AZ College Brushed font was inspired from a combination of typical collegiate t-shirts designs and also the current wave of A&F t-shirt designs (rough painted look). This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. It is designed to compliment it's sister font; AZ College. Ideal for use as headline or sub-head text in you design. Note: This font is somewhat detailed and is memory intensive. It is not recommended to use, unless you have a powerful computer.

We have created this family inspired by the old-fashioned stencil letters like those the French army used during the WWI to write on soldiers' clothes, blankets, signals, ammunition, supplies and so on. This is a Didone-style font. We offer two variants for the same font: monospaced or proportionally spaced. Our Open Type specification allows automatic substitution of letters to avoid repeating the same glyph when a letter is repeated (for example “ee” or “bb”)(Not available with accented characters and a few others like “Q” that are never repeated in common use).

She may not be the heaviest font on the street but Thickset can throw her weight around with the best of them. Designed as a display font, Thickset is a solid slab-serif with thin counters that makes it ideal for publications like fashion and editorial magazines. But don’t get me wrong, she’s more than willing to give anything a try. Just as long as you respect her in the morning. In addition to ligatures and fractions, Thickset’s other OpenType features include old style numbers and small caps.

Notte Alexia Serif & Script an old-fashioned font that has been rewritten in a modern style combined with unique ligatures and beautiful and attractive swirly, making this font even more energetic and paired with a very beautiful Script so that it looks more dynamic. Note Alexia Serif & Script,can be used for various purposes such as Magazine Title, Poster, Logo, T-Shirt, Sub Title, Business cards, Magazines, Book Covers, Wedding Invitations,Templates Instagram Story Post, Greeting Cards, Quotes, etc. Features: Stylistic Alternates Swashes Titling Alternates Stylistic Set Standard Ligatures Thank You Very Much.

Introducing new layered font family it's call Chester , inspired from combine old postcard stamp and rustic sign painting with have unique decorative shapes. This is collection of type with a layered type system, many possibilities combination and options with 5 font system that can be layered to create different effect ( Basic , Inline, Inner dot, Gradient Inline, Shadow outline & Drop Shade ). You can use this font for various purposes.such as logo, product packaging, labeling, logo, classic shop, badges, quote, sign ,movie title, t-shirt, posters, lable, greetingcard, letterhead, book cover, any artwork.

Hello, friends. This is my new font, a classic calligraphic script. The font is super versatile and suitable for any project. You want to post on instagram? The menu in the cafe? A banner or sign on the website? IT'S EASY. Classic never gets old, your design will look fresh always. Test it out below to see how it could look for your next project! Includes: Regular Script Latin languages support Uppercase and lowercase Numbers and punctuation Swashes Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

Pittsbrook Family, a pack of classic typefaces that inspired by the letters used in old advertisement and packagings. Its rigid shape gives you strong, sharp and blocky feelings, no curves were harmed in the making of these typefaces. Comes in three styles; Sans, Serif and Outline, all of them are consistently mouse-crafted characters, we spent a lot of attention to every details. Suits best for any classic/vintage design project, such as E-Sport logo, liquor/food label, packaging, headline, space-filler, logotype, typographic quote writings, etc.

Alghera Pro is a casual script font family.  It was digitally engineered in 1996 by Pat Hickson of P+P Hickson and Steve Jackaman of International TypeFounders, Inc. (ITF).  Jackaman revamped the family in 2017 and added wider language support to include Western, Central, and Eastern European languages. Alghera Pro has a hand-written, antique feel, and was inspired by an old label on a bottle of Portuguese wine.  As with all the Red Rooster “Pro” versions, the family contains a 40% larger glyph set and improved designs.

Is it calligraphic? Is it handwritten? Something like a fusion - casual, handwritten and calligraphic! My aim was to bring calligraphy into the 21st century, creating a present day version of a calligraphic script. Archivo is clear, legible and extremely versatile. It can be funky and modern, pretty and feminine, serious and old-style. Use it for posters, marketing material, invitations, greeting cards, cosmetic and clothing media. Archivo has standard OpenType features, and language support includes all European character sets. We recommend that you do not use Archivo as an "all-caps" font.

