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  1. Zuben, created by the talented designer Fran Board, stands out as a distinctive typeface that merges the essence of geometric precision with a touch of humanistic warmth, making it both appealing and...
  2. The "Wanax Demo" font by The Scriptorium presents an intriguing blend of historical intricacy and modern design finesse, synthesizing them into a unique typographic expression. The Scriptorium, known...
  3. As of my last update in 2023, no official font directly named "Ren & Stimpy" exists as it would pertain specifically to the iconic American animated television series "The Ren & Stimpy Show" which ai...
  4. The Pseudo (BRK) font, conceived by the creative mind behind AEnigma, stands as a unique and memorable entry in the realm of digital typography. Its design philosophy intertwines the familiar with th...
  5. As of my last update in April 2023, there is no widely recognized font specifically named "Chlorinej". However, let's imagine a font with this unique name and what characteristics it might embody, dr...
  6. As of my last update in April 2023, "Weirdo" may represent one of the myriad custom, eclectic fonts designed to stand out and embody uniqueness in graphic designs, though it is important to note that...
  7. The font "Gilgongo Kaps" by Apostrophic Labs is a unique and quirky display typeface that captures the essence of playfulness and innovation. Apostrophic Labs, known for their inventive approach to t...
  8. Oldbrothers - Personal Use by Haksen Studio is a font that embodies a vintage feel with a contemporary twist, offering a unique blend of character and charm that appeals to a broad range of design pr...
  9. Serif Medium is a font that gracefully bridges the gap between tradition and modernity, embodying a perfect mix of elegance and readability. Its roots are firmly planted in the serif tradition, which...
  10. Alright, prepare yourself for a journey into the whimsical world of Oramac, courtesy of the creative cosmos of Iconian Fonts. Imagine, if you will, a font that decided to go on an adventure, mixing t...
  11. Ye Old Shire is a font that evokes the rustic charm and storied past of medieval England and the broader British Isles, transporting its audience to an era of knights, folklore, and the textual craft...
  12. As of my last update, Grandesign Roman is not a widely recognized or standard font in the extensive libraries of typefaces used across various design platforms and projects. However, the style sugges...
  13. The MW Talon font, designed by Milkwort, is a distinctive and charismatic typeface that immediately captures attention with its unique characteristics and artistic flair. Designed to blend functional...
  14. As of my last knowledge update in 2023, there isn't a widely recognized font named "Complete" that has gained significant attention in the graphic design or typography communities. However, the conce...
  15. The Vtks Espinhuda font, designed by Douglas Vitkauskas, is a creative and distinctive typeface that truly stands out in the realm of typography. Its name, "Espinhuda," suggests a spiky or thorny qua...
  16. Cibreo, designed by Studio Kmzero, is a font that elevates the art of typography to new heights with its unique blend of contemporary flair and classical elegance. It distinguishes itself with a harm...
  17. Picture this: you’re on a nostalgic trip down memory lane, or perhaps a whimsical wander through the alleys of typographic treats. There, in the neon glow of creativity and cheekiness, stands a font ...
  18. The Penelope font, crafted by Dieter Steffmann, stands as a testament to the unique blend of artistic flourish and classical sensibility. This font is remarkably distinct, primarily due to Steffmann'...
  19. As of my last update in April 2023, "Paul6" does not appear to be a widely recognized or documented font within the typographic community or among the standard collections from major type foundries. ...
  20. As of my last update in April 2023, there isn't a widely recognized or commercially available font specifically known as "Yodle." It's possible that "Yodle" could be a custom or a less-known typeface...
  21. As of my last knowledge update in early 2023, there isn't a widely recognized or specific font known as "Kijkwijzer" within the general libraries of typography that artists and designers commonly ref...
  22. **Squeeze Me Baby!** by PizzaDude conjures up images of a font that refuses to go unnoticed, much like a zany friend who always knows how to make an entrance. If fonts had personalities, Squeeze Me B...
  23. Zitcream, crafted by the imaginative PizzaDude, is a font that wears its heart on its sleeve, or more accurately, its personality on its letterforms. It's a distinctive typeface that seems to leap ou...
  24. ICONO BMX, crafted by the talented Rodrigo German, is an engaging and dynamic font that captures the essence and vibrancy of BMX culture. This font stands out for its authentic and expressive design,...
  25. Gready PERSONAL USE ONLY, designed by Måns Grebäck, is a captivating font that embodies the essence of craftsmanship and elegance. This typeface, as the name suggests, is intended for personal use, o...
  26. The Pea Johanna Script font, designed by Fonts For Peas — a unique collection of fonts inspired by handwriting — envelops the essence of personal touch blended with whimsical charm in the realm of ty...
  27. The SF Collegiate font, designed by ShyFoundry Fonts, is a distinctive typeface that draws its inspiration from the bold and spirited look of traditional American collegiate and university lettering....
  28. Franken's-SteinA, designed by Nick Curtis, could very well be described as the mad scientist's version of a typeface, borrowing its thematic inspiration from the eerie, patchwork world of Frankenstei...
  29. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  30. Amalgam by Iconian Fonts is a distinctive and versatile typeface that captures attention with its unique blend of styles. Crafted by the prolific font foundry Iconian Fonts, known for their vast arra...
  31. The font "Kings of Pacifica" created by Dirt2 is an evocative typeface designed to capture the essence of majesty, adventure, and the uncharted territories of the Pacific islands. Its design intricat...
  32. The "ICONOS SKATE" font, created by Rodrigo German, is a unique typeface that epitomizes the vivid and dynamic culture of skateboarding. This font captures the essence of street and skate culture, re...
  33. The font "Waiting for the Sunrise" by Kimberly Geswein is a striking example of how typography can capture emotion and artistic expression. At its core, this font embodies a sense of anticipation and...
  34. Ah, Stasmic, the font that seems to have chugged three espresso shots before sitting down to the business of being a font. Crafted by the ever-innovative Ray Larabie, a name synonymous with fonts tha...
  35. Amadeus is a font that seems to capture the very essence of artistic flamboyance and classical elegance, crafted by Bright Ideas. Its name, reminiscent of the legendary composer Wolfgang Amadeus Moza...
  36. The font Sekona, carefully crafted by Kimberly Geswein, stands as a testament to the intricacy and passion that can be instilled within the realm of typography. Kimberly Geswein's reputation for crea...
  37. The KR All American font by Kat Rakos is a unique and captivating typeface that immediately evokes a sense of patriotic pride and nostalgia. This font is characterized by its bold and robust letterfo...
  38. Sure thing! "ACED IT" is a font that instantly communicates a sense of achievement and playfulness, thanks to its stylish design by Grimgrin. This font embodies a unique blend of casual and dynamic e...
  39. The font "Nicotine Stains" by S. John Ross is a typeface that masterfully captures the gritty essence of its namesake—conjuring images of a bygone era tinged with the raw, unfiltered character of the...
  40. The Kool Ding font by Blue Vinyl Fonts is a remarkable and playful decorative typeface that truly lives up to its name. Its unique design is centered around a collection of fun and quirky dingbats, m...
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