Geffry is a retro inspired display typeface. It's fun and groovy with a bold personality. Perfect for masthead, logo, or anything your creativity takes you.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

Just in time for the Holiday Season, here's a FREE font with word art, clip art and border elements to dress up your next project. Enjoy!

Personalize your designs and make them stand out from the crowd with our collection of handwritten fonts! From quirky to elegant, we’ve got something for everyone!

Based on Art Nouveau models, Greeting Monotype was created by M.F. Benton in 1927. The Greeting Monotone font works well for titling, packaging and greeting cards.

The original Tower Condensed font design is attributed to Morris Fuller Benton (1934). PL Tower Condensed is a tall, condensed slab serif typeface; good for headlines.

Eric Gill’s personal version of the Lapidary letterform. Perpetua® font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Tattoos

The idea that mathematical precision and the supposed "purity" of geometric forms are part of the discourse of us graphic designers is not new. Studying typography for some time now and learning about all the small alterations and adjustments that this geometry undergoes to better adapt to the imperfect human eye, I found myself with a new way of seeing things. Compasso is, in a way, a result of my growth as a designer. Established and recognized fonts like Futura, Avenir, and their predecessors (including Tempo - published by the Ludlow foundry in the early 20th century) informed the result of Compasso at some level. Others opened my mind to possibilities. Mallory, Azo Sans, the font designed for Audi by Bold Monday, and many other contemporary sans-serif fonts that left me speechless are also responsible for details present in this font. From the first sketch, the family grew on both sides, gaining condensed and extended counterparts. From there - and from a brilliant insight from designer Nicole Rauen - I learned that Compasso was not about geometry. Compasso is about rhythm. It's about the rhythmic movement that provides a foundation, supports, and also makes you dance and swing. My musical taste is too eclectic, I can go from classical to funk in less than two songs on Spotify. Compasso is also eclectic. It's a font to take your project anywhere, a record to listen to on any occasion.

In 1972, VGC released two typefaces by designer friends Dick Jensen and Harry Villhardt. Jensen’s was called Serpentine, and Villhardt’s was called Venture. Even though both faces had the same elements and a somewhat similar construct, one of them became very popular and chased the other away from the spotlight. Serpentine went on to become the James Bond font, the Pepsi and every other soda pop font, the everything font, all the way through the glories of digital lala-land where it was hacked, imitated and overused by hundreds of designers. But the only advantage it really had over Venture was being a 4-style family, including the bold italic that made it all the rage, as opposed to Venture’s lone upright style. One must wonder how differently things would have played if a Venture Italic was around back then. Chopper is Canada Type’s revival of Venture, that underdog of 1972. This time around it comes with a roman, an italic, and corresponding biform styles to make it a much more attractive and refreshing alternative to Serpentine. Chopper comes in all popular formats, boasts extended language support, and contains a ton of alternate characters sprinkled throughout the character map.

In ye olden days, nothing said “personalized business correspondence” like a typewritten letter, and several type foundries cast simulated typewriter fonts so authentic-looking “personal” letters could be mass-produced. This typeface is based on one such font from a href="/foundry/atf/">American Type Founders, which was patterned after the letters of the Smith Premier No. 3. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Devil Kalligraphy was performed by Argentina Lián Types in 2007. The shapes of each caracter have a strong personality. It was based on antique writings. Devil Kalligraphy was inspirated in calligraphy styles. Gothic and Uncial themselves. A mix with lots of personal qualities. Devil Kalligraphy has ligatures which look evil. Ascendents and descendents were designed to look that way too. Kerning was designed taking into account the way calligraphers used (and still use) to write: Pattern looking.

The script typeface named Fineprint is based on its designer's own handwriting, or at least as Steve Matteson saw his handwriting on a really good day. Unlike many digitizations of handwriting, Fineprint maintains a consistent harmony and balance across its letters in a line of text. The Fineprint family includes a number of swash and alternate letterforms, which helps pull this quirky personal nature off. Use Fineprint whenever you want to make something appear personal, friendly, or informal!

Picadilly family was made after my short visit in London and huge impression of Edward Johnston works. I've designed family of 20 modern typefaces with strong personality.

Handle Oldstyle is an all-capitals and small capitals typeface from the Engravers collection. The Handle Oldstyle font is appropriate for headings and personal and business letterheads.

Bushwick JNL and Bushwick Oblique JNL are modeled from a wood type sanserif that has a strong resemblance to Franklin Gothic, yet keeps its own distinct personality.

Okaycat presents "Hiew". Hiew is a connected font with serif, some bold personality making your message clear. Includes European accents and extra characters to meet publication needs.

First used by the designer on his personal letterhead, Jimbo has an informal modern style. Use the Jimbo font family on posters, in advertisements and on packaging.

Midnight Signature is a handwritten signature script with a natural and stylish flow. This script is perfect for everything from personal branding, wedding invitations, advertising and more.

This baby's got a fancy look to it. I personally used it for the nameplate at my frontdoor. You oughta do the same for your frontdoor too!

Manual Typewriter JNL was modeled from an example of the 1933 design originally created by Morris Fuller Benton, and is available in both regular and oblique versions.

The Vision font is a display font with a temper. Has a bold and cheerful personality. Ideal if you want to add a new experience to your work.

Tall X-Height, Angled Terminals and Medium Contrast, Anthro is a UI font designed with personality. Concieved as a hybrid between Grotesk & Humanist, Anthro pairs legibility with character.

Sweetheart Script revives handwriting from the mid 20th century with a lot of bounce and personality. Use it in casual settings where you need a bit of flair!

Schlub is just plain weird. It looks like it was drawn with the left hand of a right-handed person using a gloppy pen yet remains very legible.

Linguista is a gorgeous monoline script, full of personality and curves. It features a natural flow that makes it perfect for any project that requires a handwritten feel.