Named in honor of the great bossa nova artist, Benjor is a fat display meant for headlines, attention-grabbing displays and even Brazilian record covers! Striking and eye pleasing, it's simply que bom!

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les’ original drawings!

Jan van Krimpen’s famous Lutetia, released at the late 1920s, revived by a complete fresh design. To get access to all ligatures in both styles, it is recommended to activate Discretionary Ligatures too.

ATC Harris is a a workhorse monospaced geometric font with a focus on simplicity and legibility. Font contains 580+ glyphs, full alphabet, ligatures, numerals, accents and punctuation. ATC Harris was released in 2016.

Hypocrite is a wide and black display serif face with a hint of decay and black humor. Handle with care. Shelf-life unlimited. Designed by Alexander Lubovenko and released by Paratype in 2017.

Non-alphabetic typeface based on Yana Kutyina drawings. It includes 82 images of human faces as well as several typical interjections. Designed by Yana Kutyina and Andrey Belonogov. Released by ParaType in 2008.

The Futura Black font, related to the Futura font family is boldly geometric and has detached strokes suggesting stencil lettering.

Flow is a relaxed font family that finds a happy balance between work and play. Its a Caps Only Fonts.

A casual, inline party font. Hubbub is always relaxed and confident in every social situation. comes in regular and bold.

Casual Lunch JNL is a friendly, relaxed typeface that's perfect for headlines where legibility is important, but formality is optional.

Camerota is a relaxed handwritten font. It’s perfect for branding, stationery design, social media, packaging, magazine layout, prints, and more.

ArcticPatrol is a modern angular font influenced by military related computer games. Examples include: Ghost Recon and Medal of Honor.

This is Canada Type's second Helmut Matheis revival. Rhino is what Matheis did under the name Mobil for the Ludwig & Mayer foundry in 1960. It's an informal text face with some attractive irregularities relating to the traits of handwriting. The influence of the human hand can be clearly seen in letters like the A, J, Q, R, T and pretty much all of the lowercase. Though obviously inspired by and tooled after the human touch, Rhino's functionality extends to even a page or two of text setting. Aside from its functionality, Rhino gives short paragraphs what the classic immersive-reading fonts are not built for: immediate friendliness and natural humility. A few alternates and ligatures are included within the font.