note: it's an All-Caps font, so there's no Lowercase letters in this font. Fast-forward to the modern and futuristic era, a font with strong characters and a long versatility in any era is a must-have survival mode item. Rebelton family was born to company that mission on earth. A set of family fonts with special mood and characters in every single one. Team up with each other to make a strong vibe in your visual project. Because that's what family stands out for. Language Support: Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Finnish Scots, French, Gaelic, Galician, German, Greek Transliterated, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Maltese, Nynorsk Bokmal Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh. If you doubt with it please type it out in the text box below, I hope it will support your language too :)

Groovy started out as a prospective variant in the ‘Flashback’ series but very quickly established its own distinct appearance, especially with the lower case letters blending into the format so well. There wasn't any preconceived idea to design a retro looking font in principle, it simply evolved that way, but I do think it has several characteristics reminiscent of style genres from the '70s. It’s probably quite subliminal and like me, you may find yourself thinking, what does that remind me of? The double-entendre'd title is quite apt too, not merely for reasons of its outwardly retro appearance but also because of the considered, rounded elements forming the negative spaces throughout. The font also has something of a chameleon-like personality, being both adaptable and capable of having a trendy / fun appearance, or alternatively something solid and stylish, depending on the use, as demonstrated in the banner examples here.

Designed by Sol Hess in 1940 as a variation of Stymie Extrabold but with squared corners where round shapes would normally be. This striking display face is found in only some Lanston Monotype catalogs and specimens are somewhat hard to find.

Another Dan X. Solo find, prosaically named Earth, provided the pattern for this family of futuristic fonts with a strong retro vibe. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

The look of hand lettering often breaks up the monotony of the printed page. Rockaway JNL from Jeff Levine is a big, friendly sans serif that can give more of a human touch to your upcoming project without looking too informal.

It is not simple sennit. You know that such Russian lapti? It is footwear plaited of stripes a bark of a linden. My font too all is made from stripes. From the first up to last letter. Funny isn't it?

Santino is a rounded monoline, post-bauhaus geometric font with smooth extremes and a touch of modern sensuality. It is named after Ariel "Negro" Di Lisio's son. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.

RONiQ is a display font. A type which should not be taken too seriously, a mixture in styles as per usual. this one is also quite juicy. Ready to be used in fun projects. Supports some languages, a lil bit multingual.

Originally designed by Morris Fuller Benton for ATF in 1927, Sol Hess added a lower case in 1929. Hess also drew Broadway Engraved in 1928 for Lanston Monotype. Broadway has become somewhat of a classic icon as an "Art Deco" typeface.

Based on some beautifully blobby lettering, handwritten by printer and mailartist, Alan Brignull. Alan creates amazingly credible artistamps for the virtual countries of Adanaland and the Perfect State of Flatby, lands frozen in boyhood Englishness forever. He writes nicely too.

Lango is a hand drawn face, long and lean with an extended character support and good legibility. It has a casual look without being too informal, and is good for scrapbooking, greeting cards, or wherever a handmade touch is needed.

Many street nameplates in Britain use versions of Kindersley serif capitals designed by David Kindersley in the 1950s. K-Type Kindersley Sans is an unfussy alternative to the signage stalwart, perfectly suited to newer environments and more contemporary tastes. Kindersley Sans is a humanist sans-serif that conserves the Gill-inspired character and some of the calligraphic qualities of Kindersley’s lettering, it retains the Roman proportions and its Britishness, but traditional prettiness and intricacy are discarded in favour of a clean modernity. For purposes where Transport (MOT) is considered too formal and Kindersley too old-fashioned, Kindersley Sans offers an open and amiable up-to-date alternative. The typeface is comfortably spaced and carefully kerned to deliver beautiful results with ease, and although designed with nameplates in mind, it excels as an all-purpose text face in print and on screen. The tail of the uppercase Q has minimal descent to avoid constriction. Kindersley Sans includes a lowercase designed for signage with short descenders to prevent unsightly congestion. A generous x-height assists legibility, and characters are designed for easy reading and distinctiveness. The curved foot of the lowercase L distinguishes it from the uppercase i. The six fonts contain a full complement of Latin Extended-A characters, Welsh diacritics and Irish dotted consonants, so European language nameplates need not be a source of frustration. The ascent and descent of accented characters has been kept to an acceptable minimum.

