Cuivrerie is a free interpretation of relatively common lapidary inscriptions in Burgundy. Letters fit together. Thus the engraver gains room and we lose legibility. No matter, we have forever to read !

Inspired by a famous vampire movie. This font is based on the character shapes of Free Serif, a sample font bundled with FontLab applications; it is quite similar to Times Roman.

Americana was designed by typeface artist Richard Isbell in 1965. The generous forms of this typeface contain large inner spaces. Lines of text look light and airy and require generous line spacing. The high cross strokes and the open inner spaces make this font highly legible even in small and very small point sizes. The triangular serifs are a distinguishing characteristic of Americana. These first appeared in the 19th century in France and inspired by the developments in lithography, which allowed for freer forms. The forms were typical for advertisement and display typefaces. The sophisticated Americana is particularly suitable for advertisements and personal correspondence.

Americana was designed by typeface artist Richard Isbell in 1965. The generous forms of this typeface contain large inner spaces. Lines of text look light and airy and require generous line spacing. The high cross strokes and the open inner spaces make this font highly legible even in small and very small point sizes. The triangular serifs are a distinguishing characteristic of Americana. These first appeared in the 19th century in France and inspired by the developments in lithography, which allowed for freer forms. The forms were typical for advertisement and display typefaces. The sophisticated Americana is particularly suitable for advertisements and personal correspondence.

Somedeals is a captivating script font that beautifully captures the essence of cursive handwriting with a touch of elegance. This typeface exudes a sense of grace and sophistication, making it perfect for projects that require a refined and stylish look. With its smooth and fluid letterforms, this font offers a natural and seamless writing style, evoking the charm of handwritten notes. The high letter contrast in this font adds a dynamic and eye-catching quality, enhancing the overall visual appeal and making each word stand out. The cursive handwriting style of this font ensures that each letter flows gracefully into the next, creating a harmonious and aesthetically pleasing rhythm. This script font exudes a sense of personality and elegance, adding a distinctive flair to your typography. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Somedeals fits in headlines, logos, movie posters, flyers, invitations, greeting cards, branding materials, print media, editorial layouts, headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Centennial Script was designed and cut by Hermann Ihlenburg in 1876 (the centennial of American independence, hence the typeface's name) for the MacKellar, Smiths & Jordan foundry in Philadelphia. Ihlenburg was then only 33 years old, and these beautiful forms put him on his way to become the most prolific and innovative deco, ornamental and script typeface designer and punch cutter of the nineteenth century. In trying to be a true homage to the history of the new world, Centennial Script transcends its then-contemporary deco fashion to embrace script elements historically similar to lettering found on maps or political documents of the 18th century. Letters like the p and s extend themselves high and mighty to accentuate words and lines of text in a fancy hand-drawn manner. The dots on the i and j are those of a careful scribe who acknowledges the importance of the document being lettered. The lowercase letters connect with two slight angular motions of the hand, also very carefully and elegantly. Even the ligatures and ending swashes Ihlenburg made for this face were reminiscent of a mapmaker's patient hand, though Ihlenburg's elegant touch in them cannot be mistaken. Although Centennial Script was one of the few Ihlenburg faces to make it to film type technology, the transition was neither credited nor faultless. The film type version was a bit sloppy in the way the connectors were made, so the lowercase needed a lot of manual work to typeset properly. To alleviate such waste of time for the user of this digital version, the connectors were redrawn according to the original metal ones made by Ihlenburg himself, and tested thoroughly in print to ensure the quality of the typeface's flowing cursive nature. This wasn't an easy task, and very time-consuming, since the changing angles on both ends of the connection made it impossible to escape from having to build every lowercase letter with both left and right connectors that would fit with the rest of the letters. This is one typeface that couldn't be revived in any other manner than the way it was originally made, regardless of more than 130 years of technological advances since the face was designed. Centennial Script comes in all popular font formats, and supports most Latin-based languages. Also included is an Alts fonts that contains alternates, ligatures, snap-on swash endings, some ornaments, as well as a complete set of the lowercase without left side connectors, for a more natural combination when following a majuscule, or just in case the user finds it fit to set the copy in a non-connecting script instead of the face's original connected flow. Centennial Script Pro, the OpenType version, combines the main font with the Alts font in a feature-packed single font. Use the ligature feature to set wordmarks like Mr, Ms, Mrs, Dr, and &Co, the stylistic alternates feature to replace some letters with their alternative forms, the contextual alternates feature for better uppercase-lowercase sequences, and the titling feature to set your text in a disconnected script. Centennial Script is the only script we currently know of that can be set connected or disconnected simultaneously, either using the titling feature in the OpenType Pro version, or manually in the other formats.

