About this font family Squaripeg is a funky square typeface with geometric shapes to create impactful headlines and web banners. This typeface was designed so that it takes up less horizontal space but still has a lot of prominence on the page. Some letters have been combined into one unit to save further space. Features 8 weights (from thin to black) Multi language Ligatures To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. Designed and published by Andy Peat. Released April 2022

This family was inspired from the set of font faces used in Amsterdam by Daniel Elzevir to print the famous “Tractatus de corde...” the study on earth anatomy by Richard Lower, in 1669. The punch cutter was the famous Dutch Kristoffel Van Dijk. In our two styles (Normal & Italic), font faces, kernings and spaces are scrupulously the same as in the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. The Roman (Normal) style contains a U stylistic alternate, and the Italique style A.

Etoxina is designed especially for the burgeoning market of starships and other space cruisers. Etoxina has been developed with the contribution of experts in navigation through space and time. The fonts are ideal for internal and external use (including zero-g and occasional bursts of cosmic rays), and with their simplified forms are expected to survive well in non-linear galaxies. With their unusual diagonal half-pixels the fonts are striking as abstract designs at astronomical sizes, where small text may be placed within the black holes formed inside the letters. On explicit suggestion of Mr. Spock true capital letters have been added.

Itoxina is designed especially for the burgeoning market of starships and other space cruisers. Itoxina has been developed with the contribution of experts in navigation through space and time. The fonts are ideal for internal and external use (including zero-g and occasional bursts of cosmic rays), and with their simplified forms are expected to survive well in non-linear galaxies. With their unusual diagonal half-pixels the fonts are striking as abstract designs at astronomical sizes, where small text may be placed within the black holes formed inside the letters. On explicit suggestion of Mr. Spock true capital letters have been added.

Tradition meets tomorrow in Mexborough. Mexborough owes its origins to a challenge from a client of ours- they wanted a clear and easily readable typeface to use for signage in public spaces, but with enough flair and style to be suitable for use in heritage precincts. The result is a family of six Roman faces in a single weight, encompassing Regular, Text, Flamboyant, Small Capitals, Capitals and Title forms. These faces combine legibilty with traditional character, ideal for signage and poster work, where dignity and character are required. Mexborough's simple clean lines also lend themselves readily to web and online use.

Tabulamore is a monospaced script typeface with two goals: to make a script face that looks as natural as possible within the limitation of monospace, and to offer better all-cap solution where many script typefaces fail to address. The typeface style is generally a loosely spaced casual script, whose spacing allows big letters like M W m to fit comfortably. The automatic small cap part is based on so-called Architect�s Casual style, and shows up automatically depending on the context. As the name suggests, it is perfect for someone who likes to express their love in monospace format.

PT Lehmann™ was designed for ParaType in 2002 by Tagir Safayev. Inspired by letterforms of Shiroky (Wide) Renaissance typeface and other fonts of Ossip Lehmann foundry, St.-Petersburg, c. 1874. A face of the so-called Elzevir type has thin triangular serifs and sharp spiral-like terminals. For use in advertising and display typography.

Faricy New is the updated version of Faricy originally released in 2004. Completely re-drawn from the ground up , but retaining its original modern appeal, Faricy New is now re-released as an Opentype font with new spacing and kerning. The new version has small caps, tabular, proportional and old style numerals and ligatures.

Cervo Neue Condensed is the new perfected and Condensed version of Cervo Neue, containing 18 variants. It differs from the previous version of Cervo with the higher accents over glyphs, enlarged punctuation, old-style numerals and the newly added varieties Semi Bold, Bold, Extra Bold and Black. Additionally, there is the variety of grotesque. Font Cervo is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW „Prasa” that appeared from Mai 1960 till December 1973 in Poland. Recently, Cervo Neue Condensed has started being used as a display text in „Przekrój Magazine” which was published in years 1945–2013 in Krakow (2002–2009 in Warsaw) as a weekly and again from 2016 as a quarterly journal in Warsaw.

This delightful new design has a friendly, open face and will be useful for many display purposes. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

The Bitstream version of Melior, a twentieth century modern face commissioned by Stempel and designed by Hermann Zapf in 1952. It is based on Zapf’s thoughts about the squared-off circle known as a super-ellipse. The type was originally intended as a newspaper text face by Linotype. Hermann Zapf’s Melior exhibits a robust character through classic and objective forms. Versatile and extremely legible, it can be used for a variety of texts and point sizes. Cyrillic version was developed by Natalya Vasilyeva and licensed by ParaType in 2002.

