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  1. InfraRed - Personal use only
  2. Coca Cola ii - Unknown license
  3. Powell Antique - Personal use only
  4. UnderWorld - Unknown license
  5. Village Idiot BB - Personal use only
  6. Roman Antique - Unknown license
  7. Packard Antique - Personal use only
  8. DS Russia Demo - Unknown license
  9. Stargate - Unknown license
  10. Brouss - Unknown license
  11. 18thCentury - Unknown license
  12. Times New Omen - Unknown license
  13. Rowling Stone Chalked - Unknown license
  14. VlaanderenRound - 100% free
  15. MidlandRailNF - 100% free
  16. RollerCoaster - Unknown license
  17. VlaanderenChiseled - Unknown license
  18. AnAkronism - 100% free
  19. BPmouse - Unknown license
  20. HappyCampersNF - Unknown license
  21. So Wide - Unknown license
  22. Nocker - Unknown license
  23. Piracy - Unknown license
  24. Butterfly Letters - 100% free
  25. ARKHAM - Unknown license
  26. Maranallo High - Unknown license
  27. Weehah - Unknown license
  28. BrightonBold - Unknown license
  29. GoudyMedieval - Unknown license
  30. Valdemar - Unknown license
  31. Bodidota - 100% free
  32. Crazy Harold - Unknown license
  33. Stowaway - Unknown license
  34. FR Grey - Personal use only
  35. LT Edge Sans - 100% free
  36. Funny Sports - Personal use only
  37. Durango Western Eroded - Personal use only
  38. Castelforte - Personal use only
  39. Fairplex by Emigre, $49.00
    Zuzana Licko's goal for Fairplex was to create a text face which would achieve legibility by avoiding contrast, especially in the Book weight. As a result of its low contrast, the Fairplex Book weight is somewhat reminiscent of a sans serif, yet the slight serifs preserve the recognition of serif letterforms. When creating the accompanying weights, the challenge was to balance the contrast and stem weight with the serifs. To provide a comprehensive family, Licko wanted the boldest weight to be quite heavy. This meant that the "Black" weight would need more contrast than the Book weight in order to avoid clogging up. But harmonizing the serifs proved difficult. The initial serif treatments she tried didn't stand up to the robust character of the Black weight. Several months passed without much progress, and then one evening she attended a talk by Alastair Johnston on his book "Alphabets to Order," a survey of nineteenth century type specimens. Johnston pointed out that slab serifs (also known as "Egyptians") are really more of a variation on sans serifs than on serif designs. In other words, slab serif type is more akin to sans-serif type with serifs added on than it is to a version of serif type. This sparked the idea that the solution to her serif problem for Fairplex Black might be a slab serif treatment. After all, the Book weight already shared features of sans-serif types. Shortly after this came the idea to angle the serifs. This was suggested by her husband, and was probably conjured up from his years of subconscious assimilation of the S. F. Giants logo while watching baseball, and reinforced by a similar serif treatment in John Downer's recent Council typeface design. The angled serifs added visual interest to the otherwise austere slab serifs. The intermediate weights were then derived by interpolating the Book and Black, with the exception of several characters, such as the "n," which required specially designed features to avoid collisions of serifs, and to yield a pleasing weight balance. A range of weights was interpolated before deciding on the Medium and Bold weights.
  40. Martini by Katatrad, $29.00
    Martiniā„¢ typeface is a slab-serif based typeface that included six weights, two styles from ExtraLight to Black with advance typographical support with features such as discretionary ligatures and alternate characters.
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