Sure! Klarissa is an intriguing font designed by Dieter Steffmann, a talented typographer known for his revival of historical typefaces and his original designs. This font stands out for its intricat...
"Deutsche Zierschrift," crafted by the revered typeface designer Dieter Steffmann, stands as a testament to the intricate beauty and time-honored traditions of German calligraphic art. This font capt...
The KR Hunnybee font, created by Kat Rakos, exudes a playful and charming aura that captures the essence of spontaneity and creativity. This font falls into the category of decorative or novelty type...
The "Tribal Times" font, crafted by the renowned artist Tattoo Woo, stands as a unique and captivating typeface that beautifully bridges the gap between traditional tribal art and contemporary design...
Forelle, a distinctive typeface created by Dieter Steffmann, is a true testament to the art of vintage-inspired font design. This font exudes a nostalgic charm, deeply rooted in the stylings of early...
The font named "2006" by Denise Bentulan is a creative and contemporary typeface that embodies a unique blend of personality and functionality. Designed by the talented typeface designer Denise Bentu...
The NFL Packers font captures the spirit and passion of the Green Bay Packers, one of the most storied franchises in the National Football League (NFL). This font is not merely a set of characters; i...
Ah, "Silky Smoke" by DM Letter Studio; envision a font that dances on the page like a graceful wisp of smoke from an aristocrat's cigar in a swanky, dimly-lit lounge. It's not just a font; it's a per...
Shorelines Script Bold by The Branded Quotes evokes a sense of freedom and creativity, designed for those who wish to imbue their work with a touch of personal flair. This font, with its bold and flo...
The font "Sargento Gorila" is a compelling typeface designed by the accomplished Spanish designer, Fernando Haro, famously known under his pseudonym deFharo. The design philosophy of this font reflec...
The "Crimson Petal" font by SpideRaYsfoNtS is a unique and artistic typeface that evokes a delicate yet striking aesthetic. As its name suggests, the font design is inspired by the imagery of a crims...
Kerater, a font meticulously crafted by the renowned font designer Måns Grebäck, is a striking embodiment of craftsmanship and artistry in the realm of typography. Its design is a harmonious blend of...
The Many Weatz font, designed by the talented Måns Grebäck, is a striking example of calligraphy art brought to life through digital typography. This font captures the essence of traditional calligra...
Helena-Bold by Paul Lloyd Fonts is a distinctive display typeface that captures the essence of classical elegance infused with a contemporary boldness. It is part of a larger family that embodies the...
The CochinArchaic font, crafted by the skilled typography artist David F. Nalle, is a distinctive typeface that pays homage to the historical and stylistic nuances of classical script. CochinArchaic ...
As of my last update, there isn't a specific font named "CNN" officially created or endorsed by Ray Larabie that is widely recognized in the type design industry. Ray Larabie is a prolific Canadian t...
Oh, Lausanne, you charming little typeface, you! Crafted by the hands of Ivan Filipov, it brings to the canvas of typography a breath of fresh, Swiss-inspired air, without the added calories of Swiss...
Certainly! Picture this: You're strolling through the whimsical alleyways of Typography Town, where the buildings stretch impossibly tall, framing the sky in slivers of blue. Suddenly, you stumble up...