Who doesn't love Fridays? For many people it is the end of the working week and the start of the weekend. What's not to like? I tried to put all that great vibe into this font - it is charming and clumsy and ready for a party...just like my Fridays...ehh...my Fridays are actually quite simple - no parties or staying out till early morning...been there, did that...now I love my Fridays, just the way they are! :)

Cross the irrepressible Samuel Welo with a bit of found matchbook art and voilà! You have this retro charmer, proudly found on the kind of neon signs that offered an invitation to dine and dance. To continue the baseline treatment between words—or to extend it on either side—use the _Underscore character. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Introducing, Comica Brush! An attractive, bold, and playful display font. Inspired by comic books and cartoons. This font gives a charming and strong impression. Comica Brush datang dengan dua versi (textured and solid), serta multilingual support dan underline swash. Untuk mengakses underline swash anda hanya perlu mengetik _1 - _4. So simple. Comica Brush is very suitable for various design needs such as merchandise, packaging, social media, ads, T-shirts, logos, events, and many more. Enjoy Designing. Thank you!

To snuggle is "settle or move into a warm, comfortable position" - that is exactly what I did with making this chunky seriffed font. Well, maybe not a position, but a comfortable mood! I tried to mix some gentle grafitti moves and comic letters, and then a touch of the classic goofy pizzadude style - and the result is this cheeky font called Snuggle Punk. Full of round corners and fat lines - sounds like a nice cup of coffee! :)

The April 8, 1932 issue of The Film Daily ran an ad for a film entitled "The Sin of Lena Rivers". Hand lettered in a block style of chamfered characters, it is reminiscent of the 1920s, but still carries a touch of Art Deco influences with the thinner and extended horizontal strokes of the E, F and H. This retro sans serif design is now available digitally as Evil Ways JNL in both regular and oblique versions.

[D]ONLINE is the first font family designed by Don Citarella for his blog, [D]ONLINE, and was created to provide a signature feel for its namesake. It combines a strong, medium stroke with arching end caps to embue the typeface with a futuristic curvilinear feel. This display font is best used for headlines, identities, wordmarks and other instances involving minimal copy and maximal whitespace The typeface includes 300 characters, including 45 accented glyphs and 30 ligatures.

Mancave SRF is the perfect font for the ultimate party Neanderthal. Holding court in his den with a case of beer, wide screen TV and all of his sports buddies, he is safe and secure in his lair. Bold, brash and angular, this typeface was designed for Stella Roberts fonts by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Hi...Thank for your visit :) Effendi Modern Calligraphy Fonts are font designs that are made for various vector designs, printing such as digital wedding invitations, blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... Effendi is equipped with complete alternates and very beautiful ligature, so it can make your product look elegant and attractive, and also Multilingual support!!! Happy design ...

EPOXY - A font that exudes the playful and iconic vibes of the y2k era, inspired by the beloved Barbie cartoon style, where all hues are dipped in pretty pink. With 6 captivating styles for each type - Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Features: Epoxy Main File Has 6 Variable: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Instructions (Access special characters, even in Cricut Design) Simple Installations PUA Encoded Characters Dharmas Studio

Gothic 13 is a bold condensed sans serif typeface. Originally designed in small sizes, Gothic 13 is very similar to Modern Gothic Condensed, which was a turn-of-the-20th-century modernization of a popular nineteenth century style. Until Linotype integrated it into their technology, it did not exist in sizes larger than 24 point. The design used for digitization was the 18-point. Gothic 13 is ideal for display work, especially where space is at a premium.