One of the earliest fonts published by Canada Type was Tiger Script, Phil Rutter's digitization of Jaguar, Georg Trump's 1967 wild calligraphic brush face. In 2010, when the font was revisited for an update, it was shown that it too light for applications under 24 pt, and too irregular for applications over 64 pt. So the face was redigitized from scratch. This new digitization brings a more seamless contour and a much steadier stroke, and much better outlines for use at both extremes of scaling. Language support was also greatly expanded, and many alternates and ligatures were added to the redigitized character set. The name was also changed to Trump Script, to better reflect the origins of the design. Trump Script is a master calligrapher's hand producing very uncommon jolts and bursts of sharpness. It showcases some of the most suprising letter forms ever drawn, like the very unique treatments of B, K, W, Y and Z. In the lowercase one can see the cattiest g ever made, and some of the wildest shapes in the f, j, p, y and z. Trump Script comes in all popular formats. The TrueType and PostScript packages are comprised of two fonts. The OpenType version, Trump Script Pro, combines both fonts into one, and includes features for intelligent substitution in software that supports advanced typography. Language support includes Western, Central and Eastern European character sets, as well as Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages.

La versión propuesta por la SEMOVI (Secretaria de Movilidad) es un estilo más angosto y ortográfico, creadó con la finalidad de aligerar las aplicaciones tipográficas del sistema. Se emplea oficialmente en todas las aplicaciones del sistema de Movilidad Integrada de la Ciudad de México. El creador de la tipografía es Lance Wyman. En esta edición, los tipos minúsculas son una adaptación “no oficial” para el Tipo Movin CDMX, enriqueciendo la tipografía a un estilo visual de altas y bajas, por lo que se prescinde del diseño base como trabajo propio para enfatizar los tipos minúsculas exclusivamente, además de que se han añadido algunos caracteres de acentuación extendiendo su uso a otros lenguajes. Los tipos son una nueva propuesta por Ixipcalli en el presente año 2023. The version proposed by SEMOVI (Secretary of Mobility) is a narrower and more orthographic style, created with the purpose of lightening the typographic applications of the system. It is officially used in all the applications of the Integrated Mobility system of Mexico City. The creator of the typeface is Lance Wyman. In this edition, the lowercase types are an “unofficial” adaptation for the Tipo Movin CDMX, enriching the typography to a visual style of highs and lows, so the base design is dispensed with as my own work to emphasize the lowercase types exclusively, In addition, some accentuation characters have been added, extending their use to other languages. The types are a new proposal by Ixipcalli in the current year 2023.

Bizzle-Chizzle is an expansion of lettering sketches initially made for my personal website. Each glyph is drawn by hand and inked by brush to simulate the texture of letters chiseled out of stone. Bizzle-Chizzle is meant to be used for dynamic layouts and prefers to be as large as possible. Bizzle-Chizzle is an OpenType font package that consists of four individual fonts: 1. Bizzle-Chizzle Outline 2. Bizzle-Chizzle Front 3. Bizzle-Chizzle Sides 4. Bizzle-Chizzle Solo The first three combine to form Bizzle-Chizzle’s three dimensions, while Bizzle-Chizzle Solo can be used individually. Feel free to mix and match for fun effects!

Although the early 1900s through the 1920s seemed to be the "Golden Age" of ridiculously long novelty song titles, it appears that even the decade of the 1940s had its fair share as well. Song Merchant JNL was modeled from the hand lettered [but exhausting] title of the sheet music for "Princess Poo-Poo-Ly Has Plenty Pa-Pa-Ya (and she Loves to Give it Away)". Despite the obvious double-entendre inferences of the title, the square block letters with rounded corners make for a useful headline font (even if the source material it was drawn from is quite forgettable). Available in regular and oblique versions.

