Knitting & Sewing Doodles are just that. If you type all caps you get 15 knitting icons and lower case is 15 sewing doodles. Knitting items include yarn, knitting, needles, ball winder, spinning supplies, stitch counter, etc. Sewing machine, buttons, thread, pin cushion, bobbin, thimble and needles, scissors, label, tape measure, darning egg, zipper, seam ripper, and pins, all in the Outside the Line style.

“Hey, look at me!” cried the new advertising typefaces. With the nineteenth century and the industrial revolution came an esthetic revolution in type design. Brash, loud, fat display faces elbowed their way into the crowd of book faces, demanding attention. Those who admired traditional book types harumphed and complained. Robert Thorne had fired the opening round with his Fatface. With the cutting of Figgins Antique, the battle was well and truly joined. Job printing came into its own and it seemed like everything changed. The world of printing had been turned upside down and the gentile book-type aficionados recoiled in horror much as the rural landed gentry recoiled at the upstart middle class shopkeepers and manufacturers. William Savage, approvingly quoted by Daniel Berkeley Updike over a hundred years later, described the new display faces as “a barbarous extreme.” These were exciting times. According to Geoffrey Dowding in his An Introduction To The History Of Printing Types, “The types which we know by the name of Egyptian were first shown by Vincent Figgins in his specimen book of 1815, under the name Antique.” Of course, dating the design is not quite as simple as that. Nicolete Gray points out that Figgins used the same “1815” title page on his specimen books from 1815 to 1821, adding pages as needed without regard to archival issues. As a result, there are different versions of the 1815 specimen book. In those copies that include the new Antique, that specific specimen is printed on paper with an 1817 watermark. The design is dated by the 1817 watermark rather than the 1815 title page. Figgins Antique ML is an all-cap font. This typeface is for bold statements. Don't waste it on wimpy whispers of hesitant whimsies. And please don't use it for extended text -- it will only give someone a headache. Think boldly. Use it boldly. Set it tight. Go ahead and run the serifs together. Solid and stolid, this face is very, very English. FIGGINS ANTIQIE ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Added glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 331 glyphs. 2. Added OpenType GSUB layout features: liga and pnum. 3. Added 86 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. Redesigned mathamatical operators. 6. Included of both tabular (standard) & proportional numbers (optional). 7. Refined various glyph outlines.

Allaina is a stylish and elegant Serif family consisting of three styles, Regular, Medium and Bold with matching italics. It has many alternates and some unique attractive ligatures. This pretty serif family could be used for fashion, label packaging or elegant vintage style lettering. Combining standard letters with alternative letters wil give you beautiful and unique words.

A font with a strong architectural feel, inspired by those great commercial emporiums of a bygone era. To cap the crossbars, use [brackets] to enclose uppercase letters, {braces} to enclose lowercase letters, and the upright bar | between upper- and lowercase letters. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A 1928 menu for the restaurant “Rotisserie Du Cardinal” had the word “Cardinal” hand lettered in quite an unusual Art Nouveau type design consisting of thick and thin lines using angles to form the letter shapes. This eccentric (yet charming) style of lettering is now available as Rotisserie Menu JNL in both regular and oblique versions.

Forwardback is a clean and friendly typeface with a large compliment of European characters. Its round & bouncing letters impart a smooth handwritten feel. The font features auto-ligatures for duplicate letters, plus a hefty set of graphical elements & shapes which can be accessed by convenient keyboard shortcuts (a lowercase letter directly followed by a number from 0-9).

Dr. Mohamed Font Combines the originality and modernity characterized by the strength of the letters and settings of theModulation marks used in the writing of newspapers, magazines, books, children's books and billboards easy to read and also features new combinations of letters make it was handwritten and this font contains the letters (Arabic - Farsi - Urdu - Latin).

Afternoon Tea is inspired by a lettering specimen featured in Letters and Lettering by Paul Carlyle and Guy Oring published in 1938. The striking features are the elegant balance between thick and thin strokes (demonstrating its obvious ink pen influence) while maintaining a sturdy presence which is ideal for titles and headings. Afternoon Tea is caps only.

Squared letters with rounded corners – Deco stylized letter forms – some characters with ‘hook’ semi-serifs – such is the mixed styles that comprise the hand lettered title “United We Stand” on a 1940s-era piece of sheet music. This unusual conglomeration of character shapes inspired the aptly named Hybrid Deco JNL, which is available in both regular and oblique versions.

This font was inspired by the embossed lettering on cigar boxes. The letters, or entire words, are often surrounded by raised dots, and that was our idea here. We drew this about 1997, and have been refining it ever since. All letters are on the lowercase keyboard; the end pieces and spaces are on the caps.

One of the type examples found within the pages of “Lettering” by Harry B. Wright (1950) is a bold hand lettered serif typeface with a unique twist – the slab serifs had rounded corners, looking very much like show card lettering of the early 1900s. This design is now available digitally as Maybrook JNL, in both regular and oblique versions.

Drakkar is a Latin typeface based on runes, the medieval script of the Vikings and Northern Europe. It imitates letters carved in wood with flared strokes. Just as the actual runes, it is a single-case font; instead of lower case letters, Drakkar has a set of slightly changed caps to enable the user to express handmade lettering.

