reminiscent of handwritten notes shared between friends. This font is pa...
  26. As of my last update in April 2023, the font named "Midiet" crafted by YOFonts presents a unique blend of artistic elegance and modern flair, catering to a wide range of design needs. This font stand...
  27. Teddyber V1.1 by GemFonts, created by Graham Meade, is a distinctive and playful font that stands out for its unique character and charm. Designed to bring a sense of warmth and whimsy to any project...
  28. As a creation of Tattoo Woo, the Quasari font is an exquisite display of the artistic finesse and bold creativity that defines the designer's portfolio. It is imbued with a sense of fluid motion and ...
  29. MicroMieps is a distinctive typeface that captures the essence of precision, clarity, and modernity, making it a stand-out choice for various design and typographical projects. Characterized by its c...
  30. Alright, picture this: Armor Piercing by Blambot Fonts isn't just a grab-and-go typeface; it's like the cool edge of comic book dialogues or the daring voice in a graphic novel that refuses to whispe...
  31. Cantabile, a font crafted by the talented Harold Lohner, is a distinguished typeface that lives up to its musical name, evoking a smooth and lyrical quality akin to the way a Cantabile passage in mus...
  32. Featuring a timeless charm imbued with a sense of playful elegance, the Marketing Script font by Dieter Steffmann is a beautifully crafted typeface that captures the essence of classic handwriting. W...
  33. Arctic is a font that embodies the chill, pristine vastness of its namesake, while also encapsulating warmth and approachability. Imagine the sharp, clean lines of ice formations and the fluid, organ...
  34. Ego Trip Fat Skew, conjured by the creative mind behind the PizzaDude moniker, embodies a buoyant and daring spirit, which makes it stand out in the vast landscape of typography. This font, with its ...
  35. Riggle is a font that dances across the page with a playful yet robust energy. Imagine each letter crafted not merely to form words, but to invoke a feeling of joy and creativity. Its design leans in...
  36. The Diploma font is a classic and elegant typeface that is synonymous with sophistication and prestige. It evokes the time-honored traditions of academic excellence, official recognition, and high ac...
  37. FT Pedant Dilettante, crafted by Fenotype, a font foundry known for its diverse and high-quality typefaces, stands as a testament to the blend of meticulous detail and artistic whimsy. The font encap...
  38. Feldicouth Norm by Three Mile Island is a captivating font that carries a unique charm, making it stand out among many in the realm of typography. This font is a true testament to the creativity and ...
  39. The CochinArchaic font, crafted by the skilled typography artist David F. Nalle, is a distinctive typeface that pays homage to the historical and stylistic nuances of classical script. CochinArchaic ...
  40. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
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