5,466 search results (0.014 seconds)
  1. Stahlbeton, which translates to "reinforced concrete" from German, is a font that captures the essence of solidity, modernism, and industrial strength inherent in its name. It's a typeface that echoe...
  2. Hardcore, designed by Mattia Marchi, is a font that captures the spirit of rebellion and strength, embedding within its characters the very essence of hardcore culture. This font isn't just a set of ...
  3. LaPointe's Road¼, crafted by the talented Albertine Nerevan, emerges as a genuinely expressive font, embodying a perfect blend of vintage charm and contemporary flair. This font is a tribute to the a...
  4. The WC Mano Negra Bta font, conceived and brought to life by the creative minds at WC Fonts, embodies a raw and unrefined aesthetic that sets it apart from the more traditional typefaces. This font i...
  5. BackSplatter, created by the inventive Rev. Josh Wilhelm, is a distinctive font that embodies a raw, and somewhat rebellious, energy. Its design appears as if it were the product of ink or paint bein...
  6. The font "Be Aggressive" by PizzaDude is a charismatic and dynamic typography that immediately demands attention. It embodies a blend of modern flair and edgy aesthetics, making it a standout choice ...
  7. Easter Parade is a distinctive typeface designed by Harold Lohner that captures the whimsical essence and joy of the Easter season. This font stands out with its playful curvature and decorative elem...
  8. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  9. The Castorgate - Distort font by Apostrophic Labs is an intriguing and distinctive typeface that captures the imagination with its unique design elements. Its features pivot around the concept of dis...
  10. Alright, so let's dive into the world of the font "Hard Block" designed by the incredibly talented Måns Grebäck. It's like this font has been pumped up with sheer boldness and is ready to take on the...
  11. "Jacked Eleven Highlight" is a striking font designed by Måns Grebäck, a designer known for his craftsmanship in typography. This particular typeface stands out due to its bold yet refined appearance...
  12. As of my last update in April 2023, Bandit by Buddha Graphix is a distinctively bold and rebellious font that embodies the spirit of nonconformity and adventure. It's a typeface that seems to shout r...
  13. Alrighty! So, the Born This Way font, inspired by none other than Lady Gaga's iconic album "Born This Way," is a real testament to the bold, empowering, and unmistakable energy that Gaga herself radi...
  14. Sure thing! "84 Rock!" by Jonathan Paquette is a font that captures the rebellious spirit and raw energy of the 1980s rock scene. This display font is characterized by its bold, edgy design that seem...
  15. Sling is a distinct font that carries a vibrant, dynamic personality, making it a perfect choice for projects that require a touch of flair and originality. It is characterized by its playful, curved...
  16. Shoplifter, a font created by the talented Vic Fieger, captures the essence of spontaneity and rebellion. It's a font that seems to thrive on its own unique sense of personality and exuberance, makin...
  17. The font by Jérôme Delage is a striking and distinctive typeface that showcases the artistic flair and creativity of its designer. This font is characterized by its brush-stroke texture, which give...
  18. The font "Gilgongo" by Apostrophic Labs is an eclectic and quirky typeface that embodies a spirit of whimsical creativity and distinctiveness. Designed and made available by the prolific entity known...
  19. Forever Black is an evocative and potent typeface that has a magnetic pull, thanks to its bold and confident strokes. Designed to make a statement, it carries an air of unwavering assurance, making i...
  20. Sk8ordye, a font created by the talented designer known as PizzaDude, captures the raw energy and rebellious spirit of the skateboarding culture. It's a design that immediately transports you to the ...
  21. Anonymous Pro - 100% free
  22. The font "Basket of Hammers" created by !Exclamachine is a remarkable display of creative ingenuity that breaks away from traditional font designs. This typeface stands out with its unique name that ...
  23. Graffito, as its name suggests, draws its inspiration from the raw, expressive energy found in street graffiti. This font is not merely a typeface; it's an artistic statement, embodying the rebelliou...
  24. Agent Orange, crafted by the designer known as PizzaDude, is a distinctive font that captures attention with its unique characteristics and playful energy. This font falls under the category of displ...
  25. The Malgecito font by Dirt2 is a playful and whimsically designed typeface that embodies an artistic and slightly edgy vibe. Crafted with an evident flair for creativity, this font interweaves the bo...
  26. "Black Metal Logos" isn't a specific font you'll find pre-made in font libraries, but rather it encapsulates a unique and intense style of typographic design deeply rooted in the black metal music sc...
  27. Goth Stencil by Juan Casco is a distinctive typeface that combines the boldness and readability of gothic letterforms with the modern, edgy aspect of stencil designs. This font speaks of strength, ch...
  28. The Headshop font by Smoke Wire is a visually captivating font that draws inspiration from the psychedelic era of the 1960s and 1970s. It embodies the spirit of freedom, creativity, and experimentati...
  29. The font MAWNS' Graffiti Filled, created by the talented typographer Måns Grebäck, is a striking and audacious display font that captures the spirit and vibrancy of street art and urban creativity. T...
  30. Bionic Comic Exp Italic is one of those fonts that takes you on a whimsical journey through the realms of creativity and eccentricity the moment you lay eyes on it. Crafted by the talented team at Ic...
  31. Ah, Rusty Sign by GemFonts, the brainchild of Graham Meade, is a font that walks the fine line between elegantly aged and outright rebellion against the sleek, clean fonts that populate our digital s...
  32. Black Eye Nue is a distinctive typeface created by Tom Tor, a font that immediately grabs attention due to its unique characteristics and bold design. The name itself, "Black Eye Nue," suggests a pla...
  33. Misproject, created by Misprinted Type, which is run by the talented Brazilian designer Eduardo Recife, stands as a remarkable font with a distinct personality and flair. This font encapsulates the e...
  34. Sure thing! Picture this, you've just stumbled upon a font that's like the denim jacket of typography: versatile, slightly edgy, yet utterly familiar and comforting. This, my font-loving friend, is D...
  35. The font "Barbaric," designed by Chris Vile, is a striking and visually impactful typeface that carries a distinct air of raw energy and rebellious spirit. The design of Barbaric stands out through i...
  36. The "ICONOS SKATE" font, created by Rodrigo German, is a unique typeface that epitomizes the vivid and dynamic culture of skateboarding. This font captures the essence of street and skate culture, re...
  37. The VTC-RoughedUp font by Vigilante Typeface Corporation (VTC) stands out as a distinctive typeface that captures the essence of raw, gritty, and unrefined aesthetics. The design embodies a rugged ch...
  38. Entangled BRK by Ænigma Fonts, a creation by Brian Kent, is a distinctive typeface that seamlessly marries the elegance of classic fonts with the edginess of modern design. This font stands out due t...
  39. The PunkerChicksinLeatherJackets font by Donald Synstelien is an evocative and distinctive typeface that seemingly transports its audience straight into the heart of the punk rock scene. This font is...
  40. The "Cain" font is designed to capture a balance between rugged boldness and refined sophistication, making it an intriguing choice for various design projects. It has a contemporary feel with a hint...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing