Brioso Pro is a new typeface family designed in the calligraphic tradition of the Latin alphabet. Brioso displays the look of a finely-penned roman and italic script, retaining the immediacy of hand lettering while having the scope and functionality of a contemporary composition family. Brioso blends the humanity of written forms with the clarity of digital design, allowing designers to set pages of refined elegance. Designed by Robert Slimbach, this energetic type family is modeled on his formal roman and italic script. In the modern calligrapher?s repertoire of lettering styles, roman script is the hand that most closely mirrors the oldstyle types that we commonly use today; it is also among the most challenging styles to master. Named after the Italian word for ?lively,? Brioso moves rhythmically across the page with an energy that is tempered by an ordered structure and lucidity of form.

Elicit Script is a hybrid script family, that can be as casual or formal as the occasion demands. Created by Laura Worthington and Jim Wasco, the design is based on pointed pen Spencerian Script handwriting. “It’s like one of those German italics from the early 20th century, that have beautiful shapes that hold their own,” says Wasco. Elicit Script spans five weights, from Extra Light to Bold, and three styles – Formal, Normal and Casual. This makes it an incredibly versatile script design, easily paired with other typefaces and able to be dressed up or down, depending on what it’s used for. The monoline Casual style offers a more relaxed tone of voice, while Formal sits at the more decorative end of the spectrum. Designers can keep things straightforward, tidy and practical with the typeface’s simple caps, or add in swash caps if they need more exuberance and expression. Generous spacing means Elicit Script works well at smaller sizes as well. Elicit Script Variable Set is a single font file that features two axes: Weight and Contrast. The Weight axis has instances from Extra Light to Bold. The Contrast axis has instances from Casual (low contrast) to Formal (high contrast).

Antown is a modern & formal sans family and has 4 variants (Regular, Italic, Bold & Bold Italic). It comes with uppercase, lowercase, numerals, punctuations, some alternate characters, and multilingual support. We hope you will enjoy our work.

The Ruttmey is an elegant and unique sans serif font. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs. What's Included? Uppercase & Lowercase Numbers & Punctuation Ligatures & Alternates Multilingual Support PUA Encoded Regular & Italic

Think of a slender Black Letter screeching to a halt on the page and you have the essential idea of Stridere. Want ornate formality and fast movement all in one? Here it is!

Casual and Elegant. Liet Display© is an upright italic that plays with formality by subtly exploring the spaces between serif, sans-serif and italic styles. I recommend Liet Display© for post-apocalyptic packaging, branding, and editorial design. Dominic

Introducing our latest display typeface called Junker - Normal And Italic Paint Brush Font with a natural style and dramatic movement can make your logotype become more interesting. Best Vintage font and multilingual support. inspired by the decorative arts and architecture movement

Moules is a mono spaced font family coming in three weights and three different forms, normal, italic and twisted. This font has more details than my first mono spaced font – Memory Square – and gives the possibility for more subtile typography.

**Richard & Caroline** is a classic font with a modern style, so it adds a luxurious feel to this font, there are many ligatures and alternates that you can use for your design, and this will make your design more stunning and stand out. This serif font contains a number of ‘lowercase’ (A, E, U, I, O) and Uppercase Alternates characters. this can be accessed by enabling ‘stylistic Alternates’ in any software that supports OpenType. all ligatures and special characters are also accessible via the Glyphs panel. it is available in most Adobe & Affinity Designer software. **NEW UPDATE - RICHARD & CAROLINE FAMILY** what’s included: - Richard & Caroline Thin - Richard & Caroline Extra Light - Richard & Caroline Light - Richard & Caroline Normal - Richard & Caroline Thin Italic - Richard & Caroline Extra Light Italic - Richard & Caroline Light Italic - Richard & Caroline Normal Italic - Added Many Ligatures - Added lots of Uppercase Alternates - Support 75 Languages If you have any questions, please contact us

Inspired by 11th 12th century Carolingian hand drawn cursive. Elegant and clearly legible this italic looks well in large or small sizes for formal or informal use.

Kautiva is a comprehensive modern sans serif family that includes true italics, small caps, and unicase variations. Kautiva was developed to be efficient in both text and display environments. Kautiva serves as a refreshing middle ground between serious geometric and overly humanistic design. This gives it a balance, allowing significantly more flexibility than is normally expected from a sans serif typeface. Versatile in its functionality, Kautiva is also extensive in its features. The OpenType format Kautiva Pro family is available for layout architects who want to take advantage of the numerous features of the format: from true small caps to a variety of ligatures and stylistic alternates, through proportional and tabular figures and complete support for a multitude of Latin-based languages, as well as Cyrillic and Greek scripts.

Kautiva is a comprehensive modern sans serif family that includes true italics, small caps, and unicase variations. Kautiva was developed to be efficient in both text and display environments. Kautiva serves as a refreshing middle ground between serious geometric and overly humanistic design. This gives it a balance, allowing significantly more flexibility than is normally expected from a sans serif typeface. Versatile in its functionality, Kautiva is also extensive in its features. The OpenType format Kautiva Pro family is available for layout architects who want to take advantage of the numerous features of the format: from true small caps to a variety of ligatures and stylistic alternates, through proportional and tabular figures and complete support for a multitude of Latin-based languages, as well as Cyrillic and Greek scripts.

