Introducing "Aero Flux", the cyber mecha font that will take your designs to the next level. This font is designed with a perfect blend of modern and squared feel, giving it a unique and futuristic aesthetic that is perfect for a wide range of applications. The bold and sleek design of Aero Flux makes it an ideal choice for logos, headlines, and branding materials. It's all-caps design with punctuation, numerals, and foreign support allows for flexibility in creating unique and engaging visual designs. Aero Flux's squared feel makes it perfect for projects that require a strong and sturdy look, such as designing video game or movie titles, product packaging, or creating futuristic posters. This font's bold, industrial look is perfect for capturing the essence of the mecha genre, with its sharp angles and futuristic design. The squared feel of Aero Flux adds a sense of strength and solidity to your designs, making it the perfect choice for projects that require a bold, commanding look. Moreover, Aero Flux's industrial, mecha-modern design makes it the perfect font for creating digital interfaces and user interfaces (UIs), especially those that require a futuristic or high-tech feel. In summary, Aero Flux is a highly versatile font that is perfect for a wide range of applications, from logos and branding to digital interfaces and futuristic posters. With its modern, squared feel and unique design, Aero Flux is the perfect font to add a touch of futurism to your projects and captivate your audience. Aero Flux features: A full set of uppercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Cyber Mecha Style +246 Total Glyphs

Unlike the modest fonts in your menu content with discreetly imparting information, Carnival is conspicuous by design. Deliberately engineered to attract eyeballs, the typeface’s unmistakable silhouette produces a dramatic visual texture that stands out in print, on screen, or in any environment where your message demands to be noticed. The steady yet vibrant rhythm created by its letterforms also makes Carnival ideal for fashioning alphabet patterns and graphic devices. Flaunting a lean slender body anchored by stout stroke endings, Carnival turns conventional typographic thinking on its head by inverting the relative thickness of its stems and serifs. This reverse-contrast approach stretches all the way back to the roots of modern advertising, when similar types became the favorite for posters, packaging, and loads of consumer products during the 1800s. The striking style prevailed well into the next century, as Harold Horman, co-founder of New York City-based Photo-Lettering. Inc., modernized a version for the company’s popular film-typesetting service in the early 1940s. Digitized and expanded by Dan Reynolds in 2013, Carnival had previously been used exclusively for House Industries projects. Now you can get in on the action, and use this stunning slice of type history anytime you want your work to turn heads. SUGGESTED USES Carnival’s unique character commands attention, making it the perfect voice for promotional pieces, editorial design, labels, packaging, posters, and any other application that needs to strike the right tone. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

CHARACTERISTICS The kiddy and warmly cha­rac­ter and the cute, huge points (amongst others punc­tua­tion), gives the type­face a high reco­gni­tion value and uniqueness. APPLICATION AREA The warm, child-like, bold and striking sans serif font »Shaky Hand Some Comic« would look good at dis­play size for head­lines in magazi­nes or web­sites, pos­ters, packa­ging, covers or webbanner. TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Sans Serif Font »Shaky Hand Some Comic« Open­Type Font with 340 gly­phs alter­na­tive let­ters and liga­tures (with accents & €) & 3 styles (regu­lar, bold & 3d)

CONCEPT/CHARACTERISTICS What is a child­like, naive wri­t­ing, acting not boring sta­tic, has enough personality/character and yet is easy to read? › Over­si­zed points › Slightly cur­ved, warm and fri­endly bars › Open, fri­endly forms › Orga­nic, lightly bat­te­red forms APPLICATION AREA The fri­endly, play­ful and warm cha­rac­ter of the font »Kiddy Sans« would look good at dis­play size for party flyer & movie pos­ter, music covers or head­lines in maga­zi­nes or websites… TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Sans Serif Font »kiddy Sans« with 8 styles & 366 gly­phs, inkl. accents & €

