8,616 search results (0.02 seconds)
  1. Valley is a distinctive typeface meticulously crafted by Barry Schwartz, a designer renowned for his dedication to reviving classical typefaces for the modern age. Schwartz's work often breathes new ...
  2. As of my last update in April 2023, the font "Aviel" by Asley Cruz was not widely recognized in mainstream typographic circles or font directories. However, considering the query, I can propose a des...
  3. As of my last update in April 2023, PORT118 isn't a widely recognized or popular font within mainstream typography communities or databases. However, let's imagine and describe what PORT118 could be ...
  4. Duralith is a distinctive font created by Apostrophic Labs, a collective known for their innovative and diverse typefaces. Duralith stands out with its unique blend of stylized features and contempor...
  5. The New Gothic Textura typeface, designed by Elodie Mandray, is a captivating contemporary adaptation of a historic script that pays homage to the intricate and ornamental style of the medieval textu...
  6. As of my last update in 2023, the font named "Avatar" could refer to one specifically designed or inspired by the visual and textual elements associated with the media franchise of the same name, suc...
  7. As an AI model, I cannot browse the internet or access new databases in real-time; my last update was in April 2023. As of my last update, "Recognition" by WhoAmI Design was not a widely recognized o...
  8. As of my last knowledge update in April 2023, the specific details surrounding a font named "Insert" by 2 The Left Typefaces had not been broadly documented or well-circulated in popular typographic ...
  9. Quake & Shake, a vibrant and dynamic font created by the renowned type foundry Iconian Fonts, embodies an incredible blend of creative quirks and a noticeable energy that is as captivating as it is f...
  10. As of my last update, the font "Backup Generation" might not be widely recognized in mainstream font directories or among popular typographic resources. This suggests that it could either be a niche,...
  11. As of my last update in April 2023, the SF Obliquities Outline font, crafted by ShyFoundry, stands as an intriguing selection in the realm of typography, known for its distinctive appearance and vers...
  12. As an optimistic and helpful artist, I'd love to introduce you to the intriguing world of typography through the lens of the font I2ArabiaConsole. Though I must clarify, detailed specifics about I2Ar...
  13. As of my last update in April 2023, "Shot" is a font created by The Type Fetish, a foundry known for its collection of unique and eclectic typefaces. The Type Fetish, founded by Michael Wallner, prid...
  14. As of my last update in April 2023, ARG219am by ARGSTUDIOS appears to be a specific font that, without direct access to or a comprehensive database on every font ever created, might not be broadly re...
  15. Mistress Script is a distinctive font crafted by Apostrophic Labs, a collective known for their innovative and diverse typeface designs. While I can't provide real-time or very specific details about...
  16. The font Antelope H, created by Tom Murphy 7, is an intriguing and distinctive typeface that carries a unique personality within its design. Like many of Murphy's works, Antelope H is not just a font...
  17. GUNBATS is a font that embodies a striking blend of modernity and edginess, designed to capture the eye and evoke a sense of robust dynamism. Its name suggests a fusion of "gun" and "bats," conjuring...
  18. As of my last update in April 2023, there isn't a font officially recognized or broadly distributed under the name "! Jamiroquai !" that is associated with the popular British jazz-funk band Jamiroqu...
  19. As of my last update in April 2023, "Spat Crumb" is not a widely recognized or standard font within the graphic design or typography communities. Therefore, I will approach this description by embody...
  20. As of my last update in 2023, there isn't a widely recognized or specific font named "Clearblock Circular." However, it appears you might be referring to a concept that blends characteristics of two ...
  21. As of my last update in April 2023, "Kick The Font" might not refer to a widely recognized or standard font available in common design or typography circles. Nevertheless, based on the playful and en...
  22. As of my last update, the "Roman Flames" font, crafted by the artist jbensch, isn't a widely recognized typeface within mainstream typographic references. However, envisioning the essence captured by...
  23. As of my last update in April 2023, the font "Mahamaya" by Rajan M. Vasta might not be widely recognized within mainstream font databases or among popular font collections. Fonts, as a form of artist...
  24. The La Jolla ES font, created by ES Typography, embodies a blend of contemporary chic and versatility, appealing to a wide range of design sensibilities. At its core, La Jolla ES offers a harmonious ...
  25. The DJ Autocar font, created by Donna J. Morse, is an intriguing and captivating typeface that stands out for its unique character and aesthetic appeal. This font is part of the larger DJ Fonts colle...
  26. Swish, designed by the talented Eric Djengué, is a compelling typeface that encapsulates the vibrancy of modern design while anchoring itself in traditional sensibilities. This font is a symphony of ...
  27. As an imaginative exploration of the font named "End of Path," let's embark on a journey into its design and character attributes. Although it's essential to acknowledge that this specific font might...
