The designer's father, Philip Grecian drew a logo for his business, Grecian Creative Services and asked Alex Grecian to expand on the logo. Alex extrapolated from the existing letters, creating a font to compliment his father's logo. Naming it was the easy part. Grecian Empire has since become one of the most popular fonts offered by Elemeno. The Strikes Back and Engraved styles have limited character sets and are far less versatile than the regular version.

Colin Brignall designed the Tango typeface in 1974. A groovy swirl of a font, Tango looks like disco party ready to lift off. Tango is one of many fonts that have come to symbolize the party music of the 1970s, familiar forms can be found on countless album covers from that era. Tango is a child of it's times - flashy, lively, and fun!

ITC Kallos is the work of British designer Phill Grimshaw, a text typeface family with traditional calligraphic flair. It is the result of Grimshaw's first experiments with text typeface design. The long ascenders and descenders of the lowercase alphabet lend them a look of sophisticated elegance. The capitals display the unmistakable influence of the pen and the proportions of classic inscriptional forms.

An irresistible design by my (11 year old) Granddaughter; it brings that child innocence to font design. When she first showed it to me I was so impressed I could not resist I had to make it into her very own font. Alexandra is also the designer of the font flag and says she is working on new font ideas.

Longacre JNL is bold. It's condensed. It has rounded ends. The design is both eye-catching and casual; perfect for titling that needs to make a point without being overwhelming. Based on a set of wood type, this design also offers an inference of child-like simplicity, as it is very similar to the type of lettering found on classroom bulleting boards.

Introducing Simply Bites font. Simple and cute handwriting monoline sans serif font! This font style uses all caps characters and would be perfect for party invitations, child books, menu design, baby showers, birthday cards, posters, quotes, social media design, comics, packaging, and more. Features: Accents (Multilingual characters) Ligatures Swashes Numerals and Punctuations So, enjoy the Simply Bites and make some cool stuff!

Awkward Gothic JNL gets its name from the fact that it's a non-conformist alphabet - as if rendered by hand by a school child or an amateur lettering artist. Although there is a relative symmetry to most of the letter forms, some unconventional widths and the shape of many of its characters adds to the hand-made look of this alphabet.

Doorley Hand is a unique new font based on the handwriting of Australian advertising man and creatist John Doorley. The font's character and personality sits somewhere between charming child-like handwriting and classic contemporary calligraphy. It pays homage to simpler times when more organic and personalised forms of communication reigned. A perfect counterpoint to the fast-forward, hi-tech world today.

The fun, lighthearted appeal of Toddler JNL will bring out the inner child in you. Perfect for any layout or project that has to do with newborns, toddlers, preschool, playtime or anything related to little ones. There's a fairly complete character set - and two different width blank boxes on the brace keys - which can be used as spaces between words.

Alan Meeks designed the Candice typeface in 1976. A groovy swirl of a font, Candice looks like an ice cream sundae topped with whipped cream. Candace is often seen on album covers, and has come to be associated with innumerable party hits from the 1970s. One thing is for sure: Candice is a child of it's times - flashy, lively, and fun!

The lively calligraphy font Bendigo was created by Phill Grimshaw in 1993 and looks as though it were written by an energetic hand. Generous capitals fit harmoniously with more reserved lower case letters and the right slant of both emphasizes the dynamic feeling of the font. Bendigo should be used in point sizes of 14 or larger and its strong character makes it particularly good for headlines.

Corkboard JNL is a bold, yet fun rounded-ends typeface that was popular in the 1970s and enjoying a revival amongst students and teachers via die-cut bulletin board letters. Five variations are offered—Regular, Slanted, Shadow, Shadow Slanted and Kiddies. Corkboard Kiddies JNL has a limited character set and eccentric spacing that emulates the way a child might put letters onto a bulletin board.

Rolish Font is a Cheerful Child Look Font, designed for Titles, Headings, Texts and more at your project. It is ready with its unique style. The Rolish font is an ideal type for display, game titles, text, print, branding, signage as well as for user interfaces, mobile devices, especially web design creation, with the optimal set of characters for your designs in any layout.

