FF Kievit Serif subtlety melds oldstyle design traits and a 21st century mien into a clean, straightforward suite of typefaces. As part of the FF Kievit super family it helps brands carry their voices effectively and legibly. This includes small text to display sizes, in both print and digital environments, for internal and external audiences. FF Kievit takes inspiration from classic designs like Garamond and Granjon, and is available in seven weights, plus italics. Drawn as a collaboration between Michael Abbink, Paul van der Laan, FF Kievit Serif is a natural extension to the other members of the FF Kievit super family, that also includes FF Kievit and FF Kievit Slab. FF Kievit Serif stands on its own as a multi-talented and exceptionally legible design. Large counters, a generous x-height and ample apertures ensure that FF Kievit Serif translates well to both hardcopy and interactive environments. FF Kievit Serif is available in carefully defined weights, ranging from Light to Black. The Regular, Book and Bold weights are ideally suited to long form text copy. Ligatures, several suites of numbers and small caps are also available. In addition, FF Kievit Serif benefits from the same extensive language support of the other designs in the family.

Kamber is a playful and approachable, neo-grotesque sans-serif with a handful of humanist flourishes. Subtle convex terminals and a curved structure create it's friendly personality and bouncy rhythm. If you're looking for a warm typeface that's affable without straying into cliché, then Kamber is your new best friend – like the labrador of typefaces. Kamber's balanced yet quirky nature makes for a fun and interesting display face, without compromising on legibility at smaller sizes. The lowercase letters have an elevated x-height, sitting at around 70% of the cap height – this means running copy remains clear and readable. Available in 8 weights, each with a corresponding italic, Kamber is a widely functional typeface that can hold it's own, regardless of the use case. It includes all the usual open type features for further adaptation and variation, including small caps, ligatures, stylistic alternates and more. The primary numerals are lining figures, but tabular figures, old style figures, and a combination of both are also included. If you're looking for something to stand out from the sea of overly geometric faces and soulless helvetica variants, then Kamber is ready and waiting. Perfect for editorial design, branding or anywhere you use text – Kamber is the typeface that smiles.

Presenting The Longlight! An Elegant Calligraphy Font with some alternates and ligatures. This font made with the perfect combining of each character. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, The Longlight looks elegant and stylish on design projects. So, The Longlight can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. Besides that, The Longlight also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ee, ff, gg, gg1, ii, jj, ll, ll1, mm, nn, oo, pp, ss, tt, tt1, pp, and yy. WHAT'S INCLUDED? 1. The Longlight • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. The Longlight Alternate • Included some alternates: f, g, i, j, l, p, s, t, y, and g. A Million Thanks Colllab Studio

A condensed and bold obround sans inspired by 60s condensed inserat faces, with a more pronounced thick/thin stress as seen on the titles of the Avengers TV show.

Gothico Antiqua is the result of grunging up one of my early sans-serif type designs. It strangely works very well and looks authentic at small to medium settings.

DigiGrotesk is one of the earliest digital fonts ever created. It is intended for use in longer texts set in smaller point sizes, including dictionaries and newspaper classified ads.

This font was inspired by the lettering on a shop sign along a very classy shopping street in Bordeaux, France. There were similar styles among mid-nineteenth century types.

Koch Antiqua is based on forms of old Roman writings, chiseled in marble thousands of years ago. This contemporary version is more playful and reminiscent of the Roaring 20s.

Viralles is a handwritten script font. Looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and any other design that requires a handwritten touch.

Meet Engrace, a serif font family with elegant & stylish curves. She’s romantic, classy and modern all wrapped into one, and surely can not be missed in your font collection.

Pepino is loosely based on the classic font Hobo but Pepino is a completely new and original drawing. The font is bold, fun, casual, easy to set and read.

An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.

Bonita is a bold handlettering style based on movie poster lettering from the early 20th century. It's similar to the typeface Broadway, but much bolder and far less formal.

CG Symphony was among the first one hundred PostScript faces released by Compugraphic in 1988. The original version of CG Symphony font is the Linotype Original font family Syntax.

Xylo Sans letterforms are based on a typeface from Miller & Richard type foundry, from circa 1911. They are presented here with a rough wood texture, in two xylographic flavors.

Fifty Famous Fairy Tales was inspired by lettering on the cover of a children’s book of the same name published by Whitman Publishers back in the 50s or 60s.

Stylish Marker is a font based on a casual and worn marker, just before it's unusable, thus giving rise to an irregular texture, typical of a widely used marker

FG Noel works great at small and large sizes. I can imagine a kids' book with this font and it will be perfect for cute quotations on greeting cards.

Bobila is a cool and casual display font. It will look stunning on any poster flyer or print. Use this font for your designs and explore its endless possibilities.

A whimsical little serif transporting you back in time. Based on vintage hand scribed italics, Fairytale Serif is ready to charm it's beholder with its quaint inky edged letters.

Here’s a scratchy skribly font you can use to make something look grungy or use it reversed and it looks like it was scratched on a wall or something.

Borough Park JNL is named for a neighborhood in the southwestern part of the borough of Brooklyn, NY and was modeled from hand lettering found on vintage sheet music.

Metal Rocker is a natural handwritten font. It looks stunning on thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.

Print Shop Classics JNL is comprised of twenty-six decorative letterpress ornaments from vintage source material along with the words "Welcome" and "Introducing" on the period and comma keys.

A design on classical lines with subtle but effective calligraphic touches, by Arthur Baker for VGC. The Bold version is used for the Coke logo all over the world.

Blastero is a natural handwritten graffiti font. It looks stunning on thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.

Bella, the heroine, comes to life with this one of a kind font. LD Bella, is great for journaling, adorning memories or adding the final touch to your projects.

The two XSeederChess fonts are two modernistic chess fonts. The key layout is a bit complicated; see the key guide for detailed information on how to position pieces correctly.

Revue is a display face originally designed for Letraset. The heavy sans serif letterforms of this font are ideal for use in signage, on posters and in advertising display.

Javarosa is a handwritten script font. Looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and any other design that requires a handwritten touch.

Bright with many interlocking and connecting ligatures and warm with hand-drawn irregularity, Solstice is something to celebrate. Based on the inspiring hand writing of creative friend, Kimberly Mahan.

Tenso Slab is a versatile and playful Slab Serif based on the -in 2013 released- Tenso, which is a an economic running sans serif with a lot of character.

A meticulously-designed font that captures the spirit of the undead in a modern world. One will notice ample graveyard influence crossed with the newer, emerging trends in typography.