  28. As of my last update in April 2023, "Pointened" by Holitter Studios appears to be a fictional creation or not widely recognized in mainstream font directories and discussions. Given that I cannot dra...
  29. The Vrångö font, crafted by the talented typeface designer Peter Wiegel, is a fascinating typeface that captures the essence of both modernity and tradition in its design. Named intriguingly after a ...
  30. Addict is not a font that I have specific knowledge of, as my database does not contain proprietary or niche fonts that might not have widespread recognition or use by 2023. However, based on its evo...
  31. Covington SC Shadow is an evocative font that stands out due to its distinct shadow effect, a characteristic that adds depth and dimension to text, making it pop on any backdrop it's placed against. ...
  32. Singothic is not a widely recognized or specific font you might find in common font collections or typography references as of my last update. However, based on its name, we can make some educated gu...
  33. As of my last update in April 2023, there isn't a specific font universally recognized as "China" within the major font libraries or collections. However, the concept of a font being described with t...
  34. As of my last update in April 2023, I don't have specific details about a font named "AZ" by Christoph Mueller in the databases I was trained on. It's possible that it could be a newly released typef...
  35. Gill Sonos is not a conventional font available to the public as of my last update in 2023. However, from the name, it would seem to draw inspiration or connection from two distinctive sources: Eric ...
  36. As of my last update in April 2023, "T-Air" by Tom Tor represents a unique contribution to the world of typography, embodying an innovative and contemporary design ethos. This font, though not broadl...
  37. As of my last update in April 2023, the font "Tobminx" designed by ffeeaarr is a unique addition to the world of typography, embodying a distinctive blend of creativity and practicality. While I don'...
  38. The SF Espionage Medium font is a creation of ShyFoundry, a foundry known for its high-quality typefaces that often blend unique character with high functionality. SF Espionage Medium, part of the SF...
  39. Hand Sketch Rough Poster by TypoGraphicDesign, $25.00
    “Hand Sketch Rough Pos­ter” is a hand­made, rough and dirty sans-serif dis­play font for deco­ra­tive head­line sizes. Hand drawn. A–Z (× 2), a–z (× 2) and 0–9 (× 4) are each many dif­fe­rent forms. Con­text­ual alter­na­tes. Is inten­ded to show the hand-made cha­rac­ter and the vibrancy of the dis­play font. The dif­fe­rent forms of rough­ness crea­tes a live­li­ness in the typeface. Stan­dard liga­tures like ae, oe, AE, OE, ff, fl, fi, fj, ffl, ffi, ffj and more deco­ra­tive liga­tures like CT, LC, LE, LH, LI, LO, LU, LY, TOO, TC, TE, TH, TU, TZ and ch, cl, ck, ct, sh, sk, st, sp, addi­tio­nal logo­ty­pes like BPM, fff, ppp, sfz and many more … plus Ver­sal Eszett (Capi­tal Let­ter Dou­ble S) give the font more life and shows that des­pite their retro-looks works with modern Open­Type tech­no­logy (type the word note for the sym­bol ♫ and the word love for the ding­bat ❤ … ). Sym­bols like play, stop, eject, for­ward, back­ward, skip, pause and so on. The topic for the dis­cre­tio­nary liga­tures and the sym­bols are music. Have fun with this font – turn up the volume! How To Use – awe­some magic OpenType-Features in your lay­out application ■ In Adobe Pho­to­shop and Adobe InDe­sign, font fea­ture con­trols are wit­hin the Cha­rac­ter panel sub-menu → Open­Type → Dis­cre­tio­nary Liga­tures … Che­cked fea­tures are applied/on. Unche­cked fea­tures are off. ■ In Adobe Illus­tra­tor, font fea­ture con­trols are wit­hin the Open­Type panel. Icons at the bot­tom of the panel are but­ton con­trols. Dar­ker ‘pres­sed’ but­tons are applied/on. ■ Addi­tio­nally in Adobe InDe­sign and Adobe Illus­tra­tor, alter­nate