Peanut is a face full of bounce and playfulness but is based on the traditions of the long revered Roman minuscule. The letters are unique in that they imply “youth” without relying on cliché child-like letterforms. Peanut and Peanut Sans come in a ‘Salted’ style which features many alternate letterforms. Both the Salted and regular styles are combined into in the Pro fonts.

ITC Samuel is a delicate and lively calligraphy font designed by Phill Grimshaw. Every detail has been worked to create harmony. The stroke contrast, the light brush character, the graceful forms all give ITC Samuel the spontaneity and individuality typical of handwriting. The font includes several ligatures and is legible even in smaller point sizes. ITC Samuel is perfect for invitations, greeting cards and other personal correspondence.

Digitized from the handwriting of Simone Wilkie's son, Boyscout is a font that demonstrates a mix between the power of learning and individual creative development of a seven year old child. The struggle to conform with observation appears in most letters, while the creative streak shows clearly in letters like the swashed N, the single-stroke Q, the high T, and the charmingly odd, calligraphic z.

ITC Braganza is the work of British designer Phill Grimshaw, an elegant typeface steeped in historical inspiration. Reminiscent of the handwritten manuscript styles of the 16th century, the name Braganza refers to Catherine, Duchess of Braganza, who was a prominent figure in Portugal at the time. The vertical script style displays the elegance and refinement which distinguished the Royal Courts of the 16th century.

It’s jaunty and flaunty and up to no good! It’s a child born of fairly odd parents and always looking for the good kind of trouble. It'll get you out of the red and into the pink like a panther pawning diamonds! Comicraft’s John Roshell has slipped his hands into the gloves of the Phantom Font Finagler and there’s HighJinks ahead to be sure!

mathieu was created with a Krink K-60 marker – a paint marker that allowed gravity to dictate the outcome of each handwritten letterform. The font is the union of 26 mixed-case letters, 10 numbers, and roughly 100 glyphs, and has been seen in videos by artists Marshmello and Louis the Child. mathieu reflects Gino’s abstract style of writing, and reveals beauty in imperfection.

Issued from the Haddon Foundry in England. Most of their original faces had names beginning with H, like their own name. Some of their types were designed by Phil May, but we cannot guarantee that this is one of them.

Radiance Autumn is organic hand drawn with stylish style. This type of font perfectly made to be applied especially in cartoon or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

The calligraphic ITC Regallia is, like ITC Samual, a work of Phill Grimshaw. Generous capitals contrast beautifully with reserved lower case letters whose flowing ascenders and descenders create the flow which characterizes this font. ITC Regallia is graceful and almost poetic, its capitals also suited for use as initials. ITC Regallia includes several ligatures and is best used for short and middle length texts in point sizes of 12 and larger.

Tuff began with Magma. Set as text, they appear to be similar and are quite comfortable as typographic companions. The child-safe softness of Tuff owes something to the letterforms of the earliest extant Greek Manuscript, The Persae by Timotheos in the 4th Century BC. It is beholden to Morris Fuller Benton's original Souvenir, and its revival by Ed Benguiat. My own Stone Informal was also an influence.

Mormont is a reverse display font with classic looks. This type of font perfectly made to be applied especially in storybook children or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Chipper is the work of British designer Andrew Smith, an adorably awkward typeface resembling the first printing of a child. Shaky lines and irregular forms combine for this naive look, which is completed by tiny specks surrounding each form as well as a number of illustrations. Chipper reflects an innocent fun and is perfect for children's greeting cards, certificates, or magazines and advertising for or about the little ones.

ITC Noovo is from British designer Phill Grimshaw and grew out of his work on ITC Rennie Mackintosh. He says, I still had 'Nouveau' coming out of my ears" and he drew it after a series of computer-intensive projects, "when I was missing the smell of permanent marker pens and the feel of paper." ITC Noovo is highly stylized yet works as both a text and display typeface."