Tupã is a Brazilian indigienous god of thunder. This typeface is a geometric Sans Serif based on vertical and diagonal strokes. The heavy weights are great for impact layouts and the light weights are perfect to make sutil and strong messages. Tupã has a wide character set, including Cyrillic, with Small Caps, Ligatures, regular and tabular numbers and a lot of alternates. This Font is great for tight leading, including when diacritics are involved, there are alternates and case sensitives symbols to make all blocked. And yes!, there's a Variable Font too.

Supaduper PB is a font inspired by some wonderfully funky hand-lettered greeting cards from the 1980's. The delightfully awkward and animated playfulness of this lettering style was maintained throughout the fleshing out from the original specimens - and I think you're going to have a lot of fun typing with this. Even if you haven't seen these old greeting cards, the lettering style has a familiar visual to it. Bring back a little nostalgia, add a little wonkiness, or just have fun typing with Supaduper PB today!

Kafenia is a geometric display typeface, consisting of capitals and small capitals only. Inspired by the combination of vintage and decorative aesthetics with squarish and compact look, Kafenia claims to be a classy and old stylish slab serif. With more than 1540 glyphs Kafenia is a great tool for your designing needs. Flexible, easily wrapped and reformed with plenty of open type features, Kafenia aims to provide versatility and lots of options for unique results in logos, posters, headlines and every design inspiration you dare bring to life.

Accolades C and C2 share the same main ornaments but differ in finishing. Accolades C uses pearls and diamonds, C2 does not. Accolades CX is an additional fitting set of borders. All fonts are available in two variations. A clean one and a distressed, grungy version (old). The layout samples from the PDF-specimen are included in the font packages and stored in InDesign CS3 format. Mostly all of the featured fonts of the specimen are available on MyFonts, too. Have a look at Secca Art Std, Secca Saloon Std, Gracia, Battista and Prillwitz.

Drama Queen is a remake of the very first font I ever made. At the time, I was thirteen years old, and this was my handwriting. This font fully supports the following languages: Bulgarian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, Ukrainian. If your language is not listed, or if I've missed a character in a language I claim to support, please contact me! I will be happy to add characters as needed, and will consider supporting more languages if there is interest.

The Quandary Font is created for a horror theme in use with an illustrated book ‘The Predicament’ by Edgar Allan Poe. It is designed as a highly expressive face to accentuate a sense of mystery and the macabre. A comparatively more carefree and free-spirited face, it comes as a uni-case single weight family used exclusively as the main face for the book. The characters are developed from the numeric glyphs found on the astronomical clock-face at Prague Old Town Square, Czech Republic. http://www.behance.net/gallery/Quandary/383204

A font is a crucial element of a design, but it can be a complicated challenge to choose a proper font for your project. An improper design will likely damage your whole designs and make your hard work useless. That is why Big Mock is the perfect font for you. Big Mock is a display font with strong characters and unique styles to assist you to pop up your messages easily. It exists in uppercases and thick weights to show bold, prominent displays. The similar letters’ proportions and the low contrasts will affect the legibility rates. You can use such a font for big text sizes to be greatly legible. Big Mock gives you an extra clipart as a bonus. You can also make use of the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Big Mock fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Vintage Glader is a beautifully crafted script font that exudes a timeless elegance and sophistication. Designed with a fairly thick weight, this font makes a bold statement while maintaining a classic script style. Its well-balanced proportions ensure a consistent and harmonious look across all letters, making it both visually appealing and highly readable. One of the defining characteristics of Vintage Glader is its contrasting strokes, which add a dynamic rhythm to the text. This contrast not only enhances the overall aesthetic but also contributes to the font's excellent legibility, making it suitable for a wide range of design applications. Adding to its charm, Vintage Glader swinging ends on some letters, lending a playful yet refined touch to the script. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Vintage Glader fits in headlines, invitations, logos, posters, flyers, branding materials, greeting cards, print media, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