gly­phs can manu­ally be ins­er­ted into a text frame by using the gly­phs panel. The panel can be opened by selec­ting Win­dow from the menu bar → Type → Gly­phs. Or use sign-overview of your ope­ra­ting sys­tem. ■ For a over­view of OpenType-Feature com­pa­ti­bi­lity for com­mon app­li­ca­ti­ons, fol­low the myfonts-help http://www.myfonts.com/help/#looks-different ■ It may pro­cess a little bit slowly in some app­li­ca­ti­ons, because the font has a lot of lovely rough details (anchor points). TECHNICAL SPECIFICATIONS ■ Font Name: Hand Sketch Rough Pos­ter ■ Font Weights: Regu­lar ■ Fonts Cate­gory: Dis­play for Head­line Size ■ Desktop-Font For­mat: OTF (Open­Type Font for Mac + Win) + TTF (True­Type Font) ■ Web-Font For­mat: SVG + EOT + TTF + WOF ■ Font License: Desk­top license, Web license, App license, eBook license, Ser­ver license ■ Glyph cover­age: 715 ■ Lan­guage Sup­port: Afri­kaans, Alba­nian, Alsa­tian, Ara­go­nese, Ara­paho, Aro­ma­nian, Arr­ernte, Astu­rian, Aymara, Bas­que, Bela­rusian (Lac­inka), Bis­lama, Bos­nian, Bre­ton, Cata­lan, Cebuano, Cha­morro, Che­yenne, Chi­chewa (Nyanja), Cim­brian, Cor­si­can, Croa­tian, Czech, Danish, Dutch, English, Espe­ranto, Esto­nian, Fijian, Fin­nish, French, French Creole (Saint Lucia), Fri­sian, Fri­ulian, Gali­cian, Genoese, Ger­man, Gil­ber­tese (Kiri­bati), Green­lan­dic, Hai­tian Creole, Hawaiian, Hili­gaynon, Hmong, Hopi, Hun­ga­rian, Iba­nag, Iloko (Ilo­kano), Indo­ne­sian, Inter­g­lossa (Glosa), Inter­lin­gua, Irish (Gae­lic), Istro-Romanian, Ita­lian, Jèr­riais, Kas­hubian, Kur­dish (Kur­manji), Ladin, Lat­vian, Lithua­nian, Loj­ban, Lom­bard, Low Saxon, Luxem­bour­gian, Malag­asy, Malay (Lati­ni­zed), Mal­tese, Manx, Maori, Megleno-Romanian, Mohawk, Nahuatl, Norfolk/Pitcairnese, Nort­hern Sotho (Pedi), Nor­we­gian, Occi­tan, Oromo, Pan­gasinan, Papia­mento, Pied­mon­tese, Polish, Por­tu­guese, Pota­wa­tomi, Que­chua, Rhaeto-Romance, Roma­nian, Romansh (Rumantsch), Roto­kas, Sami (Inari), Sami (Lule), Samoan, Sar­di­nian (Sardu), Scots (Gae­lic), Sey­chel­lois Creole (Seselwa), Shona, Sici­lian, Slovak, Slove­nian (Slovene), Somali, Sou­thern Nde­bele, Sou­thern Sotho (Seso­tho), Spa­nish, Swa­hili, Swati/Swazi, Swe­dish, Taga­log (Filipino/Pilipino), Tahi­tian, Tau­sug, Tetum (Tetun), Tok Pisin, Ton­gan (Faka-Tonga), Tswana, Tur­kish, Turk­men, Turk­men (Lati­ni­zed), Tuva­luan, Uyghur (Lati­ni­zed), Veps, Vola­pük, Votic (Lati­ni­zed), Wal­loon, Warl­piri, Welsh, Xhosa, Yapese, Zulu ■ Spe­cials: Alter­na­tive let­ters, logo­ty­pes, ding­bats & sym­bols, accents & €. OpenType-Features like Access All Alter­na­tes (aalt), Con­text­ual Alter­na­tes (calt), Glyph Composition/Decomposition (ccmp), Dis­cre­tio­nary Liga­tures (dlig) Deno­mi­na­tors (dnom), Frac­tions (frac), Kerning (kern), Stan­dard Liga­tures (liga), Lining Figu­res (lnum), Nume­ra­tors (numr), Old Style Figu­res (onum) Ordi­nals (ordn), Pro­por­tio­nal Figu­res (pnum), Sty­listic Alter­na­tes (salt), Sty­listic Set 01 (ss01), Sty­listic Set 02 (ss02), Sty­listic Set 03 (ss03), Sty­listic Set 04 (ss04), Super­script (sups), Tabu­lar Figu­res (tnum) ■ Design Date: 2015 ■ Type Desi­gner: Manuel Viergutz
  40. Hand Stamp Play Rough Serif by TypoGraphicDesign, $25.00
    “Hand Stamp Play Rough Serif” is a rough and dirty serif Font with authentic & real stamp look. Original Hand Stamped. A–Z, a–z, and 0–9 are each 3× different forms (every letter/glyph has two additional alternate characters) and is intended to show the hand-made nature and the vibrancy of the display font. The different pressure (velocity) of the stamp on paper creates a liveliness in the typeface. Ligatures like ae, oe, AE, OE, ff, fl, fi, fj, ffl, ffj, ffi, and additional logotypes like and, the, by, tel fax, web, www … and a Versal Eszett (Capital Letter Double S) give the Font more life and shows that despite their retro-looks works with modern OpenType technology (from ❤ love is, from luck will ✤ … ). Replacing the glyphs “E” instead