3,066 search results (0.02 seconds)
  1. "So Run Down" is a distinctive font created by Ray Larabie, a prominent type designer known for his broad range of typographic styles. This particular font stands out for its rugged and somewhat dist...
  2. LetterOMatic!, crafted by the renowned font foundry Blambot Fonts, is an epitome of creativity and functionality meshed into one captivating typeface. Blambot Fonts, known for its extensive collectio...
  3. Locked Window, a typeface that captures the imagination and intrigue of a suspense-filled narrative, is a typographic journey through mystery and discovery. At first glimpse, this font presents itsel...
  4. "Anime Ace" is a distinctive font designed with a very specific niche in mind—capturing the energetic spirit and style of anime and comic book lettering. Created by Nate Piekos of Blambot Fonts, a we...
  5. BrushArt is not a specific font that exists within the public domain or widely recognized font libraries as of my last update. However, the name itself evokes a vivid picture of what such a font coul...
  6. KR Down By The Sea by Kat Rakos is a charming and whimsical font that instantly evokes the playful and carefree vibes of a day spent by the seaside. Its design marries a sense of nostalgia with a fre...
  7. Mexcellent, a vibrant and retro-inspired font designed by Ray Larabie, transports its audience straight into the heart of the late 20th century's burgeoning pop culture with a particular nod to the n...
  8. Nightbird is a font created by David Kerkhoff that captures the essence of spontaneity and a touch of eerie allure, transporting its viewers into a world that blurs the line between the fantastical a...
  9. The font Chicago House_trial by The Original 19 evokes a sense of nostalgia while simultaneously embracing modern design sensibilities, making it uniquely versatile and appealing. This font, with its...
  10. Racer, created by the visionary designer onezero, is a font that embodies dynamism, speed, and elegance. Its design is inspired by the high-speed world of racing, capturing the essence of motion and ...
  11. The KR Heartalicious font, designed by Kat Rakos, stands as an embodiment of playfulness and affection, masterfully woven into a font design. This distinctive typeface captures the whimsy and warmth ...
  12. East Anglia is a distinctive font creation by Bill Roach, a designer who clearly has a nuanced understanding of typeface design and a keen eye for merging traditional influences with a contemporary f...
  13. The CF Anarchy font by CloutierFontes is a vivid expression of freedom and rebellion. Crafted by the visionary Steve Cloutier, this font is more than just a collection of characters; it's a statement...
  14. The font "The Girl Next Door" created by Kimberly Geswein has an intriguing mixture of casualness and charm, encapsulating the warmth and approachability its name suggests. Kimberly Geswein, known fo...
  15. Morphine Jack is a font that isn't just a typography choice; it's an attitude, a character, a whisper from the early 20th century speakeasies, jazz clubs, and the underground writer's circles. Its de...
  16. Oh, let me take you on a little journey through the cosmos of typography, where the star of our expedition is none other than the Voyager Grotesque! Dreamt up and meticulously crafted by the talented...
  17. Ah, yes, the Bionic Comic Condensed font by Iconian Fonts – it's like the superhero of the typeface world, donned in its sleek, form-fitting spandex, ready to add a punch of personality to any projec...
  18. "Peach Sundress" by Teagan White is a font that embodies a sense of delightful whimsy and gentle nostalgia, capturing the essence of sunny days, carefree afternoons, and the soft, welcoming embrace o...
  19. The "Mighty to Save" font by Kimberly Geswein is a testament to the versatility and emotional depth that can be captured in typography. This font resonates with a handcrafted charm that seems both pe...
  20. The "Astron Boy Wonder" font, a creation by the prolific font designer Ray Larabie, captures the retro-futuristic spirit of the mid-20th-century era, while infusing it with a dose of contemporary fla...
  21. The "MAWNS Rock" font, created by the talented Swedish typeface designer Måns Grebäck, is a striking example of versatility and artistic expression within typography. This particular font is a part o...
  22. HVD Rowdy by HVD Fonts is a strikingly unique typeface that exudes energy and vibrancy. Designed with an infectious zest, it leaps off the page, making it an unforgettable choice for projects that ai...
  23. Asylum, crafted by Clearlight Fonts, embodies a unique font narrative that stands out in the realm of typography for its distinctive characteristics and vibrant personality. This typeface is a conver...
  24. TeamSpirit is a distinct and visually engaging font designed by the talented Nick Curtis, who is noted for his ability to inject a vibrant character into his typographic creations. TeamSpirit is no e...
  25. The GirlieLeslie font by Fontalicious is a playful and whimsical typeface that seems to exude a sense of fun and creativity. Designed with a certain light-heartedness in mind, it's the kind of font t...
  26. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  27. As of my last update in April 2023, there isn't a widely recognized typeface named specifically "Snoopy" in the traditional sense that is acknowledged across major typography communities or databases...
  28. The font named BROKEN GHOST by Last Soundtrack exudes a distinctive, haunting character that sets it apart in the realm of typography. As the name suggests, Broken Ghost carries an eerie, otherworldl...
  29. The font "Funny Icon" by Rodrigo German stands as a dynamic and playful tribute to the essence of creativity and fun embedded in graphic design. This font isn't your traditional typeface focused on l...
  30. The "Haunt AOE" font, developed by the creative minds at Astigmatic One Eye Typographic Institute, is a unique typeface that truly captures the essence of its namesake. Designed to evoke feelings of ...
  31. LiquidCrystal is a distinct and visually engaging font that emulates the appearance of characters displayed on LCD (Liquid Crystal Display) panels. This type of font is characterized by its digital, ...
  32. As of my last update in 2023, there is no widely recognized or mainstream font officially called "Squid." However, the evocative name suggests a font that would embody characteristics inspired by the...
  33. The Janda Scrapgirl Dots font, designed by Kimberly Geswein, is a delightfully whimsical and charming typeface that captures the essence of creativity and playfulness. Kimberly Geswein, known for her...
  34. "KG Begin Again" is a captivating font created by Kimberly Geswein, an artist known for her broad and diverse contribution to the world of typography. Kimberly specializes in crafting fonts that are ...
  35. Wolf's Bane, crafted by the talented Iconian Fonts, emerges as a distinctive and dynamic font that captures the essence of both adventure and mystery. Iconian Fonts, known for their vast portfolio of...
  36. Ah, the Riparo font! It's like diving into the world of quirky and eye-catching typography, a playground where creativity meets functionality. Crafted by the talented Vladimir Nikolic, Riparo doesn't...
  37. The B de Bonita Shadow font by deFharo is a testament to the intricate craftsmanship of modern typography, blending the warmth of vintage aesthetics with the sharpness of contemporary design. Conceiv...
  38. The "Djs Symbols" font by Phuxer Designs is a fascinating and innovative font that stands out in the realm of typography. Rather than focusing on traditional letters and numbers, this font explores t...
  39. The Bertolt Brecht font by Thiago Matsunaga is an evocative and expressive typeface that captures the spirit of innovation and sophistication. Named after the famed German playwright and poet Bertolt...
  40. The "Clashed Dinosaurs" font by SpideRaY is a captivating and whimsical typeface that immediately transports its audience back to the Mesozoic era, but with a playful and imaginative twist. Crafted b...
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