Egon Condensed is a geometric sans serif typeface family built in nine styles - light, regular, bold weights in roman and italic respectably, plus three alternatives in roman. Egon Sans Condensed is an extension of Egon family - Egon Slab Serif (2008) and Egon Sans Serif (2010). Egon Sans is released as OpenType single master with a Western CP1252 character set.

Oxo is an expressive typeface from typedepot. Designed to be used as a decorative, headline font which quickly evolved into great new font usable for large amounts of text as well. Available in 4 weights - thin,light, regular and bold with their matching italics plus three extra weights: Outline, College and Deco which are great addition to the family.

Milyuna is classic and stylish serif with high contrast. We made two different styles Regular and Italic which is suitable any purpose, such as heading, bussines card, quotes, or invitations. Includes: Milyuna Reguler Milyuna Italic Features Lowercase & Uppercase Numerals & Punctuations Multilingual characters (ÀÁÂÃÄÅÆÇÐĐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽ)

Nevaeh which also stands for Heaven if read backward, it is a unique rounded and stylized font family. Nevaeh has a futuristic and minimalist look, and the creativity depends on the use of the font set. Nevaeh includes; Nevaeh Light, Nevaeh Light Italic, Nevaeh Regular, Nevaeh Italic, Nevaeh Bold, Nevaeh Bold Italic, Nevaeh Extra Bold, & Nevaeh Extra Bold Italic. The font has a simple and minimalist factor with all main characters, the font is specially made for those who are in the printing and branding fields.

YAPARI is a font inspired by a street typography located in a Makassar city 2005, this writing is poured into a font and then made several variations of width which are Wide, Extended, and Expanded kind of stretched font then have thickness ranging from Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Ultra. This font is suitable for use for design projects that have a bold impression and can also be used for all lines of media as well as formal and informal

The different fonts in the Why Square family are an extension of the designs begun in Zoran Kostic's Just Square family. Why Square's lowercase letters are all more condensed versions of Just Square's letters, and in some of the fonts, the uppercase letters are wider. The first five fonts are the different weights of Why Square (UltraThin, UltraLight, Thin, Light, and Regular). Here, all of the characters--both upper and lowercase--are more condensed versions of the geometric letters from the Just Square family. The next five fonts (UltraThin, UltraLight, Thin, Light, and Regular weights) include identical lowercase letters to those from the first five fonts in the family, but their capitals are considerably wider. These may be used as initials, either with the other fonts in the Why Square family, or with the Just Square family.

A Blocky face with a slight hint of angularity. The Omnilots are a free addition to the set.

The slab serif Waterloo Bold was designed by Alan Meeks. He chose unique and individual forms to give this alphabet its unmistakable character. The cross strokes of the capitals are not in the optical center, the serifs have light furrows, and the figures have a slight slant tot he right, giving this font a dynamic, flowing look. Waterloo Bold is reminiscent of cigars, whiskey and the 1930s and should be used only in headlines in large point sizes.

The family of Tipografia Maracatu was born in 2020 when we could not leave the house because of the coronavirus epidemic. I had no idea how it would turn out. I just wanted to draw letters. When I finished the regular version, I thought it looked a lot like the art and music from the Northeast of Brazil, and that is why I came up with the name Maracatu. Maracatu is a musical-style original from the Northeast of Brazil. After I had the font style and the Regular version, I thought it would be nice to have Bold and Light.

Circe Slab is a slab version of the popular geometric sans serif Circe . It contains variations in weight and contrast, including three regular styles that range from non-contrasting geometric to almost typical book serif contrast ones. In addition, all text styles have narrowed versions. The character set of the font includes small caps, minuscule figures and a wide variety of alternative capitals and small caps. Regular styles of Circe Slab are suitable for long texts and the light and bold ones for headlines. The font was designed by Alexandra Korolkova with the assistance of Olexa Volochay and released by Paratype in 2018.

This is Range Sans, the sans-serif counterpart to Range Serif . It can be categorized as a grotesque, with the idiosyncratic angular details from the serif family making themselves known in the arches and bowls of the lower case. The range of weights is larger than Range Serif, with two more weights at the lighter end of the spectrum. The weights from light to black correspond to their seriffed sisters, so can be interchanged with them freely while maintaining a similar text color and vertical metrics. This is useful for adding emphasis; Range Sans is deliberately lacking an italic, but the italics from Range Serif work better than you might expect in running text, particularly for the light and regular weights. Range Sans has a contemporary, somewhat geometric look that lends itself to uses such as corporate identities, minimalist graphic design, and logos. The middle weights do work well in running text, however, with the angled details being less noticeable at small sizes. Designed for demanding typography, supporting most Latin-based languages, Range Sans is equipped with true small caps for all weights, an array of numeral styles (proportional- and tabular- lining and oldstyle figures, small cap figures, numerators, denominators, superscripts and subscripts/scientific inferiors), automatic fractions, a set of useful arrows, case-sensitive forms, and a range of currency symbols including recent additions: Turkish Lira, Indian Rupee and Russian Ruble.

The all-caps Aracne collection features tall, slightly scrawled letterforms, and is available in regular, condensed and ultra condensed styles for maximun functionality. With a spiritted quality and casual character, it will add a personal style to your work. Aracne Ultra Condensed was created as an extended version of the font Aracne, a regular full of energy handwritten font, with light and regular styles, including italics. It provides a wide range of possibilities, including the Aracne Soft and Stamp, which offer softer and cleaner edges. Its glyph coverage supports languages such as English, Spanish, French, German, Polish, Czech, among many others. It’s recommended usage is for display titles, and small ammount of text, because of its good legibility and quality of glyphs. Check out her sisters Aracne and Aracne Condensed!

The all-caps Aracne collection features tall, slightly scrawled letterforms, and is available in regular, condensed and ultra condensed styles for maximun functionality. With a spiritted quality and casual character, it will add a personal style to your work. Aracne Condensed was created as an extended version of the font Aracne, a regular full of energy handwritten font, with light and regular styles, including italics. It provides a wide range of possibilities, including the Aracne Soft and Stamp, which offer softer and cleaner edges. Its glyph coverage supports languages such as English, Spanish, French, German, Polish, Czech, among many others. It’s recommended usage is for display titles, and small ammount of text, because of its good legibility and quality of glyphs. Check out her sisters Aracne and Aracne Ultra Condensed!

Givonic is a new geometric sans serif and clean variable font. The typeface is versatile to blend in your design- with 6 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design. Features: Variable Font uppercase & lowercase numbers and punctuation multilingual 9 weight & 18 Style PUA encoded More about variable fonts : https://creativemarket.com/blog/what-is-a-variable-font if you have any questions don't hesitate to send our email at letterhend.com/tutorials/using-opentype-feature-in-any-software/

Roclette Pro Display is a Brand Elegant Typeface from Roclette powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Roclette Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Eight Weights - Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold and ExtraBold Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. Normal, Italics, Outline and Outline Italics Included.

Mancunium is a sans serif family with a contemporary monolinear character, though designed with the iconic proportions of Roman capitals in mind. In addition to reliable romans, the typeface includes proper, optically corrected italics. Also, uniquely, a set of ‘vertalics’ that contain the more script-like glyphs of the italics with angled stem terminals, but which are unslanted and upright in aspect, and without the slight narrowing of the italics. Each font includes a full complement of Latin Extended-A characters and additional oldstyle numerals. Mancunium is sold in two collections – a Regular/Bold package and a Light/Medium package. Each package contains six fonts - two romans, two italics, and two vertalics.