Following the development of a new identity for era404 Creative Group, Inc. (www.era404.com), Founder and Creative Director, Don Citarella, decided to expand the wordmark into a complete typeface. era404 is a soft, vertical font with a high x-height and regular stroke, combined with sweeping arches to create a modern, unique font. This display font is best used for headlines, identities, wordmarks and other instances involving minimal copy and maximal whitespace The typeface includes 256 glyphs and ligatures.

The Wright-Regan Instrument Company (Wrico) was one of the leading manufacturers of lettering templates for many years. Aside from their own line of products, they also did custom manufacturing. A series of lettering guides called “Mimeostyle” for the A. B. Dick Company of Chicago (produced for use in making mimeograph machine printing stencils) featured an art Deco squared letter design with rounded corners. This is now available digitally as Template Sans JNL, in both regular and oblique versions.

Rivets is a result of my fascination with the beauty I find in utilitarian industrial objects like the decorative ironwork in Grand Central terminal and the eloquent construction details of the urban infrastructure of the 19th and early 20th century. It began as die-raised typography for a magazine cover, developed further for a book about mid-20th century American manufacturing and evolved into a complete font plus four individual components suitable for producing multiple color variations.

This family takes its inspiration from two early Art Deco faces from Germany. The Normal version is based on Dynamo, designed by K. Sommer for Ludwig & Mayer in 1930, while the Narrow version is based on Stadion, designed by Erhard Grundeis for Die Schriftguß AG in 1929. Their common design motifs epitomize the Age of Streamline. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Lithuanian, Moldovan and Romanian.

Hi...Thank for your visit :) Rollcake Modern Script Fonts are font designs that are made for various vector designs, printing such as digital wedding invitations, blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... Rollcake is equipped with complete alternates and very beautiful ligature, so it can make your product look elegant and attractive, and also Multilingual support!!! Happy design ...

Jacuzzi Room is now open 24 hours day and we’ve got unlimited drinks and hors d'oeuvres available. Jacuzzi Room is a cheery script font inspired by the ubiquitous Beverly Hills Hotel sign, capturing the same gestural yet timeless quality. Have a stroll through vintage era Beverly Hills and take a dip into the Jacuzzi Room. Adds a ton of fun mid century chic flair to any design whether it be titling, headlines, signage, t-shirts book covers.

My font name is Battafia. This font is usually used for brands, greeting for someone, T-shirt design, nameplate, pins, accessories, film titles, magazine titles, web, posters, book titles, logos, country names, billboards, advertisements, book writing, products, display, and many others. Battafia, offers you: 1. Alternative uppercase (all uppercase, 1 model) 2. Lowercase character 12 letters, usually used in end letters 3. Ligature (1 two-letter character) and Alternative Styles 4. Multilingual Support (Europe Latin West), Numbers and Punctuation

Spotted for sale online, a partial set of antique tin stencils from France had a distinctively handmade look about them. Many of the characters were inconsistently wider than others, some characters were missing and one was damaged. Despite the obvious flaws, the image of these stencils served as the model for a digital font revival once the characters took on a more uniform appearance. French Stencil Serif JNL is available in both regular and oblique versions.

Pema – a contemporary Tibetan sans serif encoded in the Unicode standard. This is the first Tibetan typeface influenced by western sans serif fonts. It was designed especially to match multilingual purposes. The rather calligraphic Tibetan scripts did not match with the design aesthetics of western and Indian fonts and so I came up with the idea to design a “modern” Tibetan sans serif. Pema comes in two weights, Regular and Bold, each equipped with almost 1.300 glyphs.

The image of a set of vintage French tin stencils spotted online was the starting point in designing Freight Yard Stencil JNL. A more traditional ‘B’ and ‘R’ replaces the original characters (which looked kind of awkward due to extra ‘stencil breaks’ within the letters). However, there are a few interesting variants in other characters to set the design apart from similar stencil fonts. Work Yard Stencil JNL is available in both regular and oblique versions.

The pLatinum family was created in 1998. Ink, scanner, Fontographer and as a result Regular and Italic styles of pLatinum typeface. Kyrillitsa'99 International type design competition Award winning typeface. The design style is “Irregular Serif”. The glyphs of pLatinum roman are reminiscent of the Russian types of early eighteenth century—especially in the smaller point sizes. An Italic, surprisingly close to the handwriting copybooks of mid-eighteenth century, is a later addition to the design.