Gruyère is rich with character and always in good taste. Earthy and assertive, Gruyère adds distinctive flavor to every occasion.

La tipografía “Tipo Metro CDMX” fue desarrollada por Lance Wyman como parte del proyecto “Metro” desde los años setenta, y es uno de los elementos clave de la cultura visual del transporte del Sistema de Transporte Colectivo Metro (STC Metro). Este estilo se ha convertido en el icónico fundamental del trasporte público para los residentes de la Ciudad de México. En esta edición, los tipos minúsculas son una adaptación “no oficial” para el Tipo Metro CDMX, enriqueciendo la tipografía a un estilo visual de altas y bajas, por lo que se prescinde del diseño base como trabajo propio para enfatizar los tipos minúsculas exclusivamente, además de que se han añadido algunos caracteres de acentuación extendiendo su uso a otros lenguajes. Los tipos son una nueva propuesta por Ixipcalli en el presente año 2023. The “Tipo Metro CDMX” typeface was developed by Lance Wyman as part of the “Metro” project since the 1970s, and is one of the key elements of the visual culture of transportation of the Metro Collective Transportation System (STC Metro). This style has become the iconic fundamental of public transportation for the residents of Mexico City. In this edition, the lowercase types are an “unofficial” adaptation for the Tipo Metro CDMX, enriching the typography with a visual style of highs and lows, so the base design is dispensed with as my own work to emphasize the lowercase types exclusively, In addition, some accentuation characters have been added, extending their use to other languages. The types are a new proposal by Ixipcalli in the current year 2023.

ALTERA a typeface based on a logotype André Toet made for a dutch broadcast company. This typeface is in fact carries a transformation in itself: it’s composed of three different weights and shapes. In our humble opinion the possibilities are endless ! So be a sport and use this typeface for logo’s and headings. Kick the can ! Concept/Art Direction/Design: André Toet © 2017

DIN 2014 Stencil is a stencil version of DIN 2014 typeface inspired by signage, data plates and stencilled building inscriptions. The typeface has a pronounced industrial spirit and can be used in the most rigorous conditions. DIN 2014 Stencil family consists of 18 styles which include six weights (corresponding to DIN 2014) with three grades of 'stencilness' for each weight. The typeface was designed by Vasily Biryukov and released by Paratype in 2017.

A lively, friendly, rounded display face with a country flavour, very suited for comedies or children's books, as well as products with earthy, rustic, organic and rural connotations.

Hand lettering from the title credits for the 1950 film “All about Eve” were the inspiration for Evening Event JNL, which is available in both regular and oblique versions. The font’s name is an (unintended) double-homage to the film’s title, for the first part of both words include “Eve”.

La versión propuesta por la SEMOVI (Secretaria de Movilidad) es un estilo más angosto y ortográfico, creadó con la finalidad de aligerar las aplicaciones tipográficas del sistema. Se emplea oficialmente en todas las aplicaciones del sistema de Movilidad Integrada de la Ciudad de México. El creador de la tipografía es Lance Wyman. En esta edición, los tipos minúsculas son una adaptación “no oficial” para el Tipo Movin CDMX, enriqueciendo la tipografía a un estilo visual de altas y bajas, por lo que se prescinde del diseño base como trabajo propio para enfatizar los tipos minúsculas exclusivamente, además de que se han añadido algunos caracteres de acentuación extendiendo su uso a otros lenguajes. Los tipos son una nueva propuesta por Ixipcalli en el presente año 2023. The version proposed by SEMOVI (Secretary of Mobility) is a narrower and more orthographic style, created with the purpose of lightening the typographic applications of the system. It is officially used in all the applications of the Integrated Mobility system of Mexico City. The creator of the typeface is Lance Wyman. In this edition, the lowercase types are an “unofficial” adaptation for the Tipo Movin CDMX, enriching the typography to a visual style of highs and lows, so the base design is dispensed with as my own work to emphasize the lowercase types exclusively, In addition, some accentuation characters have been added, extending their use to other languages. The types are a new proposal by Ixipcalli in the current year 2023.

Most everyone agrees that chocolate is irresistible. Now the Koziupa & Paul tag team is offering you a choice of three irresistible flavors, from the bittersweet Amargo, to the mouth-watering Dulce, you now have three different possibilities for the pleasure of your taste buds. The OpenType versions includes de 3 flavors all in one.

The Dutch De Stijl movement (1917-1931) sought to create an art which took abstraction to its logical extreme, as exhibited in the paintings of Piet Mondrian. Inspired by the movement's philosophy of pure form, P22's De Stijl set features three rigid, balanced, and angular fonts and a set of geometric extras.

Whitelisa is a complete script and sans combine font. With light and catchy display sans. fun character with some of ligatures, alternates script and extra swash. To give you an extra creative work. Whitelisa font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter. Make a stunning work with Whitelisa font. Cheers, Maulana Creative

Adelita by Adela de Bara, Laura Meseguer / OpenType, 4 styles   Adelita has its origins from Adela de Bara’s hand drawings, a display typeface with balls at the end of the strokes. Helped by Laura Meseguer, this artist entered our catalogue in the nineties with four weights: three display faces and a collection of naive dingbats.

Vagabond is a vintage font family whose natural home is on the back porch, ranch or railroad. A rugged slab serif with a lived-in look, it’s lends a note of earthy authenticity to any graphic design project.

Organic Brush, the epitome of green design, seamlessly blends handwritten finesse with organic charm. Its strokes mimic flow of nature, creating an unmistakable authenticity that resonates with eco-conscious consumers. Each letter exudes a raw, unprocessed feel, making Organic Brush the go-to font for brands committed to conveying an earthy aesthetic. With Organic Brush, the typography becomes a celebration of sustainability, mirroring the values of eco-friendly and natural product lines. The font's organic cadence is like a visual symphony of growth, perfectly harmonizing with labels, packaging, and promotional materials, as it weaves a narrative of authenticity and environmental consciousness. Elevate your brand's identity with Organic Brush, where the language of design speaks fluently in the dialect of the earth."

Esca is a display typeface designed by Jim Ford with highly compressed proportions yet with a subtle calligraphic touch. This Lite version of the typeface was designed as part of a font marathon over the course of 3.5 days in Monotype’s NY office. The design started with the aim of fitting 4 letters onto one sheet of paper and the resulting typeface keeps that tight proportion. The Esca design is mixed case and is ideally suited for logos, short headlines, and album covers. It has a great architectural feel to it that makes it suitable in signage applications and large scale settings. Monotype is proud to support Room to Read’s work in literacy and girls’ education through our font marathon initiative.

HERENGRACHT (Patricians' Canal or Lord’s Canal) is the first of the three major canals in the city centre of Amsterdam. The canal is named after the heren regeerders who governed the city in the 16th and 17th century. The most fashionable part is called the Golden Bend, with many double wide mansions, inner gardens and coach houses on Keizersgracht. Former bureau of André Toet (SO)Design was situated there for over 32 years, it was about time to name one of our fonts to: HERENGRACHT. Concept/Art Direction/Design: André Toet © 2017