Waddle is inspired by the playfulness of mid-century jazz albums, opening title sequences and movie posters. Friendly, rounded, slightly roughed, with a bouncy baseline, this unique typestyle boasts a generous number of glyphs and ligatures across all three weights. Waddle Thin is perfect for body copy and is both fun and elegant. Waddle Plump has been designed for bold headlines and titles. Waddle Regular is an ideal all-rounder. Combine the Waddle Family for maximum affect the next time you need to get a playful and positive message across to an audience of any age. Not too kiddy, not too serious ... just right.

Decor is a classic style font made by hand, modified with various ornaments so that it looks attractive, modern and elegant, can be used for company brands, logos, film titles, drink bottles and so on.

We've always liked Art Gothic (you've seen it on the titles and credits for TV's Murder She Wrote) but felt it was far too animated for most uses. Here is our super-simplified version, a calmer font that will fit many display uses.

Alright is a cursive font is based on the handwriting alphabets used in education, but with modern short ascenders and descenders. Most of the lowercase letters and half of the capitals join up smartly. A useful teaching alphabet and surprisingly stylish too.

wap_std makes cute fonts for kids. I only remember some of the font characters. I think this new font is cute & fun for your fun projects. yumna is made with all my heart, I love it, and I hope you like it too.

Here's another collection of ornate border elements gleaned from the 1888 specimen books of James Conner's Sons United States Type Foundry in New York City. Refer to the PDF guide for detailed, yet simple, instructions for constructing nine delightfully different border patterns.

This is the Bruce Foundry’s Old Style No.20, which was loosely based on the Miller & Richard Old Style. It was recut at Lanston under Sol Hess’ direction in 1909, and survives as the second text face in the Sears Roebuck Catalogue.

Headlock is a handmade serif. My 6 year old son just had his first real Judo exam and the one thing he excels at is the headlock. Headlock comes with double letter ligatures and all the diacritics you need, plus basic Cyrillic!

Shaheen Arabic is an Arabic typeface that embodies power and a tendency towards uniformity. While preserving the neat, minimalist look which is associated with it. The name, too, hints at the strong character of the typeface. Shaheen Arabic comes in 5 wights

Extremely influenced by the new rave trend, Fiasco is a reflex of it's excesses. Way too many elements, bright neon colors, and that not-knowing-when-to-stop sort of behavior. Acid House aesthetic remixed by the nu school DJs. Neon Flamboyant.

Astrospy JNL is a square-shaped, futuristic techno-style font from Jeff Levine. It is very well suited for short phrases, but caution should be used in setting too many words with it because of legibility issues. Best used in larger point sizes.

Ali SRF is named for Stella's son, and was designed for Stella Roberts by Ray Larabie of Typodermic Fonts. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Glamour was originally released by Lanston Monotype in 1948. It is based on Corvinus designed by Imre Reiner. P22 Designer Colin Kahn has added some unusual variants to this family illustrating that Glamour can be taken too far and have somewhat unglamorous results.

In August of 2009, I was commissioned by Zoo York, a New York City based skateboard company, to visit Buenos Aires to study and document street typography. As soon as my taxi driver took the bustling street Entre Ríos, it was clear that the city and I were going to be good friends. Many of the independently owned businesses on Entre Ríos are adorned with handmade signage. These signs are painted in a style called Fileteado which is a century-old Argentinian type of lettering and floral ornamentation. Nowadays, Fileteado is still a prominent part of the city’s landscape, coloring the façades of restaurants, bars and coffee shops. Calaveras and Diablitos are two new typefaces that were inspired by Fileteado. Stylistically, the fonts are a return to a rhythmic and playful sensibility reminiscent of Vitrina and Cuba, two fonts that I designed in 1996. Along with dynamism and dance, these new fonts incorporate a rigor and functionality essential to labelling any font a ‘workhorse.’ The names Calaveras and Diablitos, came from the name of a song by the infamous Buenos Aires rock band, Los Fabulosos Cadillacs. —Pablo A. Medina