COLÓN is a Slab Serif type family of three weights with matching italics. The typeface design was influenced by the nostalgia for the aesthetic of a typewriter. Colón extended family consists of two sub-families: Colón Mono with monospaced glyphs sets, and Colón (proportional glyphs sets) which is presented in these specimen pages. Colón is released in OpenType format with extended support for most Latin languages, and includes some opentype features – such as proportional/tabular figures, slashed zero, ligatures, fractions, etc.

Flaunters is a sans serif neo-grotesque font with neat and beautiful letters. This font family comes with 14 fonts, consisting of 7 upright weights and matching italics, with 390+ characters. Flaunters is very suitable and looks amazing in designs such as posters, advertisements, banners, or your formal and non-formal design needs.

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Typography created in Montevideo, Uruguay. The project's development typography Economica covered much of 2007 and received assistance of colleagues from all over Latin America. Economica has four basic versions: normal, bold, italic and bold italic. It was inspired by saving space for publishing texts without loss of height. Includes a comprehensive set of characters that lets you deal with diverse languages in its four variants.

The Core Sans N Family is a part of the Core Sans Series (Core Sans N SC, Core Sans N Rounded, Core Sans M, and Core Sans G). Letters in the Core Sans N Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans N Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans N Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

Core Slab M is the serif companion to Core Sans M (Text family of the month. May, 2013). This font family has open and square letter shapes, and overall rounded finishes and serifs provide a soft and friendly appearance but also it is strong in headline. Simple and modern shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Slab M Family consists of 2 widths (Condensed, Normal), 7 weights ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy), and Italics for each format. Combination fonts such as Core Slab M Ice, Berg and Iceberg are also available. Each font includes support for Superiors and Inferiors, Fractions, Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Tabular Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We highly recommend it for use in books, web pages, screen displays, and so on.

Faster Racing Modern Logo Font is a Modern Logo Racing Font that Modern, Racing and unique characters are ready for Race event, that you can combine to get any variations and unique shapes easily just in seconds with great characters. What's Included: FASTER (Regular & Italic) Character set A-Z All Uppercase Numerals & Punctuation Accented Characters (West Europe) Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Ragazzi is well balanced serif with display impact. Contains 2 widths – Normal and Condensed and matching Italics for Normal in weight distribution from Light to Black. With gently rounded serifs, teardrop terminals, elegant hairline, equal ascender and descender heights, playful ear and smooth spur, Ragazzi represent distinctive serif family for respectable area of usage. Family's display elements are especially noticeable in headlines, but they handle longer paragraphs with same success, not effecting on legibility keeping right dose of display touch present. Ragazzi contains OpenType features: Small Caps, Initials, Standard Ligatures, Ordinals, Fractions, Superscript, Subscript, Oldstyle Figures, Tabular Figures and two decorative dingbats. Condensed and Italics font files don't contain Initials and dingbats. Ragazzi is our 104th release.

Calligraffitti by Open Window owes its credit to mom and all her years of Calligraphic experience. This impromptu rendering of her calligraphic alphabet captures her years or formal practice blended with a rare encounter with the mood altering music of Santana.

German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The “Adora PRO family” is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

Valverde is a super-serif font family with 2 widths condensed and normal, each width consists of 18 fonts and has a complete weight from thin to black combined with beautiful italic cuts to meet the needs of any design in any format. Inspired by the type of vintage look that has recently become a trend, this letter character has an elegant, sharp impression. Opentype features such as Stylistic Alternate and Ligature on the Valverde family make it look more aesthetic so that it fits in a classy modern look. Stunningly beautiful and modern serifs make them an essential addition to any type of tool kit.

German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The “Adora PRO family” is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The "Adora PRO family" is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

Reality Check is a family of two display fonts (plus their Italics). These fonts can be used together in a design, but work just as fine on their own. Reality Check comes with an alternative s - just in case you get bored with the ‘normal’ one.

Prelom is modern serif family inspired by retro designed typefaces. Comes in 5 Normal weights, 5 true Italics and 5 Condensed weights. With tall x-height, sharp serifs like fishing hooks, original Italics and distinctive character overall design, Prelom is ideal family for editorial use or branding. Beside extended Latin character set, Prelom contains Cyrillic characters as well. It is equipped with Initials, Ligatures, Fractions and Tabular Numbers as OpenType features.

From the basement labs and after hours lounge of R?U?S?S?T Institute, we present After 5. With a somewhat formal (ha ha) yet warm, friendly feel, its normally calm, even tempered and sensible rhythm takes on the syncopated, jazzy beat that goes along with too many martinis when discretionary ligatures are turned on. A friend once asked, was I trying to design a font that looked sort of �Korean?� I said no, I was trying to mess up the Latin alphabet. So, here it is: After 5, a bold, upright condensed slab-serif display typeface with a mixed-up attitude. Complete with bold roman and matching italics. This attention getting font is ideal for Posters, headlines, Packaging and logos.