One of my dreams as a type-designer was making a good looking chancery cursive. Full of life, like some of the best calligraphers around the world do on their artworks. With Julian Waters, John Stevens and Denis Brown (just to name a few of them) (1) chancery, or italic script, was transformed into a new, exciting and very fresh style of calligraphy mainly at the end of 20th Century. Dream Script may be that dream named above made true. I have been practicing chancery in the way I learnt from those calligraphers for many years now. Making a font out of my ink-sketches was a tough work, since they were closer of -being art- than of -being type-. However, this font rescues many aspects of handmade calligraphy: You have to look at it really close to notice it is actually a font, and that was one of my goals. The secret of a good looking chancery is on its subtle details: pen angle is constantly changing, even on the strokes which seem straight. Capitals and swashes have to be done a little faster than lowercase letters. The rhythm has to be even, in spite of its playful look. The fact that makes Dream look alive is that it has many alternates per glyph. This makes each word look unique like it happens in calligraphy: you will find alternates for the beginning/ending of a word/phrase, some for the middle of it, some interchangeable. Also, to accompany the script, you will find Dream Caps, which was inspired in the eternally beautiful trajan capitals. Place them like I did on the posters and you will have great results for sure. The font works great in small, middle and big sizes and can be a great selection for magazines, wedding invitations, perfumes, and posters. Close your eyes, and Dream with me... TECHNICAL Dream Script Pro is the most complete style, it contains all the alternates and ligatures (OT programmed, better if you use Adobe applications) If you plan to use the font for text, be sure to activate the less decorative capitals, which are placed in the “salt” group of alternates. Dream Script Standard has less glyphs than the Pro one, it contains just some ligatures for a better legibility. (OT programmed, better if you use Adobe applications) NOTES (1) Not only are they great artists, but also good people, who are always willing to share with their students all what they know. I would also like to thank Ricardo Rousselot, whose work inspired me this time to make “The Dream Script” exlibris; and to Alisara Tareekes, a very talented friend which international calligraphy conferences gave me: She kindly helped me with some tips to make this font better.

The contemporary feel of the Sancoale superfamily takes a bolder turn with this futuristic slab. Built from Sancoale's successfully simple geometry, Slab's serif elements and tall x-height give the face an energetic, yet clean figure that easily complements its cousins: Sancoale Softened--a sans with blunted terminals; Sancoale Narrow; and, of course, the original Sancoale itself. The weights of each member have been balanced carefully to ensure compatibility with the others, and when used together, the combination creates a powerful design that is easy to identify. With weights ranging from the classier Thin to the authoritative Black, Slab opens the door to a range of applications. Used in different text sizes, its tech image is legible and neutral enough for longer bodies of copy--both in print and on the web. Have a more prominent need? The web font also stands out well in a headline or even as a display face. Slabís great personality puts a strong foot forward without giving its reader a kick in the teeth. Whatever the task, this font's one to capture the Zeitgeist into your work. All Insigne fonts are fully loaded with OpenType features. Sancoale Slab is also equipped for complex professional typography, including alternates with stems, small caps and plenty of alts, including "normalized" capitals and lowercase letters. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Included are small caps, fractions, old-style and lining numbers, scientific superior/inferior figures, complete ordinal and inferior alphabet, and a set of symbols and arrows. The Sancoale family also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Sancoale Slab supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging.

Swedish designer Karl-Erik Forsberg created the original Berling typeface in 1951. Owned by Verbum in Sweden, Berling was completely redesigned and released in 2004, under the name Berling Nova. Forsberg (1914–1995) is considered one of Sweden’s most masterful graphic designers, and his original Berling has come to be seen as possibly the most definitive Swedish typeface. But a redesign was necessary in order to secure that the spirit of Berling would survive in the digital age. Linotype, the distributor of the original Berling™ , provided its collection of source materials to the designers working on Berling Nova. Additionally, Akira Kobayashi — Linotype’s Type Director — lent them his advice as their project advanced. Berling Nova is available in two optical sizes: Text and Display. The original Berling was a classic Renaissance roman face, with fine terminals and sharp, beak-like serifs. If one looks at Berling’s old lead type proofs in the smaller type sizes, it is clear that these had a fuller and more readable form than in later digital versions. So, in order to help return the new Berling Nova to its original splendor, both the base forms and the serifs were softened and inflated. In the text version, the x-height has been increased a bit (by 4%), the diagonal axis is less apparent, and special glyph ranges, such as those for small caps and old style figures, have been included in the font’s character sets. The display version still has the unmistakable “Berling” character that displays Forsberg’s mastery. Berling Nova is well suited for longer text passages in books, publications, and magazines. This typeface fulfils all the demands that one can make on a legible newspaper typeface. Access to both text and display versions are important to the demanding typographer. This is the first time since the typeface was digitalized that it is possible to use it in order to create truly beautiful and functional typography in all type sizes.