Cesium by Hoefler & Co., $51.99 
An inline adaptation of a distinctive slab serif, Cesium is an unusually responsive display face that maintains its high energy across a range of different moods. The Cesium typeface was designed by Jonathan Hoefler in 2020. An energetic inline adaptation of Hoefler’s broad-shouldered Vitesse Black typeface (2000), Cesium is named for the fifty-fifth member of the periodic table of the elements, a volatile liquid metal that presents as a scintillating quicksilver. From the desk of the designer, Jonathan Hoefler: I always felt that our Vitesse typeface, an unusual species of slab serif, would take well to an inline. Vitesse is based not on the circle or the ellipse, but on a less familiar shape that has no common name, a variation on the ‘stadium’ that has two opposing flat edges, and two gently rounded sides. In place of sharp corners, Vitesse uses a continuously flowing stroke to manage the transition between upright and diagonal lines, most apparent on letters like M and N. A year of making this gesture with my wrist, both when drawing letterforms and miming their intentions during design critiques, left me thinking about a reduced version of the typeface, in which letters would be defined not by inside and outside contours, but by a single, fluid raceway. Like most straightforward ideas, this one proved challenging to execute, but its puzzles were immensely satisfying to solve. Adding an inline to a typeface is the quickest way to reveal its secrets. All the furtive adjustments in weight and size that a type designer makes — relieving congestion by thinning the center arm of a bold E, or lightening the intersecting strokes of a W — are instantly exposed with the addition of a centerline. Adapting an existing alphabet to accommodate this inline called for renovating every single character (down to the capital I, the period, and even the space), in some cases making small adjustments to reallocate weight, at other times redesigning whole parts of the character set. The longer we worked on the typeface, the more we discovered opportunities to turn these constraints into advantages, solving stubbornly complex characters like € and § by redefining how an inline should behave, and using these new patterns to reshape the rest of the alphabet. The New Typeface The outcome is a typeface we’re calling Cesium. It shares many of Vitesse’s qualities, its heartbeat an energetic thrum of motorsports and industry, and it will doubtless be welcome in both hardware stores and Hollywood. But we’ve been surprised by Cesium’s more reflective moods, its ability to be alert and softspoken at the same time. Much in the way that vibrant colors can animate a typeface, we’ve found that Cesium’s sensitivity to spacing most effectively changes its voice. Tighter leading and tracking turns up the heat, heightening Cesium’s sporty, high-tech associations, but with the addition of letterspacing it achieves an almost literary repose. This range of voices recommends Cesium not only to logos, book covers, and title sequences, but to projects that regularly must adjust their volume, such as identities, packaging, and editorial design. Read more about how to use Cesium. About the Name Cesium is a chemical element, one of only five metals that’s liquid at room temperature. Resembling quicksilver, cesium is typically stored in a glass ampule, where the tension between a sturdy outer vessel and its volatile contents is scintillating. The Cesium typeface hopes to capture this quality, its bright and insistent inline restrained by a strong and sinuous container. Cesium is one of only three H&Co typefaces whose name comes from the periodic table, a distinction it shares with Mercury and Tungsten. At a time when I considered a more sci-fi name for the typeface, I learned that these three elements have an unusual connection: they’re used together in the propulsion system of nasa’s Deep Space 1, the first interplanetary spacecraft powered by an ion drive. I found the association compelling, and adopted the name at once, with the hope that designers might employ the typeface in the same spirit of discovery, optimism, and invention. —JH Featured in: Best Fonts for Logos
Dustismo by Dustin Norlander is a font that encapsulates both charm and versatility. Created by the talented Dustin Norlander, this typeface stands as a testament to the blend of creativity and funct...
The Dead Hardy font by Dirt2 stands out as an intriguing and bold display typeface, embodying a distinctive fusion of gothic sensibility and modern tattoo artistry. This font draws inspiration from t...
Graffito, as its name suggests, draws its inspiration from the raw, expressive energy found in street graffiti. This font is not merely a typeface; it's an artistic statement, embodying the rebelliou...
Sion, a distinctive typeface crafted by the talented David Pache, stands as a testament to modern design blending with functionality. This font reflects Pache's meticulous attention to detail and his...
The Strobo font, designed by Graham H Freeman, is a distinctive typeface that embodies both modernity and a touch of retro-futuristic flair. It is a font that seems to have been crafted with a keen e...
Andada is a distinctive typeface developed by La Rana Graphic & Typography, a collaborative effort that fuses the passion for typographic design and the meticulous craftsmanship evident in its creati...
"NOW YOU SEE ME" is a captivating font created by the artist known as SpideRaY, whose work is often characterized by a passion for innovative and intriguing designs. This particular font captures the...
Annabel Script is a typeface that elegantly bridges the gap between classical calligraphy and contemporary flair. It is crafted with a keen eye on the fluidity and natural flow that hallmark traditio...
The font MAWNS' Graffiti Filled, created by the talented typographer Måns Grebäck, is a striking and audacious display font that captures the spirit and vibrancy of street art and urban creativity. T...
Rock ‘n Roller is a dynamic and charismatic typeface that captures the rebellious spirit and energetic beat of rock and roll music. Its design is inspired by the vibrant aesthetics of rock culture, b...
Misproject, created by Misprinted Type, which is run by the talented Brazilian designer Eduardo Recife, stands as a remarkable font with a distinct personality and flair. This font encapsulates the e...
The SPORT RELIEF font, crafted by the talented SpideRaY, is a distinctive typeface that undoubtedly brings a zest of energy and dynamism to any project it graces. This font is not just a collection o...

