Along Sans Grande is an ultra condensed sans serif font family developed based on the typeface styles of the Along Sans Geometric Font Family. In the case of the black weight with the largest change in the size of the stem, the size is 180:140:100, respectively. And, the thin weight style has the same proportion of stem size. Some Glyphs that need to support the stem alone remain a size 222 for Black Weight. These interpolation rules are sufficient to complement the rhythm and readability of the whole family. This family is perfect for special titling works, logo designs, and cool showcases.

Formal yet light-hearted, Loure is an ideal font for the best of times. Modest Art Deco influences imbue a century of history behind Loure's fresh 2022 gaze, while a few unexpected swoops deliver intrigue alongside clean legibility.

Ainan is an elegant and soothing script font designed and published by Eko Bimantara in October 2022, the typeface is carefully crafted with smooth strokes and proportional letterforms. Perfect for various design and creative needs, branding, logo, header, titles.

Realitas is an experimental display font designed and published by Eko Bimantara in August 2022. This typeface deeply explores letterforms beyond common boundaries and creates new possibilities in letter structure. It has more than 300 glyphs which covered broad latin languages.

The German typeface designer Joachim Frank designed this font 2022. The name stands for his youngest grandson Lui. Naturalness and harmony, soft lines and uniqueness are the characteristics of this font. This font is ideal for logos, advertising, branding, posters, billboards.

A light sans serif designed for Susanna Lakner’s 22 Days mail art project. The characters were drawn on each of 22 evenings throughout November 2004. In December the drawings were scanned to create the Susanna font.

Glamour was originally released by Lanston Monotype in 1948. It is based on Corvinus designed by Imre Reiner. P22 Designer Colin Kahn has added some unusual variants to this family illustrating that Glamour can be taken too far and have somewhat unglamorous results.

Jungler is a new handwritten consensed typeface, based on the lettering from comic magazines, designed by Gabriele Bellanca in early 2022 for Rumors Foundry. It was created with FontSelf App and the support of Glyphs App. Counts over 270 glyphs in one Regular weight.

LTC Bixler Ornaments One includes all designs found in the metal Bixler Type Handypacks #1–6 from P22 that were created using actual Lanston mats to cast these metal type sets. The 14 designs found in the metal type are presented in this digital version—each rotated and optimized to align easily and tightly for digital layouts.? LTC Bixler Ornaments Two incudes all designs found in the metal Bixler Type Handypacks #7–14 from P22 that were created using actual Lanston mats to cast these metal type sets. The 17 designs found in the metal type are presented in this digital version—each rotated and optimized to align easily and tightly for digital layouts.

Anomalia is an eccentric & geometric trilingual typeface (Latin, Cyrillic and Hebrew). It contains many glyphs and fully supports 229 Latin and Cyrillic languages - which makes it an ideal font for the side-by-side use of Latin/Cyrillic and Hebrew characters. Cyrillic design by Anna Khorash.

Jumbo Sale is a bold and comical display font designed and published by Eko Bimantara in August 2022. This font has fun, bold and loud characteristics. Fit for titles, brand, product packaging and big size display. It has more than 300 glyphs which cover broad latin languages.

Gianmani Fillet is a sans serif type contemporary designed by Gianmani Yuttapum in 2022. Inspired by the simplicity of the geometric, it is sharp and easy to read, suited to branding and corporate identity, wayfinding, editorial, delicate headlines, digital environments, signage, print, advertising, packaging, text application, and logos.

Praying Mantis is a typeface designed by Tomass Gavars. The design was inspired by the praying mantis insect. The shapes of the mantis head, forelegs and body are represented in each glyph. Each font consists of 226 characters - including numbers and punctuation. Praying Mantis has Latin character set support.

Lydia Sans™ is an elegant geometric sans serif with a charming profile and organic flow. Inspired by the clean typography of the 1920s, it's character and legibility make it suitable for any kind of text applications, from brand design to extensive text layouts. Lydia Sans™ has 22 styles, variable font technology and its weight range spreads from hairline to ultra bold forms. Flexible and adaptable, it covers 230+ languages, including extended Latin, Cyrillic and Greek writing systems. With over 1300 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localised forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more. As a workhorse type system, Lydia Sans™ is a sans serif for everyday use and a great choice for a wide range of applications. • Suggested uses: perfect for brand design, editorial design, web design and packaging design; • 22 styles: 11 weights + 11 italics. • 2 variable fonts; • 1315 glyphs in each weight; • OpenType features: Access All Alternates, Small Capitals From Capitals, Contextual Alternates, Case-Sensitive forms, Glyph Composition, Discretionary Ligatures, Denominators, Fractions, Standard Ligatures, Lining Figures, Localised forms, Numerators, Oldstyle Figures, Scientific Inferiors, Small Capitals, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Subscript, Superscript, Tabular Figures, Slashed Zero; • 220 languages supported (extended Latin, Cyrillic, Greek alphabets).

TAIAMA - modern elegant sans-serif font, 2022 release. The font has a set of Latin and Cyrillic. When designing the font, I took into account it’s simplicity and intelligibility. Even a large amount of text looks stylish and modern, and most importantly, readable. Why not use this font for everything?