Fruitygreen is Indonesian designer Andi AW. Masry's second typeface following Coomeec™. Idiosyncratic but appealing forms are the signature feature of Fruitygreen™ and provide this new typeface with its truly distinctive character that you can utilize for your projects - and not just in headlines. The unique forms of fruits are not only individually fascinating, but are just as captivating when they are brought together, for example as decoration on a dining table. For Masry, these can be compared with an alphabet whose letters spell out in combination different words and with this as his inspiration, he based his designs for Fruitygreen on the versatile forms of fruits. However, it was not the whole fruits as such but rather small sections of their curves and ends that he decided to use. It is not only because of the characteristic line terminals that the rounded characters of Fruitygreen seem at first glance reminiscent of a brush-written calligraphic typeface; these are traces of the creation process, in which Masry used a digital brush. At the same time, Fruitygreen is by no means simply a brush font. Its dynamic characters reference biological forms and there is definitely something amoeba-like about them, particularly in the bolder variants, and they exude the same serenity and harmony that is inherent to organic structures. The many unconventionally shaped characters also provide for optical contrast. There is, for example, the very scaled down g", the open "q" and the lowercase "r", which has the form of the capital letter. Other letters, such as the sinuous "k" and the rounded uppercase "F" impart an exotic touch to Fruitygreen. Similarly remarkable is the "@", that has only a semi-circle. Available to the designer are other characters that can be used to accentuate a design, such as swash capitals and numerous ligatures. And, last but not least, there are also various numeral sets with oldstyle and lining figures for setting proportional text and table columns together with a selection of symbols, such as arrows and, appropriately, fruits. "

Introducing Doradani, a modern sans-serif typeface that draws inspiration from the timeless classic, Franklin Gothic by Morris Fuller Benton, originally designed in 1903. At the heart of Doradani’s design is a perfect balance between Benton’s iconic proportions and contemporary open aperture shapes, resulting in a truly unique and distinctive typeface that is both traditional and current at the same time. With five distinct weights and accompanying italics, Doradani offers unparalleled versatility for any project, whether it’s for headlines, body text, or anything in between. Each weight is carefully crafted to maintain the integrity of the design, making it the perfect choice for designers and typographers who demand the highest quality. From sleek and sophisticated to bold and impactful, Doradani has the ability to elevate any design project. Whether you’re creating a logo, a magazine spread, or a website, this stunning typeface is sure to make a lasting impression. So why settle for a basic typeface when you can choose the one that combines the best of both worlds? Try Doradani today and take your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

I am thrilled to present you the KULTURE GROTESK, a brand new sans serif font meticulously crafted to elevate your design projects to new heights. This contemporary typeface seamlessly blends modernity, chic aesthetics, and boundless creativity to offer a truly unique and captivating visual experience. With its clean lines and refined forms, this grotesk font embodies a perfect balance of simplicity and sophistication. Designed with the utmost attention to detail, it brings a breath of fresh air to the world of typography. Its versatility knows no bounds, making it the ideal choice for a wide range of applications, from editorial design and branding to web design and advertising. Whether you are looking to create a sleek corporate identity or add a touch of elegance to your personal projects, this font will undoubtedly leave a lasting impression. One of the most exciting features of the new font is the inclusion of over 300 alternate letters and ligatures.These unique characters offer a world of possibilities, allowing you to create stunning and original typography. From distinctive logo designs to captivating headlines, this grotesk font enables you to break free from the ordinary and infuse your creations with a touch of individuality. KULTURE GROTESK - Modern Sans Serif Font Includes: Over 300 ligatures and alternate letters Numerals & Punctuation Language Support Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer as well for Canva Would you like to get 5 completely free fonts worth over $75? No tricks, no hidden words, terms or anything. Just subscribe to my newsletter, make sure to check your email to approve the subscription, add me to your contacts so that the emails don't end up in spam folder and you will get 5 fonts for free. The fonts are packed with alternates, ligatures and some even come with extra goodies. Happy creating everyone!

