The Engraver’s Square Gothic—like its rounder cousin, the engraver’s sans serif, Sweet® Sans,has been one of the more widely used stationer’s lettering styles since about 1900. Its minimal forms, made without curves, were popularized long ago by bankers and others seeking a serious, established feel to their stationery. One might argue that the design is a possible precursor to Morris Fuller Benton’s Bank Gothic® typeface. Sweet® Square is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century remain both familiar and appealing. Referencing various masterplates, Mark van Bronkhorst has drawn Sweet Square in nine weights. The sources offered just uppercase, small caps, and figures, yet similar, condensed examples had a lowercase, making it possible to interpret a full character set for Sweet Square. Italics were also added to give the family greater versatility. The fonts are available as basic, “/fonts/sweet/square/” character sets, and as “Pro” character sets offering special characters, a variety of typographic features, and full support for Western and Central European languages. Sweet Square gives new life to an uncommon class of typeface: an early twentieth-century commercial invention that brings a singular verve to modern design. Its unique style is as useful as it is novel. Bank Gothic is a registered trademark of Grosse Pointe Group LLC.

This easy to read, versatile letterstyle was inspired by Al Imelli's "Advertiser's Square" (circa 1920's). Modifications were made and alternates added.

a fifities style font

Sheet music for the 1915 song "Is There Still Room for Me Neath the Old Apple Tree" had the title hand-lettered in a condensed, square sans serif. Although far from the more decorative lettering styles of the Art Nouveau period, this type of simple understatement was also a popular choice for the illustrators of the day. It is presented digitally as Nouveau Square JNL in both regular and oblique versions.

You are on the page of the old display version of the TT Squares Condensed typeface. In 2020, we released an entirely new, completely redesigned, and significantly expanded version of the typeface called TT Octosquares. In addition to 73 styles, TT Octosquares has 3-axis variable version, stylistic alternates, ligatures, old-style figures and many other useful OpenType features. Before you buy the old display version of the font, we suggest that you pay attention to the new superfamily TT Octosquares and study it in more detail. - We've expanded the TT Squares font family and created a narrow version of the typeface. Just as its older brother, TT Squares Condensed fits perfectly for any engineering, military, and technological theme. The family is ideal for implementation in interior design, packaging design, creation of uniforms with inscriptions, and for logos and headlines. Fonts belonging to the TT Squares font family look manly and have a strong character that instantly tunes in the spectators and makes them perceive the information seriously. If we were to compare fonts to people’s professions, TT Squares Condensed would most definitely be a first-class technical engineer whose talented hands are adorned with calluses and machinery oil spots. TT Squares Condensed is optimized or web and mobile applications.

In an 1896 specimen catalog for American Type Founders there is a design called Geometric Gothic. The lettering style looks as if it’s ahead of its time; foreseeing the 1980s. With its squared characters, some pointed overhangs and modified character shapes, this type design is now available as Squared Off JNL, in both regular and oblique versions.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for film and tv, music and nightlife as well as poster and billboards. FF Beekman Square provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Let me introduce our new handwritten font - the Rooster Squad! Our dangerous font is designed for completely different missions. Suitable for logo and package design, user interface design, online and print use, comics and more! The font contains letters from a huge number of languages. Contains Latin and Cyrillic alphabets. We also designed various ligatures and alternate letters to add variety to our cool and dangerous typeface. The font will be constantly updated and developed! Don't know what to do with your cool new project? Call the Rooster Squad!

Brush Squad is a Dry Brush Handwritten typeface, full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols. Very suitable for the title, logo, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional.

Phoenix Squad is a modern and bold display font. Add this font to your favorite creative ideas and notice how it makes them come alive!