Introducing TE Rekaah3: Unleash the Beauty of Arabic Calligraphy by Tharwat Emara TE Rekaah3 is not just a font; it is a masterpiece crafted by renowned calligrapher Tharwat Emara, bringing the timeless beauty of Arabic calligraphy to life. With its exquisite design, meticulous attention to detail, and captivating aesthetics, TE Rekaah3 invites you to embark on a journey of creativity and immerse yourself in the artistry of Arabic script. Impeccable Craftsmanship: Tharwat Emara, a master calligrapher, has poured his expertise and passion into every curve and stroke of TE Rekaah3. The result is a font that showcases the flawless craftsmanship and artistic precision that Tharwat Emara is renowned for. Each letterform is meticulously designed, reflecting the elegance and grace of Arabic calligraphy in its purest form. Elegance Redefined: TE Rekaah3 embodies a harmonious balance between tradition and innovation. It embraces the timeless elegance of Arabic script while infusing it with a contemporary flair. The graceful letterforms and balanced proportions of TE Rekaah3 exude sophistication, making it the perfect choice for projects that demand refined aesthetics and a touch of modernity. Captivating Visual Appeal: TE Rekaah3 captivates the eye with its visually striking composition. The seamless flow of each character, carefully curated ligatures, and distinctive swashes create a captivating rhythm that draws the viewer in. Whether used for headlines, logos, or editorial layouts, TE Rekaah3 ensures that your designs make a lasting impression. Unparalleled Legibility: Tharwat Emara's expertise in calligraphy shines through in TE Rekaah3's exceptional legibility. Each letterform is thoughtfully crafted to ensure clarity and readability, even at smaller sizes or in intricate design compositions. Your message will be conveyed with precision and impact, making TE Rekaah3 a reliable choice for a wide range of design applications. Versatile Expressiveness: TE Rekaah3 offers a wealth of creative possibilities. With its comprehensive character set, including alternates, ligatures, and stylistic variations, you have the freedom to express your artistic vision. Whether you seek a contemporary look or a more traditional feel, TE Rekaah3 provides the versatility to bring your creative ideas to life. Seamless Integration: TE Rekaah3 seamlessly integrates into your design workflow, ensuring a smooth and efficient experience. Available in various file formats and compatible with popular design software, it offers convenience and ease of use. Focus on your creative process and let TE Rekaah3 effortlessly elevate your designs. Celebrate the Art of Arabic Calligraphy: TE Rekaah3, born from the creativity of Tharwat Emara, celebrates the rich heritage of Arabic calligraphy. It pays homage to centuries of artistic tradition while embracing the demands of contemporary design. By choosing TE Rekaah3, you honor the legacy of Arabic calligraphy and create designs that resonate with cultural richness and artistic expression. Immerse yourself in the beauty of TE Rekaah3, where the mastery of Tharwat Emara converges with the art of Arabic calligraphy. Unleash your creativity, elevate your designs, and let TE Rekaah3 become the embodiment of your artistic vision.

Introducing the Doovy Groovy Party font! This stylized, psychedelic, and round Groove Display Font takes you back to the 90's and 00's era. With its multilingual support, it's perfect for creating a pop, funky, and bold vibe. What sets the Doovy Groovy Party font apart is its unique ability to capture the essence of the vibrant and energetic 90's and 00's era. Its stylized, psychedelic design evokes a sense of nostalgia while still offering a fresh and contemporary look. This font is a true standout, allowing your designs to stand out as well. For designers looking to create harmonious compositions, the Doovy Groovy Party font has a few relatives and typefaces that complement it beautifully. Consider pairing it with "Retro Sans Serif" for a bold and cohesive look, or experiment with "Funky Display" to amplify the funky vibes. These combinations will add an extra layer of creativity and versatility to your design projects. The Doovy Groovy Party font comes in three variations - Regular, Outline, and Shadow - making it a versatile tool for various design needs. The Regular version provides a solid foundation, ideal for headlines and titles that demand attention. The Outline variation adds an element of sophistication and can be used for modern designs, while the Shadow option creates depth and dimension for a more dynamic appearance. Additionally, this font boasts extensive multilingual support, ensuring that it can be used effectively across different languages and cultures. The Doovy Groovy Party font draws inspiration from the bold and expressive typography prevalent in the 90's and 00's. It captures the vibrant and carefree spirit of that era, where music, art, and pop culture collided to create an explosion of creativity. The psychedelic elements incorporated into the font pay homage to the colorful and trippy visuals that defined the time. This font encapsulates the nostalgia and excitement of those years, allowing designers to infuse their projects with a sense of fun and playfulness. We created the Doovy Groovy Party font with a passion for celebrating the bold and expressive designs of the past. We wanted to provide designers with a versatile tool that brings the nostalgic charm of the 90's and 00's to their modern projects. By using this font, you can effortlessly transport your audience to a time when colors were brighter, music was groovier, and creativity knew no bounds. Let your imagination run wild with the Doovy Groovy Party font and infuse your designs with a vibrant touch that will captivate and inspire! Unlock the power of nostalgia and creativity with the Doovy Groovy Party font. Its unique design, versatile variations, and multilingual support make it the perfect choice for posters, marketing materials, T-shirt designs, headlines, and much more. Get ready to groove and let this font elevate your creative projects to a whole new level!