ATF Franklin Gothic® A new take on an old favorite Franklin Gothic has been the quintessential American sans for more than a century. Designed by Morris Fuller Benton and released in 1905 by American Type Founders, Franklin Gothic quickly stood out in the crowded field of sans-serif types, gaining an enduring popularity. Benton’s original design was a display face in a single weight. It had a bold, direct solidity, yet conveyed plenty of character. A modern typeface in the tradition of 19th-century grotesques, Franklin Gothic was drawn with a distinctive contrast in stroke weight, giving it a unique personality among the more mono-linear appearance of later geometric and neo-grotesque sans-serif types. Franklin Gothic has been interpreted into a series of weights before, most notably with ITC Franklin Gothic. But as the original type was just a bold display face (later accompanied by a few similarly bold widths and italics), how Benton’s design is expanded to multiple weights and styles as a digital type family can vary significantly. Benton designed several gothic faces that harmonize with one another, including Franklin Gothic, News Gothic, and Monotone Gothic, that can serve as models for new interpretations of his work. With ATF Franklin Gothic, Mark van Bronkhorst looked to Benton’s Monotone Gothic—originally a single typeface in a regular weight, and similar to Franklin Gothic in its forms—as the basis for lighter styles. ATF Franklin Gothic may appear familiar given its heritage, but is a new design offering a fresh take on Benton’s work. The text weights are wider and more open than some previous Franklin Gothic interpretations, and as a result are quite legible as text, at very small sizes, and on screen. ATF Franklin Gothic maintains the warmth and the spirit of a Benton classic while offering a suite of fonts tuned precisely for contemporary appeal and utility. The 18-font family offers nine weights with true italics, a Latin-extended character set, and a suite of OpenType features. Download the PDF specimen for ATF Franklin Gothic.

A holiday issue for the then-weekly women’s fashion newspaper “Harper’s Bazar - Easter A. D. 1896” features the cover information in a beautiful condensed spurred serif type face with many flourishes to some of the letter forms. This is now available as Holiday Nouveau JNL in both regular and oblique versions.

Zaatar is a dynamic Arabic typeface abstracted from a mixture of Arabic Ruq’ah and Nastaliq, the slanted baseline with a geometrical contemporary touch, manifest a strong contrast between thick and thin strokes, present a retro-futuristic impression yet an Arabic calligraphic seriousness. and it comes with five stylistic sets giving it a variety of typographic possibilities. Zaatar means thyme, which was first cultivated in Mediterranean Levant, then used by ancient Egyptians for embalming. That's why we found it a perfect name for the first collaboration between Boharat (Cairo) and Hey Porter! (Jordan).

The inspiration for this typeface family came from my childhood experiences at West Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

"Rondabo" is a cute display font with cute doll headdresses, cherries, a smiling sun, tulips, carrots, and cute bunny ears. This font can be used for spring, Easter, book titles, movie titles, cartoons, magazines, logos, and more. This font is equipped with upper- and lower-case letters, numerals, punctuation, and multilingual support.