In August of 2009, I was commissioned by Zoo York, a New York City based skateboard company, to visit Buenos Aires to study and document street typography. As soon as my taxi driver took the bustling street Entre Ríos, it was clear that the city and I were going to be good friends. Many of the independently owned businesses on Entre Ríos are adorned with handmade signage. These signs are painted in a style called Fileteado which is a century-old Argentinian type of lettering and floral ornamentation. Nowadays, Fileteado is still a prominent part of the city’s landscape, coloring the façades of restaurants, bars and coffee shops. Calaveras and Diablitos are two new typefaces that were inspired by Fileteado. Stylistically, the fonts are a return to a rhythmic and playful sensibility reminiscent of Vitrina and Cuba, two fonts that I designed in 1996. Along with dynamism and dance, these new fonts incorporate a rigor and functionality essential to labelling any font a ‘workhorse.’ The names Calaveras and Diablitos, came from the name of a song by the infamous Buenos Aires rock band, Los Fabulosos Cadillacs. —Pablo A. Medina

Bisalir is a beautiful display font, so you can create beautiful headings or signature looks. Open type features 1000+ glyphs including stylistic alternates so you can fine tune your creations (this option works well also for other languages)

Being inspired by early Czech type design, Maiola is clearly a contemporary typeface, that is mindful of its historical heritage, implementing old-style features and calligraphic reminiscence, more frankly so in the Italic. Nevertheless, through its personality, it attempts to create a welcoming tension on the page, without shouting too loudly at the reader. It handles its expressive tendencies with care and in doing so increases its usability, with legibility being of great importance. Subtle irregularities of the letterforms enhance furthermore the dynamic spirit and liveliness of the typeface. With the advent of Opentype, allowing for bigger character-sets and better language support, as a natural consequence, Maiola Multiscript covers Latin A, Cyrillic and Greek. Although basically independent from each other, they are, however, designed in the same spirit as the Latin, and harmonize well in multilingual text settings. The update to this beautiful font family includes the addition of over 240 glyphs featuring new ornaments, stylistic alternates, ligatures, superior letters, fractions and more. Furthermore, several glyphs were significantly improved and the kerning was fine tuned for better performance. Originally released in 2005, Maiola was an immediate success. It won the renowned TDC competition in 2004 where it was also recognized as a “judge’s choice”, was part of the touring exhibition e-a-t, and was selected in the Creative Review design competition in 2005.

Back in 1800 - 1900, the Serif fonts or known as Roman styles were very popular. Used in so many media, came from calligraphic technique and refined till it became a solid style even so many sign painters use this letter style back in that era. And today, these kinda style still got their fans who love the elegant yet clean solid style. That's what this came for. Please welcome, Sicero Duo Fonts. Its a dynamic duo fonts that came in Serif and Sans-Serif style which is perfectly fit to each other. Bring the old vibes instantly to your project with them :) Sicero Roman A Serif style font with implementations of old-era style, clean and done in click-by-click to fulfil your perfectionist personal. And it comes in Old Style Numbering too, to make the vibes stronger in the whole vintage design when using it. Sicero Sans A Sans-Serif font to make a good pair with Sicero Roman still holding those old vibes but a little bit modern touch in here to reach wider range of trends. Use it all alone is still good to go if you want something different with not pairing it with Sicero Roman as well. Available in OTF, TTF, and Webfonts. Enjoy it more. Have some fun with it, Oldsport :) Cheers, Konstantine Studio

Introducing Mistress Benedict Font Duo - a pair of hand brushed fonts attentively designed to work together, helping to produce beautiful typography! This pack of two fonts works so well together and can be used for so many projects, from food packaging to a simple quote that you upload to Instagram. Use them on your t-shirts, mugs, cushions, handmade card designs, anything you like! What do you get? Benedict Font has a neat, handwritten style to it and it's tall ascenders gives that added elegance. With it also being hand brushed Benedict is perfect for all hand lettering typographic designs and works well for short advertising headlines and sub-headers. Benedict has a full set of uppercase and lowercase alternates giving you a different style - it's like two fonts in one! Mistress Benedict Brush includes ligatures, discretionary ligatures and a full set of alternate characters. It also has international character support. Mistress Benedict Caps was hand brushed with the same brush pen and is the perfect companion for Benedict. It's an all caps font where the alternates are actually the lowercase letters. It looks gorgeous on it's own too! Like the brush version, Mistress Benedict also supports international languages. Well, there it is! I really hope that you enjoy using this font duo and please ask if you have any questions. Jo