Super head Club is a font made with line. The shape of the letters is a sans-serif style round and bold. Works perfectly for vintage artworks.

If you've got a secret to tell, or just crave a unique font for cool scrapbook journaling, "Dear Diary" will fit the bill. This true type font looks handwritten with tall uppercase letters, and small, narrower lowercase script. Have some fun with it!

This design from Ray Larabie (and adapted by Jeff Levine) is so unusual. The lettering lends itself to messages of sinister intent or horror movie titles. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

GR Read is a very cool font for headline designs with a bold and bold theme. With a strong display and clean nodes make text in the design become more character and great. Inspired by headline trends in a poster or magazine today. So that with a firm and a very modern style makes your design better! This font is formed from the headline display font of a very careful title. GR Read has about 350 flying machines. Suitable for all graphic design projects, prints, logos, posters, t-shirts, packaging, website, ticket and applies to several types of graphic design. Especially for the use of a title! Very suitable! GR Read is compatible with any software without pain, especially in headlines with GR Read pairing

Architectural yet human, as if the letter forms had been delicately carved in stone; their rounded stroke edges and corners lovingly eroded by the surf of the Baltic Sea; slightly overexposed, radiating comforting warmth, giving the impression one was looking at the characters against the setting sun. FP Head Pro reviewed by Yves Peters and Typographica.org: One of the most noteworthy typefaces for 2008.

Some pleasant Art Nouveau spurred serif hand lettering was found on the cover of a 1902 issue of “The Century Magazine”. This is now the digital typeface Nouveau Heading JNL, and is available in both regular and oblique versions.

FF Real is a convincing re-interpretation of the German grotesque style from between 1998 and 1908, but with much more warmth and improved legibility as well as a hint towards the warmer American grotesques. Later on, not just slanted styles, but a “proper” italic version was added inspired by the way Roman and Italic are distinguished in traditional serif faces. NEW: a specially created set of obliques were added in 2018 to give designers more design flexibility, for those looking for a less calligraphic look. In 2020 the family was extended with matching condensed weights. FF Real was originally conceived by Erik Spiekermann as one text weight and one headline weight to be used as the only faces in his biography ‘Hello I am Erik’, edited by Johannes Erler, published in 2014. While Spiekermann drew the alphabets, he passed on the font data to Ralph du Carrois and Anja Meiners who cleaned it up and completed it. In the meantime, FF Real has been extended to a family of two styles and 65 weights each. The design of FF Real is rooted in early static grotesques from the turn of the century. Several German type foundries – among them the Berlin-based foundries Theinhardt and H. Berthold AG – released such designs between 1898 and 1908. The semi-bold weight of a poster-size typeface that was lighter than most of the according semi-bolds in metal type at the time, gave the impetus to FF Real’s regular weight. In the words of Spiekermann, the historical example is “the real, non-fake version, as it were, the royal sans serif face“, thus giving his new typeface the name “Real” (which is also in keeping with his four-letter names, i.e. FF Meta, FF Unit). FF Real is a convincing re-interpretation of the German grotesque style, but with much more warmth and improved legibility. With a hint towards the warmer American grotesques, Spiekermann added those typical Anglo-American features such as a three-story ‘g’ and an ‘8’ with a more defined loop. To better distinguish characters in small text sizes, FF Real Text comes in old style figures, ‘f’ and ‘t’ are wider, the capital ‘I’ is equipped with serifs, as is the lowercase ‘l’. What’s more, i-dots and all punctuation are round.

Dear and Fans is all class. A stylish modern font that is a mix of serif and sans serif. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. With a contrasting light italic, Dear and Fans works great in layout design for quotes or body copy. The Elegant curves also make for a unique logo or masthead. Dear and Fans comes with multilingual support also. Full upper/lower case, numbers, punctuation and multilingual support. Full italic style included also.

Dear Eloise is an unique fancy signature script font. With regular mon-line stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Dear Eloise font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Dear Eloise font. Cheers, Maulana Creative

This is a fully connected script font, not calligraphic, but entirely designed to follow handwritten cursive ligatures rules as teached in schools. In order to correctly visualize it, you have to enable OpenType features (Contextual Alternates, Discretionary Ligatures, Standard Ligatues and Kerning). Trying to write All Capitals will generate Block Letters writings, since cursive style doesn't allow more than the first uppercase per word, however this font is not meant to be a Block Letters font. Using specific type combinations will generate special glyphs. All of these features are intended to reproduce a classic schoolboy or schoolgirl notebook.

Letters to Santa are a highly anticipated holiday tradition. Use this fun font to add pizzaz and an endearing childish style to that letter or any creative lettering project.