Looking for a elegant, stylish, modern, and adventure font? Ready to make your branding shine? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Brighter Miracles-A Script Font Brighter Miracles is a handcrafted font designed to bring your branding to life and add a touch of elegance, modernity and style. Perfect for social media branding projects, fashion designs, printed quotes, packaging, or even as a stylish text overlay to any background image. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

We’re excited to share with you our newest typeface family, the Ahakin San Serif. This new set of fonts will give your designs luxury and uniqueness for all kinds of project needs. This pack comes in 18 different styles which makes it perfect for a wide variety of projects. Each style has been uniquely created to maximize beauty and character. This font is specially designed for a variety of display design and branding projects, but will also look great as headlines, text, banners, posters, or anything else. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Anethysta is an authoritative bold script font carrying a crisp and flexible theme for use in various projects, feminine or masculine this font will remain elegant when you use it, this font has a unique and different impression but is still beautiful to look at. made with natural handwriting to create an attractive impression when all your audience sees it. This font is designed by considering the portion and composition that suits your needs, also designed with a natural hand touch, has alternative features, ligatures and also supports multi-language, So this font is suitable for crafts, outdoor activities, logotypes, posters, titles, banners, wedding invitations, product packaging logos, quotes, social media page covers, book covers and more. what are you waiting for start creating special projects with this font!

Harmond a new fresh & modern serif with a strong style, a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more! Harmond Display Typeface is the part of a strong and modern display family. This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serifs and the distinctive letter shapes show their strength in logo design and impressive editorial use. Harmond come with elegant style, strength and contrasts, with features an extended latin character set of 470 glyphs covering over 88 languages. Casta is ready to be like a top model on the design catwalk, making your projects looking classic but contemporary, finely tuned but assertive, and elegant as the best luxury fashion.

Introducing PUTREY Typeface PUTREY font is designed with a modern concept that is simple and dynamic. The sans serif style adopted by the PUTRAY font is a 2022 style font, has a unique swash alternative, has a large selection of ligatures. In addition. Sans Serif typefaces such as “PUTREY typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The PUTREY typeface contains 837 glyphs with many unique and interesting alternative options. Plus, there's a cool sans serif font family for header and description text from light to black. In the poster preview all the letters are in the PUTREY typeface.

Good Slient Night is handmade fresh typeface, created with brush and ink. contemporary approach to design hand-painted natural and also a combination of delicate script with an irregular baseline. Suitable for use in watercolor design or as a hand brushed bold letters. Such as Novel tittle, Apparel, Invitations, Quotes, Books tittle, Stationery Design, Branding, Logos, Greeting Card, T-shirt, Packaging design, Poster and more. Good Slient Night includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, ligatures and alternative character. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ If you need help or advice, please contact me by e-mail. Thank you.!

Klapt Arabic is a geometric sans serif family that is soft on the outside and sharp on the inside. It is based in the Arabic Kufic style. Klapt Arabic can be bold or very elegant and is well suited for designs ranging from branding and corporate identity to editorial design or web design. It has a timeless style and is great for display purposes, especially for headlines, posters, magazines, book covers, logos... you name it! This font family of four weights includes an extended character set supporting most Latin languages ⁠and extended Arabic, including Persian and Urdu. Feel free to share your designs using Klapt Arabic or just get in touch via email to hi@seventype.com. Klapt Arabic is the extension of Klapt https://www.myfonts.com/fonts/seventype/klapt/.

The typeface Star Player was created with a powerful and bold idea in mind. Your project will become instantly unique, gorgeous, elegant, and strong as a result of adopting this typeface. Because of its elegant and flexible shape, this font is perfect for use as a title or sentence text; everything will seem lovely and neat, and it will, of course, remain clear and strong. So, what exactly are you waiting for? This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

Kakao - A Display Font : Kakao is a carefully crafted display font. It has Extended Latin and Cyrillic characters. It created for poster, web, brand and social media designs. It supports 91 Languages: Belarusian, Russian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

Huge is a handwritten font with a personal charm. Huge is perfect for branding projects, homeware designs, flyers, posters, product packaging - or simply as a stylish text overlay to any background image. Whats Include? 1. Uppercase and lowercase characters 2. Supports international languages 3. Numerals & punctuations, stylistic alternates, and ligatures 4. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word. 5. TTF and OTF files 6. Bonus 59 vectors (swashes, catchphrases, and doodles) Fonts include multilingual support. Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries. Omotu Studio ibnu.blawong2@gmail.com