A 1920 Dutch poster for Public Placement Services by Johan Dijsktra provided the inspiration for this crisp geometric typeface. Instead of the normal underscore (_), this font features a set of parallel lines flush to the tops of the caps and small caps, which offers some intriguing design possibilities. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Neato Serif is a hand drawn, quirky serif font in regular and italic styles. It features stylistic alternates, standard and discretionary ligatures, and swashes to add options and flair to your typography. The typeface has a unique blend of sophistication with its high contrast of thicks and thins and also playfulness with the distinct ball terminal characters—especially evident in the lowercase "e". It is slightly condensed and great for display headlines, titles, packaging, branding, and more.

Grotesca Extra Condensed™ defines the term ""extra condensed"". With some unusual design quirks, this sturdy design has roots in styles popular in 1920s Germany. First brought to market by the Fundicion Tipografica Richard Gans type foundry (1888-1975) in Spain, the designer of Grotesca is unknown and the font was formerly sold only in Spain.

Modeco is a merge of modern and art deco styles. Its shown elegance, classy, ??and glamour look as 1920's visual trends, blended with geometrical sans serif in a functionality approach and complete font family styles. Its consist of 9 styles from Thin to Black with each matching oblique. It's contain 400+ glyphs that covered broad latin language.

Plakat is based on lettering by 1920s advertising calligrapher Samuel Welo. It is a complete upper and lower case set with a number of alternate characters, all with a rough, decorative look accented by curls and hooks. If you like the look of our popular Scurlock font, Plakat has a similar aesthetic, though it is even bolder.

2Mass J1808 is an experimental modern sans serif typeface. Open geometric shapes combined with futuristic style and wide letters make the text he typed quite attractive. Perfect for creating modern branding, logos, website design and many other ideas. Supports extended Latin, Cyrillic and OpenType functions. The font was developed in 2018-2020. Type designer Igor Kosinsky.

Here's another gem from Samuel Welo's perennial classic, The Studio Handbook, originally called Goddard Classic. Welo's inimitable penwork manages to be both worldly and whimsical, and remains as fresh today as when it was first introduced in the 1920s. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

We have created this family inspired from the hand-drawn letters used from the late 1800s until beginning of 1900s for notices, advertising, posters and also early comic titles. It is a hand-made font, with little imperfections that give it its special poetic note. It can be used together with 1906 French News, 1906 Titrage and 1820 Modern.

Braggadocio is a very black typeface. Braggadocio is a strange hybrid with characteristics of both sans serif and modern faces; and it belongs very much to its time. Like high society in the 1920's, it should not be taken too seriously. Use the Braggadocio font for display lines in advertising, magazines and light hearted communications.

This curious little gem is patterned after a typeface named "Bloomsbury", released by P. M. Shanks & Sons, Ltd. of London in the 1920s. Its gentle curves and somewhat quirky construction combine to create a warm and friendly, if slightly offbeat, antique charm. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Beaumont is a modern take on classic 1920's type, playing with stroke contrast and art deco forms. The result is a 10 font family, providing options for setting readable body copy or high impact display headings. With full multilingual character support, stylistic alternates and a range of open type features, Beaumont is perfect for a variety of situations.

This elegant titling face is based on an American Type Founders release from the 1920s named Sterling. Hairline serifs and graceful curves give this typeface a certain grace and charm that will brighten up any project. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Logotype Frenzy is a display typographer’s guilty pleasure. It’s one of the very few fonts ever made that can take intense abuse and still look natural. It comes with over 1000 characters, including a lot of alternates and extended language support. In OpenType savvy applications, some letter combinations are automatically replaced with ligatures for a more natural look.

Lonie is sans serif font family (include 5 weight, italic and variable) It contains more than 1200 characters including the Latin, Cyrillic and Greek alphabet There are also 15 OpenType features (Superior; Inferior; Numerator; Denominator; Fraction; Tabular Lining; ;OldStyle Figure; Small Capital; Small Capitals from Capitals; Contextual Alternate; Case Sensitive; Ordinals; Access All Alternates; Stylistic Set).

Inspired by lettering styles of the 1930s, Seagrass BF is jazzy and jumping as a Lindy Hop. As such it captures I believe, something of the spirit of that age, yet somehow retains a fresh, contemporary feel. Headlines, logos, packaging, signage and branding are just a few of many usages. Seagrass BF contains Stylistic Alternates and Stylistic Sets for uppercase letters Y and Z, as well as ampersand (&). Other OpenType features include Standard Ligatures and Contextual Alternates. These features should at all times be employed to optimize the appeal of your word settings. So whenever your visual communication demands an energetic, vibrant voice please consider Seagrass BF.

Fontanely is three unique blend Fonts. like dance letters, smooth, clean and simple. Fontanely are three Fonts perfect for weddings, events, invitations, companion cards, menu headers, displays, logos, blog sliders, packaging, greeting cards, etc. Fontanely includes alternate glyphs and beautiful swirls in fonts including style sets, Ligatures etc. The Open Type feature can be accessed using intelligent Open Type programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Features: Basic Latin A-Z and a-z Numbers & Punctuation Style Sets & Fasteners PUA Encode (Custom Encoded Fonts) If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Version, you can access all the alternative glyphs using Font Book (Mac) or Character Map (Windows). Using Windows Character Map with Adobe Photoshop ( PS)

According to Wiktionary, "the cat's pajamas" was a slang phrase coined by Thomas A. Dorgan, the well-known journalist, cartoonist and sportswriter of that era. The phrase became popular in the U.S. in the 1920s, as the word "cat" was used as a term to describe the unconventional flappers from the jazz era. This was combined with the word pyjamas (a relatively new women's fashion during that time) to form a phrase used to describe something that is the best at what it does, thus making it highly sought and desirable. Wikipedia adds that Dorgan was the first to use the terms "twenty-three, skidoo", and "yes, we have no bananas", "apple sauce" and "solid ivory", which also became part of the slang of the "Roaring Twenties". Katz Pajamas JNL is a condensed slab serif typeface based on the title lettering for the 1944 sheet music "Pretty Kitty Blue Eyes", hence the pun-laden font name paying homage to this bit of verbal Americana as well as making the pajamas a pair owned by Mr. Katz instead of the fashionable feline. Available in both regular and oblique versions.