K-Block was inspired by a hand-lettered sign by a young lady by the name of Kristina Lee. It captures a light-hearted, youthful feeling and is not intended to be taken too seriously. It was drawn for fun and is fun to use. Its very inconsistency insists on being casual and relaxed. Probably better for a birthday party announcement than a bank letterhead. Can you imagine a Just-For-Fun National Bank? K-Block Solid compliments K-Block and provides a stronger presence when required. For two-color work, K-Block can be layered on top of K-Block Solid to provide a different color outline for a very effective presentation. Full Western European character set plus alternate g and y, as well as a Th ligature. If you have a drawing program like Corel Draw, you can easily convert the alternate g and y to curves and stretch out the tails to underline an entire word. The zip package of each font includes two versions. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications. K-Block and K-Block Solid are sold separately.

The careful balance between the emotional swings and shapes set in strong contrast such as the burly serifs, or generally vertical and orderly appearance within the Duwal Pro determine the special look of this Antiqua typeface. All characters of the Duwal Pro are designed to be open and accessible. The lowercase letters are designed with a large x-height, which is why they are ideal for small font sizes. Many striking details give Duwal Pro a defined and firmer appearance with increasing font size so it is also suitable for use in headlines and work marks. The deliberately constructed and emphasized design of the serifs give the font a strong position and at the same time force the reading direction. Using Duwal Pro in Bold weight, the serifs look clearly striking, the design language is concise and the typeface receives an additional sympathetic force. The Italic weight draws on the expressive but not intrusive design of the Regular, but appears sharper and is ideal for text passages. The font family contains italics, small caps, lots of ligatures, swashes, another format set, contextual alternatives and special characters as well as other open-type features which allow the use of Duwal Pro in 48 languages.

I am pleased to present you an excellent futuristic font "Chipen" in unique graphic style! This font consists of regular, expanded, regular italic and expanded italic, these 4 fonts are encapsulated in one variable. With one font variable, this will cover 4 styles and cover all the weights between regular and expanded. If you are used to working with variable fonts it will give you more weight options, if you have never tried this variable font it will be an amazing new experience for you, take a look at this video snippet: https://youtu.be/jgqNPGeoVjc Chipen comes in bold and with a “RoundCube” cut, this is perfect for modern, Sci-Fi, and technology themes. Coupled with the stripe in the middle of the makes it appear more sporty. Not only that, this stripe can also display "Eighties" if you package it in a retro concept. Another strength of this font is the lowercase ligature, we present a lot of ligatures and one of them might be suitable for your logo brand. Finally, this font is a dynamic font with a variable concept capable of covering more 'weight', unique to appearing in various eras, exploring the world of retro and even science and fiction.

