Albia Nova by Greater Albion Typefounders, 9.50 USD
Albia Nova is a bit of a new departure for Greater Albion-an unashamedly futuristic typeface. It was originally developed for a friend of ours-a set designer who needed some lettering on props for a science fiction play-the brief was to evolve conventional letter forms and speculate as to what they may look like in the future. As released Albia Nova is a more refined version of this idea, placing a bit more emphasis on readability (today) over evolution of the letterforms. The result is good for giving design projects a futuristic feel, but also has something of the 1970s and 1980s about it.
Noka is a powerful display geometric sanserif with a lot of personality. Its clean structure refers to a more digital and technological atmosphere. Letters P F T L are narrower than usual to create a distinct feeling. Diagonal strokes of letters V v W w A are parallel.
»NOTA« is a new, narrow, technical font– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding oblique cuts. »NOTA« is well suited for advertising, logo, billboards, small text, signage, branding, packaging, editorial, posters, web and screen design. »NOTA« is an OpenType family for professional typography with an extended character set of over 700 glyphs and extensive kerning. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and small caps can be found in all cuts.
Noma is a new wide-set display font with a minimal geometric style. I designed Noma because I wanted a tech-inspired font that has plenty of character while remaining legible. Noma is a great choice for high-impact headings and logotypes. I hope you enjoy, thanks for checking it out!
Niva is a display family font with 6 typographical groups in 10 weights each one, including a standard version, 2 italic widths, an alternative version and true small caps with italic version too. The creative idea follows concepts like future, technology, science, the structural principle focus in simplify complex details on letterforms ‘clean corners’ giving a luminous and sophisticated design with a ‘technologique’ touch, built in legible proportions which works as well as ‘display (titles)’ and even at small ‘text’ requirements. Specially recommended to be applied on digital and prints contexts as magazines, books, printed ads, UI & website design, digital graphics, video and TV screen contents as videogames and mobile apps.
Sultan Free, designed by Sultan Maktari in 2005, is a freestyle Ruqaa and a winner in Linotype’s first Arabic Typeface Design Competition. The design is open, calligraphic, and very dynamic. This makes it suitable for large display sizes, especially in the area of advertising, while still functioning well as a text face. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.
Don't be afraid to taste something sugar free - most times you will be surprised how good it tastes!My Sugar Free font may not look as very much at first glance - but play around with the Regular and Italic versions (and notice the 4 different versions of each letter, that automatically cycles as you type!) and you will see how lively the font is!
This typeface has been influenced by hand-written script fonts and handwriting analysis; which reveals your inner secrets, such as health issues, morality, past experiences, hidden talents and mental problems.
A Sans serif design that follows a continental style with design characteristics that combine condensed and open counters. The lowercase has tall ascenders. Family includes common capitals and alternate lowercase characters. FreeZone requires subjective display kerning and compensation.
The Bree font family is a spry sans serif by Veronika Burian and José Scaglione that delivers a spirited look and feel for branding and headline usage. As an upright italic, Bree shows a pleasant mix of rather unobtrusive capitals with more vivid lowercase letters, giving text a lively appearance. Bree is clearly influenced by handwriting. As such, some of its most characteristic features are the single-story ‘a’, the cursive ‘e’, the outstroke curves of ‘v’ and ‘w’, the flourished ‘Q’, and the fluid shapes of ‘g’, ‘y’, and ‘z’. Alternates of these letters are available when a more neutral look is desired. Bree has a touch of cheekiness, a wide stance for each character, and an extra-large x-height. All this adds up to a big personality, so even when set in small text there is no skimming past the words Bree voices.In 2019, the Bree font family got a huge update. A few shapes were updated or added (the ‘k’ and German capital ‘ß’), two entirely new weights were added (Book and Book Italic), and spacing was perfected. More than that, Vietnamese support was added to Bree Latin, and the Bree Greek and Bree Cyrillic scripts were designed from scratch to parallel the Latin’s tone. Additionally, Bree was designed in variable font format for those who want complete control over the font’s appearance while simultaneously saving digital weight in the form of kilobytes and megabytes. Bree is in the perfect position for the next digital revolution.The complete Bree font family, along with our entire catalogue, has been optimised for today’s varied screen uses. Bree has been chosen for such wide-ranging uses as Breast Cancer Awareness Month in the US, the branding for the country of Peru, and numerous layouts including mobile apps, magazines, newspapers, and books.Awards– Tipos Latinos exhibition 2008 – Several best-of-the-year typeface lists of 2008MyFonts Top 10 Fonts of 2008Smashing Magazine: 60 Brilliant Typefaces For Corporate Designhttps://www.smashingmagazine.com/2008/03/60-brilliant-typefaces-for-corporate-design/Die besten Schriften 2008http://www.fontwerk.com/619/die-besten-schriften-2008/– Selected for Typographica’s Best Typefaces of 2008– Won Bronze for Original Typeface in the 2009 European Design Awards
Frets is a font family with three fonts in five different styles each: Ultra Light, Light, Regular, Bold and Ultra Bold. Based on geometric "fret" patterns that were popular in Ancient Greek designs, these are similar to Modules in that an unlimited number of different patterns can be created by varying the individual characters in different sequences. You can make your own elaborate and ornate frames and decorative tiling edging. These also work similarly to all the Dingbatcave border fonts like Ornaborders, Framemaker and Gingerbread Borders. Each style contains 94 characters, for a total of 470 characters in each font, and a total of 1410 characters in this family.
The Danish designer Nina Lee Storm designed Noa for use on television and computer screens during the late 1990s. She began her six-member type family with the creation of bitmap fonts, developing their print outlines only secondarily.