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  1. Elbflorenz by RMU, $35.00
    Another jewel of the vast treasure of historical font designs was digged out and brought to life again. Due to the courtesy of the Quay Brothers, London, who yielded to me an age-old brochure of Albert Auspurg’s ‚Miami‘, released by Schriftguss in 1934, I was able to redesign this elegant font. This font which I called ‚Elbflorenz‘, a cognomen for Dresden, contains West and Central European type faces as well as those for Romanian and Turkish. To get access to the historical number sign please use either the OT feature additional ligatures or ordinals.
  2. Aldus by Linotype, $29.99
    Aldus was designed by Hermann Zapf and appeared with the font foundry D. Stempel AG in Frankfurt am Main in 1954. Zapf named this font after the famous Venetian printer Aldus Manutius, whose work is among the most important of the Renaissance period as well as Zapf’s inspiration for Aldus. Linotype Aldus was introduced by Linotype Library as a text font lighter than Palatino. Zapf’s goal with his Palatino and Aldus was to create a new form of Old Face typeface. This font gives text the feeling of elegance which was typical of the Renaissance.
  3. Ongunkan Swedish Runes by Runic World Tamgacı, $60.00
    Swedish Runes Swedish Runes is a way to write Swedish with medieval runes devised by Sven Salvenson. Proto-Norse was written with Elder Futhark runes, and viking age runes were in Younger Futhark (an adaptation of Elder Futhark). Then early Old Norse was written in medieval runes (an adaption of Younger Futhark). Sven decided to carry on that tradition and adapt the medieval runic alphabet for modern Swedish. General information can be found on this site. I used the data here while working on the font. https://omniglot.com/conscripts/swedishrunes.htm
  4. Adantine by Greater Albion Typefounders, $9.95
    Adantine offers the opportunity to bring Victorian Elegance and Character to modern design work. It is inspired by the hand-lettered captions often seen on old sepia-toned postcards, but also has some of the spirit of 19th century advertising cuts. Adantine is offered in regular and text faces, as well as all and small Capitals forms with purpose made swashed capitals, and in a decorative embossed form. It can be used to set small amounts of text, as well as for headings and display purposes. Bring some steam-age elegance to your next project!
  5. Atomicaboy by CoastalType, $20.00
    Atomicaboy is a geometric script font. Re-interpretation inspired by atomic age power tool lettering and chromed emblems of 50's. The Atomicaboy script make full use of modern technology. Just turn on automatic ligatures and watch how each letter pair always connect perfectly.
  6. Driade by IHOF, $24.95
    Driade is a font family based on personal calligraphic expression. It is exotic but still familiar, readable and graced with a human touch. The “Aged” style features irregularities found in Kothay’s original brush drawings. While the “Lined” pares the letterforms down to their basic forms.
  7. Morgothick by Morganismi, $10.00
    Morgothick is an ugly not-so-decorative blackletter font, hand-drawn like straight from the dark Middle Ages of drunk monks and dim chambers. Most readable, suits for multiple purposes. Morgothick supports West and Central European languages as well as Baltic, Turkish and Romanian.
  8. Alphabeta - Unknown license
  9. FF Fudoni by FontFont, $41.99
    Dutch type designer Max Kisman created this display FontFont in 1991. The family contains 3 weights and is ideally suited for festive occasions, film and tv, music and nightlife as well as poster and billboards. FF Fudoni provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.
  10. Horatio by ITC, $29.00
    British designer Bob Newman's Horatio family is a delightful look back into the modernists experiments of the 1920s. This geometric sans serif design was created in 1971, and was originally released by Letraset. We are please to offer the family in digital form, in light, medium, and bold weights. Many designers during the 1920s were interested in reforming the alphabet, and wanted to reconcile letterforms with the machine and manufacturing technology of the age. Herbert Bayer at the Bauhaus was one of many designers who developed a universal alphabet," creating letters using only the simplest of geometric forms. Similar experiments in 1920s-style revivals were also created during the 1970s, most notably Herb Lubalin's ITC Avant Garde Gothic."
  11. Faith Collapsing - Personal use only
  12. Bosox - Unknown license
  13. Pamela - Personal use only
  14. MCF bad manners - 100% free
  15. Estilographica - Personal use only
  16. Hoedown - Personal use only
  17. Puppeteer - Personal use only
  18. CBGBFont - Unknown license
  19. Wild West Shadow - Unknown license
  20. Cheap Stealer - Personal use only
  21. Burris - Unknown license
  22. Dearest Open - Unknown license
  23. Belwe Gotisch - Personal use only
  24. Fiddums Family - Unknown license
  25. JFRingmaster - 100% free
  26. Monky Business - Unknown license
  27. Ghosttown BC - Personal use only
  28. Dearest Friend - Unknown license
  29. Poseidon - Unknown license
  30. The·Fire - Personal use only
  31. Mellogothic - Personal use only
  32. Steelplate Textura - Personal use only
  33. Ardenwood Demo - Unknown license
  34. Pillbox Opaque - Unknown license
  35. Rediviva - Unknown license
  36. Screw DSG - Unknown license
  37. StageCoach - Unknown license
  38. Dearest Friend lite - Unknown license
  39. Göt - Unknown license
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