of “3” to convey that typeface invites you to play. It is the desire to experiment and promote uninhibited experimentation. A variety of alternative letters and a few glyphs follow her own head @, &, ₤, £, “,”, * … The typeface has its quirks and downright human characteristics to “just love.” Have fun with this font – Just Stamp It. Application Area The serif font works best for head­line size. Logo, Poster, Edi­to­rial Design (Maga­zine or Fan­zine) or Web­de­sign (Head­line Web­font for your web­site), Web­ban­ner, party flyer, movie pos­ter, music pos­ter, music covers … How To Use – awesome magic OpenType-Features in your layout application ■ In Adobe Photoshop and Adobe InDesign, font feature controls are within the Character panel sub-menu → OpenType → Discretionary Ligatures … Checked features are applied/on. Unchecked features are off. ■ In Adobe Illustrator, font feature controls are within the OpenType panel. Icons at the bottom of the panel are button controls. Darker ‘pressed’ buttons are applied/on. ■ Additionally in Adobe InDesign and Adobe Illustrator, alternate glyphs can manually be inserted into a text frame by using the glyphs panel. The panel can be opened by selecting Window from the menu bar → Type → Glyphs. Or use sign-overview of your operating system. ■ For a overview of OpenType-Feature compatibility for common applications, follow the myfonts-help http://www.myfonts.com/help/#looks-different ■ It may process a little bit slowly in some applications, because the font has a lot of lovely rough details (anchor points). Technical Specifications ■ Font Name: Hand Stamp Play Rough Serif ■ Font Weights: Regular, Bold ■ Fonts Category: Display for Headline Size ■ Desktop-Font: OTF (Open­Type Font for Mac + Win) + TTF (True­Type Font) ■ Web-Font: SVG + EOT + TTF + WOF ■ Font License: Desk­top license, Web license, App license, eBook license, Ser­ver license ■ Glyph coverage: 617 ■ Language Support: Albanian, Alsatian, Aragonese, Arapaho, Aromanian, Arrernte, Asturian, Aymara, Basque, Bislama, Bosnian, Breton, Cebuano, Chamorro, Cheyenne, Chichewa (Nyanja), Cimbrian, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Fijian, Finnish, French, French Creole (Saint Lucia), Frisian, Friulian, Galician, Genoese, German, Gilbertese (Kiribati), Greenlandic, Guarani, Haitian Creole, Hawaiian, Hiligaynon, Hmong, Hopi, Hungarian, Ibanag, Iloko (Ilokano), Indonesian, Interglossa (Glosa), Interlingua, Irish (Gaelic), Islandic, Istro-Romanian, Italian, Jèrriais, Kashubian, Kurdish (Kurmanji), Ladin, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgian, Malagasy, Maltese, Manx, Maori, Megleno-Romanian, Mohawk, Nahuatl, Norfolk/Pitcairnese, Northern Sotho (Pedi), Norwegian, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Rhaeto-Romance, Romanian, Romansh (Rumantsch), Rotokas, Sami (Inari), Sami (Lule), Samoan, Sardinian (Sardu), Scots (Gaelic), Seychellois Creole (Seselwa), Shona, Sicilian, Slovak, Slovenian (Slovene), Somali, Southern Ndebele, Southern Sotho (Sesotho), Spanish, Swahili, Swati/Swazi, Swedish, Tagalog (Filipino/Pilipino), Tahitian, Tausug, Tetum (Tetun), Tok Pisin, Tongan (Faka-Tonga), Tswana, Turkish, Turkmen, Turkmen (Latinized), Tuvaluan, Uyghur (Latinized), Veps, Volapük, Votic (Latinized), Walloon, Warlpiri, Welsh, Xhosa, Yapese, Zulu ■ Specials: Alter­na­tive let­ters, Ver­sal Eszett (Ger­man Capi­tal Sharp S), symbols, dingbats, digits, accents & €, incl. OpenType-Features like Access All Alter­na­tes (aalt), Con­text­ual Alter­na­tes (calt), Glyph Composition/Decomposition (ccmp), Dis­cre­tio­nary Liga­tures (dlig) Deno­mi­na­tors (dnom), Frac­tions (frac), Kerning (kern), Stan­dard Liga­tures (liga), Nume­ra­tors (numr), Ordi­nals (ordn), Sty­listic Alter­na­tes (salt), Sty­listic Set 01 (ss01), Sty­listic Set 02 (ss02), Sty­listic Set 03 (ss03), Super­script (sups), Slashed Zero (zero) ■ Design Date: 2014 ■ Type Designer: Manuel Viergutz
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