Ni is a kind of typographic love letter, revealed in three distinct, yet close, type formulas. Ni Serif is a contemporary serif typeface with slight diagonal modulation, amazingly legible, and with a very steady rhythm that allows a wonderful performance, especially in long passages of text. Ni Sans closely match the design characteristics and proportions of the serif counterpart. Ni Sans undeniably shows the strong calligraphic influence that comes from Ni Serif, resulting in a very comfortable humanistic typeface, suited both for print and digital environments. Ni Slab is not a simple Sans with serifs attached. Despite the thick and strong serifs, Ni Slab is a gentle mixture of the DNA of the Serif and Sans counterpart and does not intend to reflect any mechanic approach.

Sana Sans is a humanist functional typeface with a modern feel. It is intended to be a face well-suited for multiple purposes, especially in publishing. Sana Sans looks perfectly legible and clean in long texts, and neat and simple in headlines. Thanks to its versatility, this font is also ideal for both screen and print usage. Sana Sans consists of 32 styles and 8 weights—ranging from Thin to Heavy—italics, small caps and an alternative family. The alternative family offers slight variants in many glyphs, some of which include the lowercase a, e, l, q, y and uppercase G, L, and Q. Sana Sans was designed by Felipe Sanzana, under the supervision of Latinotype Team.

Bolded is a new complete type family, designed and developed by creative professionals. Contains geometric and rounded features, optimized for both long texts and small screens and texts. The complete family offers seven weights divided between the basic, italic, condensed and condensed italic family. Created in 2022, Bolded has a modern and functional look, designed for the most diverse uses and projects. Bolded is a geometric rounded family that can meet the needs of the most varied professionals looking for a clean and elegant font family with a wide set of Latin characters.

Bolde is a powerful sans serif font family with modern touches. A balance of hard lines and smooth curves makes them able to stand on their own dynamically Features: five all caps font, Numbers & Punctuation / Extensive Language Support Bolde works great in any branding, logos, magazines, film. The different styles give you the full range to explore a whole host of applications. Thanks for having a peek at Bolde. As always, if you have any questions just send me a message!

Bold Display Sans JNL is loosely based on one of the classic alphabets found within a Speedball Lettering Textbook of the 1940s; itself called "Bold Display". The original featured a stippled texture and inline curves placed in random patterns throughout the letters. This more simplified, all-caps version is for titling requirements where a strong, yet casual design is needed.

Informed by classic grotesk proportions and principles within musical theory, II Increments Sans results in a rhythmic and composed sans-serif. Set within a structured grid, the intonation and harmony between its functional principles and emotive characteristics allow for use at both text and display sizes.

Developed over several years by the late Otl Aicher and first released in the late 1980s, the Rotis® typeface has become a timeless classic. ROTIS II SANS HISTORY Aicher was a renowned German designer and corporate image consultant. He created the four basic designs of Rotis – sans serif, semi sans, semi seif and serif – within an extended typeface family concept, wherein all designs share a common cap height, lowercase x-height, basic stem weight and general proportions. While each version is part of the large, integrated family, each was also designed to function on its own as a distinctive typestyle. The result is that all members of the Rotis family combine smoothly with each other. Aicher, however, did not design the Rotis family with the weights and proportions normal for more contemporary releases. Rotis Sans Serif, for example, was drawn with just six weights and only two italics. Starting in 2010, Robin Nicholas, senior designer for Monotype Imaging in the UK, and freelance designer Alice Savoie collaborated to bring Rotis Sans Serif up to current standards. The result is Rotis II Sans, a completely new addition to the Rotis family. “We devised our approach together,” recalls Savoie, “deciding which weights to start with, what kind of alterations to make to the original Rotis, etc. I went to work on the typefaces, regularly submitting proofs to Robin. We would then decide in tandem on the next steps to take.” Nicholas elaborates, “We revisited the range of weights and added matching italics so that the new additions to the family offer increased versatility. We optimized the outlines, corrected the weight of several letters and re-examined overall spacing and kerning. In addition to a new set of numerals, with a height similar to the capitals, we also drew case-sensitive punctuation.” ROTIS II SANS USAGE The new Rotis II Sans suite comprises 14 typefaces: seven weights, ranging from extra light to black, each with a companion italic. The designs are available as OpenType® Pro fonts, allowing for automatic insertion of ligatures and fractions. Pro fonts also offer an extended character set supporting most Central European and many Eastern European languages. Aicher’s original Rotis designs were widely used for branding and advertising. With the addition of Rotis II Sans, the family is again poised to become a powerful communicator.

Portilla is a modern round sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Portilla font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Portilla font. Cheers, Maulana Creative

Nixed is a cool and daring display font. Add it to your posters, headlines, banners, or anything that requires strong and modern typography.

Niks is the first sans serif created by dooType. It has 4 weights with corresponding italics. The character set supports more than 30 languages and some Opentype Features.

Journal Sans Old School is a new, modernized digital version of the widely popular Journal Sans. The new typeface preserves the character of the geometric sans from the famous “Science and Life” magazine of the 1960s. The weight of the basic styles corresponds to the Journal Sans regular and bold from the Soviet linotype catalogs. Also, the original vertical proportions and character forms match the original. Cyrillic Alternates, Greek language support expand the range of font’s usage. Journal Sans Old School was designed by Natalia Vasilyeva and released by Paratype in 2019.