Cross Stitch Solid is based on upper case characters 14 stitches tall and contains the characters A-Z, numbers 0-9, and ampersand.

This decorative delight is based on a typeface discovered within the pages of "Schriftatlas: Alphabete von A bis Z," and originally named Pygmalion. The swash caps and plain caps in the lowercase positions allow for wide-ranging creativity in the composition of dramatic headlines. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

This distinctive titling face is based on Elegant Lichte, designed by Hans Möhring for D. Stempel in 1928, with the helpful addition of a lowercase not found in the original. It functions equally well as either a period piece or a contemporary masterpiece. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as wellas localization for Moldovan and Romanian.

Here's a faithful rendering of the slightly quirky, but thoroughly yeomanlike headline face Basuto, designed by Stanley Baxter and released by the Stephenson Blake Type Foundry in 1927. Bold, brassy and a little sassy, this one will perk up your headlines fer sure. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

Woodtype wizard Rob Roy Kelly identified the inspiration for this typeface in his 100 Wood Type Alphabets simply as "No. 154". Funky, chunky, round and robust, it’s clearly a barrel of fun. Named after a small town in Central Texas, which just happens to be the home of Dell Computer. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Put the kettle on and break out the biscuits. This no-nonsense stencil face is a faithful recreation of Tea Chest, released by the Stephenson Blake Type Foundry in 1939. Its bold strokes and slender profile retain their freshness, even seventy-plus years on. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

Among many of Alf Becker’s contributions to Signs of the Times magazine was 1 1935 offering named Chicago Modern Thick and Thin, which provided the inspiration for this face. It’s a perfect choice for friendly headlines with an Art Deco vibe. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

The ATF syndicate released the inspiration for this quaint charmer in its 1884-1885 series of specimen books under its current name. Its warmth and unassuming naivete make it perfect for headlines seeking to evoke simpler times. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

Another entry in the trusty old "Schriftatlas" named Phoenix—original source and designer unknown—provided the inspiration for this bouncy bit of alphabetical tomfoolery. Its animated typeforms, definitely retro chic, will put some bounce in the step of any headline it graces. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish

This rough, raw typeface is based on the lettering in Ben Shahn's iconic poster protesting the execution of Bartolomeo Vanzetti and Nicolo Sacco in 1927. All possible uppercase and lowercase forms have been kerned, and activating Contextual Alternates in OpenType-aware applications will alternate those forms for a more random appearance. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Modern Caps—and lowercase, too—was how Ross George described the pattern for this typeface in his Speedball Text Book. Not surprisingly, the design was used on the Beatles' original Magical Mystery Tour album, which suggested the current name. Art Deco meets Psychedelia! Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

They Live Brush font is inspired by the 80's cult classic movie They Live logo. The font is ideal for use in designs that you include a bold brush font in a cool way. The font has a graffiti feel that can allow you to express yourself with some attitude. The font is an all capital letters font. The font contains 128 characters.

This playful Art Deco classic was inspired by one of many posters produced by the WPA by anonymous artists during the 1930s. An inline version has been added to spice up the visual interest and add a touch of class. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Here’s a futuristic face with a neo-retro twist, based on the logotype for the 1990s tank-warfare videogame for the Mac, Spectre. Whether you're going back to the future or resurrecting a blast from the past, this face will get you there in style. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

Chubbét (pr. Chub-bay) Distended is the extended version of Chubbét. The regular weight starts off plumper than plump, then it expands inward until there is a minimal amount of positive space.

Apres is a clear and comfortable typeface from David Berlow, originally designed for the Palm Pre smart phone. This humanist geometric design projects a friendly and forthright familiarity, without being static or mechanical. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 four new Italic fonts were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

Prof. G. Pott’s Ruling Script first appeared in 1992 with Linotype-Hell. The font is a part of the package Calligraphie for Print, which also contains Sho and Wiesbaden Swing. Calligraphie for Print 2 completes the set. These packages offer modern calligraphy fonts particularly well-suited to use in posters, magazines and advertisements. Ruling Script looks like the zestful handwriting of a calligrapher but its legibility even in longer sentences set it apart from others of its type.

Rhaetic or Raetic (/ˈriːtɪk/), also known as Rhaetian, was a Tyrsenian language spoken in the ancient region of Rhaetia in the eastern Alps in pre-Roman and Roman times. It is documented by around 280 texts dated from the 5th up until the 1st century BC, which were found through northern Italy, southern Germany, eastern Switzerland, Slovenia and western Austria, in two variants of the Old Italic scripts. Rhaetic is largely accepted as being closely related to Etruscan.