I'm happy to present you my new Romanesque font from the Codex Gigas. The manuscript was created in the early 13th century in the Benedictine monastery of Podlažice in Bohemia. The codex was written in a handwriting atypical for the 13th century, which is actually a late version of the Carolingian minuscule. Texts about repentance and exorcism were written in large Majuscule (Square Capitals (Imperial Roman capitals written with a brush)). Majuscules first incised in stone more than two millennia ago, married to minuscule letterforms that evolved from manuscript hands of the eighth and ninth centuries. Majuscule font is the name given to a type of decorative upper-case letters used in inscriptions and, typically, at the start of a section of text in medieval manuscripts. They are characterized by their straight forms unlike rounded in Lombardic capitals with thick, curved stems. Majuscule capitals were also used to write words or entire phrases. The text is divided into words, punctuation marks are used consistently – periods indicate the end of a sentence and the middle of a phrase. You will get: * Uppercase glyphs * Numbers and symbols * Multilingual support * Ligatures * Free future updates Thank you!

It was used in parts of Transylvania until the 1850s, although it was banned by Istvan, the first Christian king of the Hungarians (Szekel), in line with an order to "destroy all pre-Christian inscriptions". Hungarian runic script was usually written on wood-stone pieces in the bustrofedon style. In this method, the writing was written consecutively from right to left and from left to right. This article is available in Bosnian, Carpathian and Glozel editions. Whenever possible, I will present the fonts in these versions.

Description: Honeyguide is a beautiful, handmade set of fonts. One is a brushed script font; the other a playful all caps font. Both come with italic styles. Use these two babies for your product packaging and book covers, happy holiday greeting cards and products in need of some quality packaging. A honeyguide, by the way, is a bird species (fam. Indicatoridae) from Africa and Asia. They are famous for leading humans to bee colonies, so they can feast on the grubs and beeswax that are left behind.

The Mashq script is the oldest documented Arabic Jazm calligraphy style. It was invented by the early Muslims in the Arabian cities of Mecca and Medina, exclusively for writing the Quran and other Islamic religious texts. The Mashq style employed complex ligature and multi-level baseline rules, and therefore it went through a continuous simplification process. Around the time period Mashq was developed, the early Arab Muslims experimented with another short-lived Mashq-like style with heavily slanted vertical stems, which closely resembled the common Ḥijazi style. This style is commonly referred to as the Ma’il (slanted) style. Eventually, the early complex Mashq style was replaced as the main Islamic Arabic script, by a more simplified Mashq-derived calligraphy style that was developed in the city of Kufa, modern day Iraq, which was commonly referred to as Kufi. The Kufic style became the official Arabic script style for centuries before it was replaced by the more developed Naskh, the modern Arabic script style used today. The Mashq font family by Arabetics includes three styles of Mashq. The first is Mashq regular, which closely follows the script style of Musḥaf ‘Uthman (currently displayed in the Topkapi Museum in Turkey) with only the initial and final Haa’ baselines shifting. The second is Mashq Maail, which emphasizes the features of the Ma’il style shared with Mashq. The third is Mashq Kufi, which closely follows the script style in an adequate sample from the Quran manuscripts of the Bergstraesser Archive. All three fonts include two styles, with and without Tashkeel (dots). The Mashq and Mashq Kufi fonts include two more styles, with and without Harakat (soft vowels), and Hamza. Only three soft vowels are implemented along with their Tanween (double) forms. The Sukoon vowel is the default shape before inserting a soft vowel. Hamza was treated as a vowel in the Mashq and early Kufi manuscripts. Kashida is a zero width character. In the Mashq fonts, inserting one Kashida before the final ‘Ayn glyph group will trigger alternative shapes. In the Mashq Kufi fonts, inserting one Kashida (or two) before the final Yaa’, ‘Ayn, and Ḥaa’ glyph groups will trigger alternative shapes. The Mashq font family by Arabetics was designed to be as compatible as possible with the Arabic keyboard and Unicode alphabet used in computers today. Calligraphic variations were implemented only when they marked significant and permanent script features.

The Ihre-Götlin Runic inscription is one of the other runic inscriptions in America. I couldn't find much data on it.

Dutch type designer Alex Scholing created this script FontFont in 2003. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as small text. FF Roice provides advanced typographical support with features such as small capitals, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Nicomedia is a modern sans serif type family with a contemporary, technical look that reflects the high-tech industrial age that we're living in. From thin to black, it contains 18 fonts in 9 weights with their true italic counterparts. With 529 glyphs, it offers support for all the languages with Latin script. When it comes to OpenType features it has stylistic alternates (for a, g, l, 0, 1), tabular lining, ligatures, superscript, subscript, denominators, numerators and fractions. It's perfect to create engaging brands, ads, websites, apps, animations and user interfaces.

Bocksay Mira is a text font family inspired by the manuscript Mira Caligraphiae Monumenta created between 1561 and 1596 by Georg Bocskay and Joris Hoefnagel for the Holy Roman Emperor. All shapes were taken from the original records in both regular and italic style: lower case (p. 5, 72), uppercase (p. 47, 121), small caps (p. 122, 7). The high contrast forms and the wide spacing makes this family suitable for long texts but also for titling uses, having always that calligraphic and stylish look. Find the original script here

Hi everyone. This is my new signature style script. Any inscription will look like a natural stroke. This will give a unique look to your projects. Try my new font, it is lined with all the distances and it looks professional and at ease. It is ideal for signature or design, postcards and greetings, websites or blogs. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

Fiorina is a modern Didone-style serif typeface of 72 fonts. It comes in 4 optical sizes, ranging from Text with moderate contrast to super-contrasted Grande. Each cut comes in 9 weights with corresponding sophisticated italics. The overall variety of styles makes Fiorina the ultimate magazine typeface. The glyph set supports all European Latin-based languages, as well as all major languages that use Cyrillic script. The type family also suppors numerous OpenType features, including 6 sets of digits, small caps, fractions, superscript and subscripts, ordinals, and more.