A 1932 fan magazine from Spain entitled “Films Selectos” (“Select Films”) had those words hand lettered in a decorative Art Deco type style that was a cross between the “Futura Black” style of stencil influenced display lettering and “Fiesta” lettering. This hybrid design is now available digitally as Dance and Sing JNL in both regular and oblique versions.

Afternoon Tea is inspired by a lettering specimen featured in Letters and Lettering by Paul Carlyle and Guy Oring published in 1938. The striking features are the elegant balance between thick and thin strokes (demonstrating its obvious ink pen influence) while maintaining a sturdy presence which is ideal for titles and headings. Afternoon Tea is caps only.

Karlisbad is a monospaced font in which lines expand and contract to form letters. The No-Lines styles can be used alone but it was their use in layers that inspired their creation. They can be used to give the letters a different color than the lines or to create an outline or hollow-letter effect.

Alphabet Agency proudly present Gamebred. Gamebred font is all caps with many alternatives letter characters within. The font also contains numbers, punctuation and international (latin) letters. The original inspiration behind the font is vintage lettering used on tobacco products. The initial inspiration developed into Gamebred that uses more elaborate and unorthodox character styles to real make it uniquely dope.

Bombshell Pro is a passionate hand-calligraphy font that includes long connections between letters so you can create beautiful headings or signature looks. Open-type version features 800+ glyphs including initial and terminal letters, alternates, roman numerals (III & IV), and "run-on" letter connections. So you can create realistic hand-calligraphy on all of your creations!

Hi, introuducing a vintage display font = Fishtail. It's an old school font set with thin decorative shape. Fishtail typeface has narrow characters for small letters and wide shape for capital letters. Also lots of ligatures will help you to create an original lettering compositions (Make sure that “Standard Ligatures” feature is supported & enabled in your software).

Last year I spent some time exploring the city of Bath in England. Its claim to fame are the Roman Baths in the city center, which are well worth a visit. Kingsmead is an electoral ward within Bath and I thought it was an apt name for this rather stylish - if old fashioned - font. Kingsmead Script is a handmade font. It comes with diacritics and some discretionary ligatures for double lower case letter combinations.

Haiku is a very modern old-style typeface. Inspired by late Renaissance-era typography, and carefully optimised for both display and text, digital and print. Featuring ligatures, old-style numerals, wide language support, and true italics.

Birthday Doodles.... cakes, hats, banners, flags, confetti, streamers, balloons, noise makers, and some written and printed words. Plus a full set of numbers. Everything you need to make cards, invitations, and to scrapbook all your parties.

Our Happy Holiday is a brand new handwritten font. Our Happy Holiday is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Haritta Handwritten Script Font is a cursive, paint-brushed script font, featuring characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out.

Print quad paper and cross-stich chart grids, as large as your printer will allow. These blank grids are in sizes to match four fabric thread counts, plus 1/10", 1/8", and 1/2" grids.

Manga Master, the classic Blambot font, is now Manga Master Pro! It has been updated with new spacing, kerning, and hinting as well as new autoligs, manga translation glyphs, CAlts, fractions, barred-I correction and more!

Allora is a serif based typeface with three font styles: regular, display, hair and double. Mix them as you want: integrate Allora to your website, create mobile app or just make an awesome print. Enjoy it!

A decorative display face suitable for short headlines, drop caps or banners. Erasurehead was designed for all media and can be used in a wide range of point sizes. Erasurehead requires subjective display kerning and compensation.

BluHead Studio LLC is pleased to announce the release of Churchward Chinatype by New Zealand typeface designer Joseph Churchward. This stylized brush script is intended for display use, but is surprisingly legible at smaller point sizes.

Agression-Handwritten Brush font with a Rough style and dramatic movement. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc.

FractalCaps was inspired by the self-similar nature of fractal geometry. It's a strictly decorative font, without accented characters. FractalCaps shines at large point sizes, and would be a good choice for wild and wooly posters.

Small headline font family inspired by discreet unobtrusive technical labels on various electronic devices. It is recognizable for its geometrical character complemented with surprising detail. Suitable for designing printed matters, posters, magazines and visual data output.

Designed for a role-playing scenario, this font uses Egyptian hieroglyphs closely relating to characters in the English alphabet as its starting point. It’s fun to use and has many extra hieroglyphs taken from monumental carvings.

73 icons on the topic »coffee house.« The extensive kit includes the category’s coffee, drinks, food, coffee makers, roasted coffee and tea. The clear design is adapted to mobile interfaces and suitable for print, as well.

Queen Anne Hill is an modern Calligraphy style font with upright strokes and bold flourishes. Revealing the styling of fine artist and calligrapher Alissa Mazzenga, this font communicates refinement with a hint of playful artistic individualism.

Rangly is a square-based and rough typeface. It has graffiti inspired shapes built with wide paint rolls. The font is designed and created by Måns Grebäck in 2017, and has support for hundreds of languages.

Ultimate Ornaments was inspired by the decorative elements supplied by European type foundries and printing companies in the 18th and 19th centuries. There is an assortment of 47 ornaments all located under the character set keys.

An historical font based on early 18th century printing, with the visual effect of uneven inking and indifferent presswork on handmade paper. Ideal for evoking the period. Effective in continuous text setting or in display sizes.