Introducing SAFARI SQUAD, the bold and stylish font perfect for making a statement. With its solid and italicized design, this font is perfect for creating impactful and attention-grabbing headlines and logos. The unique selling point of SAFARI SQUAD is the quirky stylized animal print alternates for the uppercase and lowercase letters, which add a touch of personality and originality to your designs. These alternates give you the flexibility to switch up your design and make it stand out even more. For those who can’t access the alternates, SAFARI SQUAD SUB is the same font but using the alternates as the default, making it accessible for everyone. SAFARI SQUAD SUB also offers the same solid and italicized design, perfect for creating impactful and memorable designs that will leave a lasting impression. SAFARI SQUAD and SAFARI SQUAD SUB are perfect for a wide range of uses, from social media posts and website design to marketing materials and publishing projects. These versatile fonts are sure to make your content stand out, whether you’re creating a bold and striking headline or a unique and eye-catching logo. Make your designs stand out with SAFARI SQUAD and SAFARI SQUAD SUB, the bold and unique fonts that’s sure to elevate your design game. SAFARI SQUAD comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@#$%^&*()`~♥✿•· ÷×+−±≈=≠≥≤[]<>:;'”,.\|/?{}“”‘’-–—_ …‚„©®™‹›«»°¹²³¡¿₱¢€£¥¶§† ÁÀÂÄȦÃÅĂĀĄÆĆĈČĊÇÐĐÉÈÊËĖĒĘḞǴĜǦḠĠĤȞḦḢ ÍÌÎÏĪĮĴḰǨŁḾṀŃÑŇÓÒÔÖÕŌŐØŒṔṖŔŘṘŚŜŠŞȘŤṪȚ ÚÙÛÜŨŮŬŪŰŲẂẀŴẄẆÝŶŸŹẐŽŻƵ áàâäȧãåăāąæćĉčċçðđéèêëėēęḟǵĝǧḡġĥȟḧḣ ıíìîïīįĵḱǩłḿṁńñňóòôöõōőøœṕṗŕřṙśŝšşșťṫț úùûüũůŭūűųẃẁŵẅẇýŷÿźẑžżƶ SAFARI SQUAD SUB comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@#$%^&*()`~♥✿•· ÷×+−±≈=≠≥≤[]<>:;'”,.\|/?{}“”‘’-–—_ …‚„©®™‹›«»°¹²³¡¿₱¢€£¥¶§† ÁÀÂÄȦÃÅĂĀĄÆĆĈČĊÇÐĐÉÈÊËĖĒĘḞǴĜǦḠĠĤȞḦḢ ÍÌÎÏĪĮĴḰǨŁḾṀŃÑŇÓÒÔÖÕŌŐØŒṔṖŔŘṘŚŜŠŞȘŤṪȚ ÚÙÛÜŨŮŬŪŰŲẂẀŴẄẆÝŶŸŹẐŽŻƵ áàâäȧãåăāąæćĉčċçðđéèêëėēęḟǵĝǧḡġĥȟḧḣ ıíìîïīįĵḱǩłḿṁńñňóòôöõōőøœṕṗŕřṙśŝšşșťṫț úùûüũůŭūűųẃẁŵẅẇýŷÿźẑžżƶ

Introducing of our new product the name is Bomber Squad Graffiti Font inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Rocker Squad is a natural dry brush font that has a cool bold display. It’s perfect for logos, quotes, posters, movies, and every other design which needs a unique bold touch. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Squire Bond is a line-based Title font, it helps to create stunning clean minimalistic logos and headlines. Classic & Decorative Typography Designs are easy to create using the Squire Bond font Family. The pack includes: * Regular Font * Thin Font * Only Upper-case glyphs * Numbers included * All Special characters included

Hi, Everyone! Have you been looking for a graffiti font? Do you dream of creating headings that stand out and inspire creativity, imagination, and prominence style? Introducing Skater Squad- A Grafiti Font Skater Squad is a bold and angular with a distinct street vibe. This font can be used for a host of different content needs and projects. Create gorgeous printed quotes, standout packaging, or beautiful t-shirts! You can even use it to create amazing headings, logos, menus, and social media graphics. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Alternates Standart Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

The name of the font is from the hilarious movie "21 Jump Street" - and that is where the similarity ends. While the movie is quite funny, it is also super goofy! I can't say the same about the font, because terms like organic and organic comes to my mind. Strange, yes! And I have really no good reason for this naming, other that its an odd way to tribute this one of my all time favourite comic movies! :)

Swiss 721™ is a sans serif family that ranges in style from thin to black while mixing in a few unexpected, but beautifully made and ironically flattering, outline weights that spice up the grotesque design. Couple these upstanding letterforms with matching italic styles and you have yourself a beautiful tool that is as legible on screen as it is off, has the technical prowess to conquer even the trickiest of design riddles and will work in a myriad of projects. Swiss 721 is a staple sans serif that you’ll never be sorry you have in your library. It’s been said that a simple sans serif is one of the most difficult typefaces to design. This is because when letters are reduced to their most basic details, irregularities and inconsistencies in design become immediately visible. The Swiss 721 typeface family is a quintessential example of letterforms distilled to their essence while still possessing warmth and verve. Based on mid-century sans serif typefaces, Swiss 721 is a versatile family of weights and proportions ideally suited to a wide variety of print and interactive design projects and is equally at home as headlines on billboards as it is navigation content on small screens. Swiss 721 takes the essence of mid 20th century sans serif typefaces and melds it with modern design consistency and a systematic weight range. OpenType® fonts of Swiss 721 also benefit from a rich character set and a range glyphs supporting most Western European and many Eastern European languages.

