3,618 search results (0.024 seconds)
  1. Walkway Black is a distinctive and modern font that offers a fresh and engaging appeal for various design applications. As a member of the Walkway font family, designed by Graham Meade, Walkway Black...
  2. "Getboreg Spare" by ffeeaarr is a font that marries the essence of classical typography with contemporary design sensibilities. It is a testament to the innovative exploration of typeface design that...
  3. Bubble Driving is a delightful and playful font created by the talented designer Vladimir Nikolic. This font embodies a sense of fun and creativity, making it perfect for projects that aim to stand o...
  4. Imagine if a font went to boot camp, survived on black coffee, and decided it was going to be the most unapologetically bold personality in any room or webpage it entered. Meet EDGE – not just a font...
  5. Baumarkt, a distinctive font crafted by the talented Dieter Schumacher, is a visual symphony that marries functionality with artistic flair, evoking the spirit of innovation and creativity. This type...
  6. Outlaw by Billy Argel is a distinctive font that embodies a bold and rebellious spirit. It is a typeface that immediately captures attention due to its unique style and character. The design of Outla...
  7. FuturaPress: if fonts had a personality, FuturaPress would be the cool, vintage bike-riding hipster who prefers vinyl records over digital music. Designed as an homage to the classic clean lines of i...
  8. TAPEMAN is an evocative and versatile font that embodies a nostalgic balance between retro aesthetics and contemporary design innovation. The font draws its inspiration from the analog era, particula...
  9. The Beroga Fettig typeface, crafted by the talented German type designer Peter Wiegel, is a striking example of typographic artistry that seamlessly blends classic design elements with a modern twist...
  10. SlabFace 2010 is a font that elegantly bridges the gap between the traditional and the contemporary, making it a versatile choice for various design projects. As its name suggests, SlabFace is a slab...
  11. Capture It, a font conceived and designed by Koczman Bálint, stands as a unique testament to the blending of robust design principles with a distinct aesthetic appeal. At its core, Capture It embodie...
  12. The Jumbo Outline font crafted by dustBUSt Fonts presents a distinctive and energetic personality that makes it stand out among typefaces. This font is characterized by its bold, outlined design, whi...
  13. BPscript, crafted by the creative minds at Backpacker, is a font that stands out with its unique character and artisanal charm. It embodies a sense of adventure and storytelling, reminiscent of the i...
  14. The Bamf Italic font, crafted by the renowned Iconian Fonts, stands as a vibrant and dynamic member of the typographic community. Iconian Fonts, known for their wide range of distinctive and characte...
  15. The Action Man Extended font, conceived and crafted by Iconian Fonts, is a dynamic and versatile typeface that captures the essence of movement and agility. As part of the broader Action Man font fam...
  16. The KR All American font by Kat Rakos is a unique and captivating typeface that immediately evokes a sense of patriotic pride and nostalgia. This font is characterized by its bold and robust letterfo...
  17. ANVIL is a font that truly lives up to its name, embodying strength, resilience, and solidity in every character. Designed with an intention to make a bold statement, ANVIL draws inspiration from the...
  18. The Łucznik 1303 Plus font, masterminded by the talented Krzysztof Paliński, is a striking addition to the world of typography that draws inspiration from a rich historical and cultural lineage. This...
  19. Welcome, typographic enthusiast! Bask in the boldness of Prescript Bold, the font that decided "subtle" was a word best left in the dictionary, untouched. Picture the confident brushstrokes of an elo...
  20. Imagine a font that struts onto your computer screen with the confidence of a star athlete making a triumphant touchdown, and you’ve got a pretty good picture of "Touchdown by Chloe". This isn't just...
  21. Heavy Heap, designed by the talented Ray Larabie, is a font that truly stands out in the dynamic world of typography. Its design channels the bold spirit of the 1960s and '70s, particularly drawing i...
  22. The Schwabacher font, revitalized by Dieter Steffmann, is a captivating blend of history and artistry, standing as a tribute to the rich heritage of German typography. Originating from the 15th and 1...
  23. Kremlin Georgian I 3D, crafted by Bolt Cutter Design, is a font that intriguingly melds the historical with a contemporary 3D twist, making it a unique specimen in the realm of typography. Originatin...
  24. The Futurex Slab font, crafted by the innovative team at Apostrophic Labs, is a distinctive typeface that bridges the gap between the future-oriented aesthetics of the digital age and the robust, gro...
  25. The Blue Highway D Type font, created by the talented Canadian typeface designer Ray Larabie, stands as an iconic example of clarity and functionality blended with unique aesthetics. Its inception wa...
  26. XPED Bold is a distinctive typeface designed by Iconian Fonts, a reputable font foundry known for their wide range of unique and versatile type designs. The XPED Bold font, as its name suggests, embo...
  27. FatStack BB is a distinctive font created by Blambot Fonts, a foundry renowned for its extensive collection of comic book lettering fonts and related typography. This font, characterized by its bold,...
  28. Steak, created by Last Soundtrack, is a distinctive font that immediately captures the attention of its audience. It is characterized by its bold, robust design which makes it stand out among various...
  29. The Héloïse font is an exquisite and versatile typeface, embodying a unique blend of classic elegance and contemporary flair. At first glance, Héloïse exudes an air of sophistication and grace, makin...
  30. COM4t Sans Medium is a distinctive font that embodies a neat and modern aesthetic, making it a versatile choice for various design projects that require a touch of straightforward elegance and readab...
  31. Quad Ultra, crafted by the innovative minds at Font Fabric, stands out as a distinct and powerful typeface designed to capture attention and make a bold statement. This typeface is characterized by i...
  32. DrumagStudioNF, a font crafted by Nick Curtis, is a true representation of vintage charm meeting modern design sensibilities. This typeface stands out for its bold and distinctive character shapes th...
  33. "**Walshes**" is a distinctive font crafted by the renowned font designer Ray Larabie, known for his prolific and diverse typeface creations. Walshes stands out in the typographic crowd for its uniqu...
  34. The font Offshore Banking Business, designed by Vic Fieger, is a distinctive typeface that effortlessly encapsulates a sense of modernity while echoing a nod to the industrial and utilitarian styles ...
  35. Certainly! M+ 2c is a dynamic and versatile font that belongs to the M+ Fonts family, a collection distinguished by its comprehensive coverage of the Latin and Japanese character sets. This expansive...
  36. As of my last update, there's no widespread recognition or detailed information about a specific font named "Oktober." However, in imagining a font with such a name, we might envision a typeface that...
  37. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  38. The EmbossedGermanica font, designed by the creative talent at Paul Lloyd Fonts, is a font that truly stands out for its distinctive and evocative design. As inferred from its name, this typeface dra...
  39. Americana Dreams Expanded, crafted by ShyFoundry (SF), is an invitation into the retro and the bold, where typographic artistry meets nostalgia with a modern flair. This font draws heavily from the s...
  40. Lusitania is a font that evokes a sense of timelessness and classic beauty, perfect for those who aspire to craft designs with an air of elegance and a touch of historical allure. Designed by Harold ...
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