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  1. Sure, I'd be happy to give you a glimpse into the world of the "Advanced Pixel-7" font, crafted by the creative minds over at Style-7. This font takes you on a nostalgic journey back to the days of v...
  2. Oh, Havelseen! Imagine if your charmingly eccentric aunt, who spends her summers sailing through Europe in a hand-painted boat, decided to become a typographer. That's Havelseen for you. It's not jus...
  3. Ah, yes, the Bionic Comic Condensed font by Iconian Fonts – it's like the superhero of the typeface world, donned in its sleek, form-fitting spandex, ready to add a punch of personality to any projec...
  4. Ah, B de Bonita by deFharo - the font that dances on the line between elegance and fun, dipping its typographical feet into pools of style and whimsy! Picture this: you're walking through a garden of...
  5. HL2MP is not a widely recognized font in the traditional sense, such as Helvetica or Times New Roman, especially within professional typography or design circles. The name "HL2MP" seems to reference ...
  6. Ah, diving into the world of fonts, are we? Necros isn't just another name in the vast sea of typography; it holds its ground with a distinctive aura and personality. Picture this: The essence of got...
  7. As of my last update in April 2023, "Gamera" is a distinct font created by Harold Lohner, an artist known for his eclectic and wide-ranging typeface designs. Drawing inspiration from the world of fan...
  8. The "Astron Boy Wonder" font, a creation by the prolific font designer Ray Larabie, captures the retro-futuristic spirit of the mid-20th-century era, while infusing it with a dose of contemporary fla...
  9. The font named "Lemonheads" is a typeface that captures the essence of whimsy, playfulness, and youthful energy. Imagine the vibrant life of a lemon — bright, zesty, and bursting with flavor. That's ...
  10. "Dot Your Eyes" by StimulEye Fonts is a creative and quirky font that plays heavily on the theme of dots, embodying a playful and somewhat whimsical character. This font sets itself apart through its...
  11. SelznickNormal is an intriguing font that manages to capture the essence of a bygone era while still being versatile enough for contemporary design projects. Designed by Nick Curtis, a designer known...
  12. HVD Rowdy by HVD Fonts is a strikingly unique typeface that exudes energy and vibrancy. Designed with an infectious zest, it leaps off the page, making it an unforgettable choice for projects that ai...
  13. Romance Fatal Sans, a creation by the talented Juan Casco, is a font that masterfully blends elegance with modernity, striking a perfect balance between form and function. At first glance, it captiva...
  14. Asylum, crafted by Clearlight Fonts, embodies a unique font narrative that stands out in the realm of typography for its distinctive characteristics and vibrant personality. This typeface is a conver...
  15. Ah, Monster Paparazzi! Imagine for a moment, deep in the wild underbrush of creativity, lurks a font so captivating that it could only be dubbed Monster Paparazzi. Crafted by the illustrious duo, Kev...
  16. As of my last update, Hitch is not a widely recognized or standardized font within major typographical databases or among commonly listed typefaces. However, let's imagine what a font named Hitch cou...
  17. The Smargana typeface is a distinctive font characterized by its unique blend of tradition and modernity. With its origin steeped in a rich typographic tradition, Smargana offers a contemporary twist...
  18. The Kimberley font, designed by the esteemed typographer Ray Larabie, stands as a testament to his ability to meld precision with creativity in his typographic creations. This particular typeface is ...
  19. Ah, diving into the fun world of fonts, aren't we? Alright, let me introduce you to the whimsical world of the "Poke" font, crafted by the talented Ray Larabie. This particular font is like the bubbl...
  20. Chizz High, a unique creation by Apostrophic Labs, is an intriguing typeface that captivates the eye and stimulates the imagination. It belongs to a family of fonts that are not just tools for writin...
  21. TeamSpirit is a distinct and visually engaging font designed by the talented Nick Curtis, who is noted for his ability to inject a vibrant character into his typographic creations. TeamSpirit is no e...
  22. Imagine wandering into a neon-soaked, nostalgia-fueled cinema alley from the golden era of blockbusters. There, amidst the scent of buttery popcorn and the echoes of cinematic triumphs, emerges the e...
  23. Gravicon, as a concept for a font, may not be a universally recognized or standardized font in the realm of typography as of my last update in 2023, so I'll approach this description with a creative ...
  24. As of my last update in April 2023, there may not be a widely recognized or standardized font specifically named "Evil Cow" as it does not appear to be among the commonly referenced fonts in graphic ...
  25. As of my last update in April 2023, "Geared Up" might not be a widely recognized or established font within the mainstream typographic community or among popular font databases. However, given a crea...
  26. Larkin Capitals font, designed by Paul Lloyd Fonts, epitomizes an artistic fusion of historical elegance and contemporary precision. This font takes its inspiration from the rich tapestry of late 19t...
  27. Holitter Circle by Holitter Studios is a captivating font that carries a contemporary vibe with its unique design and circular motifs. Crafted with a creative eye, this typeface stands out for its in...
  28. The "Tribal Times" font, crafted by the renowned artist Tattoo Woo, stands as a unique and captivating typeface that beautifully bridges the gap between traditional tribal art and contemporary design...
  29. ArabDances is a distinctive font that encapsulates the artistic and cultural richness of Arabic calligraphy, yet it is designed in a manner that makes it appealing and accessible for a variety of app...
  30. The font "28 Days Later" crafted by Jens R. Ziehn is an evocative and emotionally resonant typeface that captures a poignant blend of chaos and beauty. It draws its inspiration from the gritty and ra...
  31. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  32. The font style known as "Metal," often associated with the heavy metal genre, embodies the raw energy, rebellious spirit, and distinctive intensity of the music it represents. This typographic style ...
  33. The Circoex font, created by Antipixel (ANTIPIXEL.com.ar), is a remarkable display typeface that embodies a playful yet sophisticated aesthetic. Imagine the whimsical charm of a vintage circus poster...
  34. Barnard by Manfred Klein is a compelling and meticulously designed font that showcases the unique artistry and innovation synonymous with Klein's work. This font embodies a creative blend of modernit...
  35. The Premier League with Lion Number font, as conceptualized by Toto, is a dynamic and bold typeface that encapsulates the spirit and vigor of one of the world's most renowned football leagues. This u...
  36. The MINECRAFT PE font, created by SpideRaY, draws inspiration directly from the global phenomenon that is Minecraft, a sandbox video game developed by Mojang Studios. This font encapsulates the playf...
  37. Media Gothic is a contemporary font that embodies a sleek and modern aesthetic, drawing inspiration from the principles of geometric design and minimalist styles. It falls within the category of sans...
  38. "Night Club 70s" by Jambo! is an evocative and captivating typeface that immediately transports you into the heart of the 1970s disco era. This unique font perfectly encapsulates the vibrant, high-en...
  39. The Ubuntu Titling Rg font, crafted by the creative minds at Betatype, is a remarkable piece of typography that beautifully merges the ethos of open-source design with exquisite typographic craftsman...
  40. Azteak is a distinctive font crafted with inspiration drawn from the intricate and complex motifs found in Aztec art and culture. Designed by the talented typeface designer Peter Bruhn, Azteak embodi...
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