Popcorn is a brush script family of Regular and Bold weight and a set frisky caps, Casuals. Popcorn is a strikingly clear and smooth display face with short descenders and ascenders—it’s great for stacked layouts too. Popcorn scripts are equipped with plenty of contextual alternates and ligatures, all set in Standard Ligatures to keep the smooth flow. Besides that there’s also Swash alternates for every standard letter. Popcorn scripts are PUA encoded so you can access alternates with most design softwares. Popcorn Print is a rugged version of Popcorn with rough outlines and nice print texture. Popcorn is a great display family with roots in the past but smooth polished contemporary features. For the best price grab the whole pack!

Nexus (2004) consists of 3 matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. There is also a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface with extensive OpenType features. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. Nexus was awarded the First Prize at the Creative Review Type Design Awards 2006.

Multicross font was designed by Dmitry Greshnev in 2003-2004 and is licensed by ParaType. Mesh creates the basic structure for this font. Multicross has Regular and Rounded styles. For use in advertising and display typography. Can be used as a screen font with anti-aliasing function switched off.

Underpaid? Overworked? If you like Fritos, Jolt and Mountain Dew in your cubicle, your big warm fuzzy Donkey Kong heart is going to like these fonts a lot. Developed in conjunction with actual Code Monkeys*, this user-defined type IS defined -- it's loud and proud, and available in functional monospace for screen or elegant proportional spacing for print. When your pet project needs a soft, pretty face that's visible from across the office, sit down and pretend to work with CodeMonkeyVariable. Released from the captivity of monospacing, these lovely letters can convey even your wildest story ideas. When your syntax needs to line up on screen, get monospaced out with CodeMonkeyConstant. Copy from other sources and your screen captures will look so sweet you'll no longer have to pray your code complies to specs, because even your login page will look like dynamic rock star programming.

TagBoyHardcore is based on my own tagging style when I did graffiti in the mid-eighties. The font is roughly scanned and spaced narrowly in order to keep the original bad boy style. Pump up your text by starting and ending sentences with parentheses, brackets or the curly brackets.

The letters of Bihext fit into the trapezoids formed by bisecting hexagons from the top corner to the bottom corner. Because these trapezoids have two orientations, there are two sets of characters and the typeface was designed assuming that the user would want to alternate these two character sets. The alternating of characters is done automatically with the OpenType feature of contextual alternatives (calt) in applications that support it. The typeface is monospaced with very tightly letter spacing. If the letter spacing seems too tight, consider alternating colors to make the individual letters stand out as an alternative to loosening the letter spacing. Almost certainly the user will need to adjust line spacing if more than one line of text is used. The family includes an outline style that can be used in a layer above the filled style. A decorative, display face, Bihext is too difficult to read to be used for long text.

Originally designed in 2005 to be used in a brochure project, Jessica is a typewriter face with a sinister mood. Its peculiar original features have been retained but on the other hand, the font has had a monospacing treatment and some Open Type programming added for a more contemporary feel. The extended character set covers most European languages.

Hedley New is a reconstructed relative of Hedley, originally released in 2004. Building on its clean, original, simple charm, Hedley New has grown to be an elegant, clean, usable sans. Having been completely re-drawn, with new spacing and kerning, Hedley New is now an Opentype font containing small caps, tabular, proportional and old style numerals and ligatures.

Designed by Morris Fuller Benton 1913-15, this Oldstyle family was digitized by Jim Rimmer in the early 2000's. It is a roman face closely styled to that of Nicholas Jensen's with a companion italic in the style of Aldus Manutius. Benton considered Cloister the ideal typeface and it does indeed lend itself to many uses.

Mic32 New is a revival of the of the original Mic32 released in 2004. Keeping its futuristic appeal, this popular font has been re-drawn from the ground up, with new spacing and kerning. A range of Opentype features have been added, and the new version includes small caps, tabular, proportional and old style numerals and ligatures.

In Amaboxi the upper-case letters are all placed upon a background inspired by the cardboard boxes that many people in Africa use to carry their possessions. The box takes its shape from the character and conversely, the character is influenced by the shape of the box. All characters except the six "fractions" are included in Amaboxi. It includes all upper and lower case letters as well as all numerals, punctuation, accented and special characters. All characters have been letter-spaced and kerned in terms of the box (not the character). This improves legibility, however, the inter-character spacing has been minimized so that there is often a very slight overlap between the boxes of adjacent characters. This generates an exciting and variable "white space" around the characters.