New Lincoln Gothic is an elegant sanserif, generous in width and x-height. There are twelve weights ranging from Hairline to UltraBold and an italic for each weight. At the stroke ends are gentle flares, and some of the round characters possess an interesting and distinctive asymmetry. The character set supports Central Europe, and there are three figure sets, extended fractions, superior and inferior numbers, and a few alternates, all accessible via OpenType features. Back in 1965, Thomas Lincoln had an idea for a new sanserif typeface, a homage of sorts, to ancient Roman artisans. The Trajan Column in Rome, erected in 113 AD, has an inscription that is considered to be the basis for western European lettering. Lincoln admired these beautiful letterforms and so, being inspired, he set out to design a new sanserif typeface based on the proportions and subtleties of the letters found in the Trajan Inscription. Lincoln accomplished what he set out to do by creating Lincoln Gothic. The typeface consisted only of capital letters. Lincoln intentionally omitted a lowercase to keep true his reference to the Trajan Inscription, which contains only magiscule specimens. The design won him the first Visual Graphics Corporation (VGC) National Typeface Competition in 1965. The legendary Herb Lubalin even used it to design a promotional poster! All this was back in the day when typositor film strips and photo type were all the rage in setting headlines. Fast forward now to the next millennium. Thomas Lincoln has had a long, illustrious career as a graphic designer. Still, he has one project that feels incomplete; Lincoln Gothic does not have a lowercase. It is the need to finish the design that drives Lincoln to resurrect his prize winning design and create its digital incarnation. Thus, New Lincoln Gothic was born. Lacking the original drawings, Lincoln had to locate some old typositor strips in order to get started. He had them scanned and imported the data into Freehand where he refined the shapes and sketched out a lowercase. He then imported that data into Fontographer, where he worked the glyphs again and refined the spacing, and started generating additional weights and italics. His enthusiasm went unchecked and he created 14 weights! It was about that time that Lincoln contacted Bitstream about publishing the family. Lincoln worked with Bitstream to narrow down the family (only to twelve weights), interpolate the various weights using three masters, and extend the character set to support CE and some alternate figure sets. Bitstream handled the hinting and all production details and built the final CFF OpenType fonts using FontLab Studio 5.

Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.

Iowan Old Style was designed for Bitstream in 1990 by noted sign painter John Downer. Iowan Old Style is a hardy contemporary text design modeled after earlier revivals of Jenson and Griffo typefaces but with a larger x-height, tighter letterfit, and reproportioned capitals. Iowan Old Style Titling was designed by John Downer and added to the Iowan Old Style family in 2002. The cap-only character set includes several ornaments and fleurons, broadening the appeal and functionality of the typeface family. Iowan Old Style was originally designed for Bitstream in 1990 by Downer, a noted sign painter. Iowan Old Style is a hardy contemporary text design modeled after earlier revivals of Jenson and Griffo typefaces but with a larger x-height, tighter letterfit, and reproportioned capitals. Expert and old style figure font sets were added in 2000.

Oswald Cooper is best known for his emblematic Cooper Black™ typeface. Although he was responsible for several other fonts of roman design, Cooper never drew a sans serif typeface. But that didn’t stop George Ryan from creating one. Ryan saw a sans serif example of Cooper’s lettering in an old book and decided that it deserved to be made into a typeface. Ryan’s initial plan was to make a single-weight typeface that closely matched the slender and condensed proportions of the original lettering. While the resulting Oz Handicraft™ typeface proved to be very popular, Ryan was not satisfied with the limited offering. So, between other projects – and over many years – Ryan worked on expanding the design’s range. The completed family includes light, semi bold and bold weights to complement the original design, plus a matching suite of four “wide” designs, which are closer to normal proportions. Fonts of Oz Handicraft include a Pan-European character set that supports most Central European and many Eastern European languages.

Quare Zombie is an old typeface, comes in a clean and elegant style. There are 5 files in this font such as: Regular and Engraving with tattoo additions and Monoline Fonts. Quare Zombie is great for all types of looks from branding, emblems, advertisements, t-shirts, etc. Notes: (Quare Zombie Extras Tattoos are sold separately)

Chapter 11 is a pseudo-random typewriter font with the ribbon on the fritz. The single font contains four different character sets of varying ranges. If your program supports advanced OpenType features, activate the contextual alternates to see the ghost in the machine while you type. Otherwise, character variations are accessible through any character map or glyph palette, so you can manually mix and match your setting. This font is highly recommended for use in filling out government bailout forms. It will make the whole world believe you actually need it.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The minimal character of this typeface with its direct reference to Bauhaus, manages to keep the balance between strict geometric structure and elegance. It strays from monotonous repetitions and works equally well with Latin and Greek, while it really hits home with Cyrillic. Now, in its 3rd major upgrade comes equipped with all that’s needed for an international career. In total 602 characters offer support for all European languages in six different variations. Finally, five special OpenType features offer typographic solutions which includes a stylistic alternate set for Greek and Cyrillic.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

See also other font families related: American Advertise 013, American Advertise 014, American Advertise 015, American Advertise 016, American Advertise 017, and American Advertise 019.