Refinery is the newest font in the Evanston Collection of square typefaces. With a similar capital structure to Tavern and Alehouse, Refinery includes both lowercase and small caps, making it an ideal typeface for paragraph text settings. It also comes in a wide array of weights and widths, with 85 font files in total. DESIGN Refinery has it’s roots in early 20th century signage and saloon typography, but has been modernized - even future-ized - to fit the 21st century digital landscape. The design was aimed at providing a type family that could work in many modern design fields, from sports, tech and military to gaming, HUD, virtual reality and augmented reality. ENGINEERING Essentially. Refinery is a simple mono-linear square design has been expertly refined into an easy-reading sans serif typeface. It was designed to be used in both display and text settings. From hairline to black in ultra-narrow or extended, the wide array of weight and width options makes it easy to find the right font for each text need. SPECS Refinery not only includes 85 font files, but each one include a wide array of Opentype Extras that allow even further customization. • Stylistic Alternatives: Letters A W Y have a styling variation that rounds the pointed apex into a square curve. The S and 2 variation straightens the spine, making all curves in the alphabet read as 90º angles. • Small Capitals: A shortened version of the capitals for alternate header settings. • Titling Alternatives: In this typeface, this feature turns on lifted small caps. Take the small capitals, raise them to level with capitals and underline at the baseline. When multiple lowercase or small capital letters are typed in a row, the underlines connect, creating unique ligatures. • Figures: There are different figure styles for different text needs. Options include, proportional lining, tabular lining (for math), old style and small capitals. • Discretionary Ligatures: A little funk to this otherwise serious typeface. Letters with a long baseline or cap height stem - F, L, T - get elongated to hug a small capital vowel. Other ligatures include Co. and No. • Catchwords: These are common words that bring emphasis to a design. In English these words include ‘and’ ‘as’ ‘by’ ‘in’ ‘of’ ‘the’ ‘to’ ‘when’, among others. Refinery also includes multilingual catchwords of ‘el’ ‘la’ ‘oder’ ‘go’ ‘para’ ‘pour’ ‘und’ ‘y’, among others. For the full list, please check out the specimen images. EXTRAS To round the typeface off, a set of over 150 ornaments, icons, arrows, patterns and line breaks is included to provide complimentary graphics. These can be found in the Ornaments labelled font, it is recommended to use the Glyphs panel to select which text glyph is needed.
Oh, embark on a whimsical adventure into the realm of typography and meet Ruthless Drippin TWO by Måns Grebäck, where letters don't just sit quietly on the page – they throw a full-fledged, ink-sling...
"La Flama y La Espina," designed by the talented Juan Casco, stands as a testament to both his creativity and his understanding of the delicate balance between design and functionality in typography....
Pabellona (A) Símplex is a unique and attention-grabbing font created by the talented deFharo, a versatile typeface designer known for innovative and expressive font designs. This particular variant ...
Absolutely, I'd love to share a bit about the font "Walter." Conceived by the talented Jenny Barck, a name not widely known in every household but revered among certain circles of typography enthusia...
Amazónica, a distinctive font created by the talented designer Juan Casco, stands out as a unique addition to the typography world. Juan Casco, known for creating fonts with a personal touch and crea...
The Tribal Dragon font by Tattoo Woo is a striking and distinctive typeface that encapsulates the raw energy and mystique of tribal art combined with the mythical elegance of dragons. This font is no...