Bold, muscular, vaguely oriental, Wedge Gothic ML is the original name of this font released by Barnhart Bros. and Spindler of Chicago in 1893. The straight-forward, no-nonsense name tells us exactly what to expect: sans-serif letterforms based on wedge-shaped vertical strokes. The typeface was dropped for awhile -- it does not appear in the 1907 catalog for example -- but reappeared in 1925 as Japanette. What is the opposite of "straight-forward" anyway? According to McGrew, Wedge Gothic was originally created for the Chicago Herald newspaper. The designer is unknown. A distinctive display face, useful when a strong and unusual statement is desired. Wedge Gothic ML features: 1. Glyphs for the 1250 Central Europe, the 1252 Western Europe, the 1254 Turkish and the 1257 Baltic Code Pages. Total of 335 glyphs. 2. OpenType GSUB layout features: pnum, ornm, hist & salt. 3. 66 kerning pairs. 4. Both tabular & proportional numbers. 5. Alternate bullets. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Introducing Fenwick—a typeface that pays homage to Ontario’s rich heritage. With its unique take on late-nineteenth-century sans-serif typefaces, Fenwick is a perfect addition to any vintage-themed graphic design project. At first glance, Fenwick may resemble old-fashioned gothic typefaces, but upon closer inspection, you’ll notice its inspiration from once-popular serif display fonts and elegant clock digits. Fenwick’s unique design blends the best of both worlds, resulting in a timeless font that captures the essence of a bygone era. For added authenticity, Fenwick features proportional old-style numerals that can be easily accessed in OpenType-friendly applications. The typeface is available in Light, Light-Italic, Regular, Italic, Bold, Bold-Italic, and an engraved all-caps style, giving you the flexibility to use Fenwick in a variety of contexts. Whether you’re designing a vintage-inspired logo or creating a custom poster, Fenwick is the perfect typeface to add a touch of Ontario’s heritage to your project. So why not give Fenwick a try and see how it can elevate your designs to new heights? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the company’s principal, Eduard Hoffmann. Neue Haas Grotesk was to be the answer to the British and German grotesques that had become hugely popular thanks to the success of functionalist Swiss typography. The typeface was soon revised and released as Helvetica by Linotype AG. As Neue Haas Grotesk had to be adapted to work on Linotype’s hot metal linecasters, Linotype Helvetica was in some ways a radically transformed version of the original. For instance, the matrices for Regular and Bold had to be of equal widths, and therefore the Bold was redrawn at a considerably narrower proportion. During the transition from metal to phototypesetting, Helvetica underwent additional modifications. In the 1980s Neue Helvetica was produced as a rationalized, standardized version. For Christian Schwartz, the assignment to design a digital revival of Neue Haas Grotesk was an occasion to set history straight. “Much of the warm personality of Miedinger’s shapes was lost along the way. So rather than trying to rethink Helvetica or improve on current digital versions, this was more of a restoration project: bringing Miedinger’s original Neue Haas Grotesk back to life with as much fidelity to his original shapes and spacing as possible (albeit with the addition of kerning, an expensive luxury in handset type).” Schwartz’s revival was originally commissioned in 2004 by Mark Porter for the redesign of The Guardian, but not used. Schwartz completed the family in 2010 for Richard Turley at Bloomberg Businessweek. Its thinnest weight was designed by Berton Hasebe.

Meposa is more than just a typeface; it is a bold statement of individuality and creativity. It’s a unique, tough, and quirky design that defies convention. Meposa’s mixed-case letters with open apertures deviate from the traditional roots of wood-block typography, bringing a fresh and modern twist to an old-school classic. This hybrid typeface is an amalgamation of various design elements from different eras and cultures. The result is a unique and mesmerizing typeface that defies categorization. Meposa also draws inspiration from the 1970s custom van culture, where artists and designers would showcase their creativity by customizing their vehicles with bold and colorful graphics. This typeface channels that same spirit of creativity and individuality, inviting you to break the mold and think outside the box. With historical wood type influences, Meposa pays homage to the timeless and authentic craft of typography. Yet, it also features retro-tech and modern design elements, resulting in a truly one-of-a-kind typeface that bridges the past and the present. In summary, Meposa is a unique and tough display typeface that is both historical and modern, quirky and bold. Its mix of design influences makes it an ideal choice for anyone looking to break the mold and stand out from the crowd. Whether you’re a graphic designer or a creative professional, Meposa is sure to leave a lasting impression. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Welcome King Hoshun, a display font with a superhero style ready to take your projects to a higher level. If you need a strong, bold, and action-packed theme like those in movies, games, or bold designs, King Hoshun is the right choice. With King Hoshun in attendance, your designs will be in the spotlight. Each letter is filled with strength and heroism that will make an unforgettable impact on the audience. The impressive and bold look of this font will make your message feel even more powerful and compelling. Not only does it look impressive, but King Hoshun also offers special features that enrich your creativity. With the available ligatures and alternative characters, you can explore unique and interesting typography combinations. Plus, this font supports multiple languages, so you can present a strong and inspiring message to a global audience. Join the power of King Hoshun and let your projects light up the world. With its bold superhero style and superior features, this font will give your designs an unforgettable impression. Don’t miss the chance to own King Hoshun and create amazing works that amaze and inspire. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support