10,000 search results (0.016 seconds)
  1. Jokewood - Personal use only
  2. Fmiring Campotype One - Personal use only
  3. BooBooKitty - Personal use only
  4. Hooked on Booze - Unknown license
  5. Farckenzlabb - 100% free
  6. Wet Pet - Unknown license
  7. Neck Candy - Unknown license
  8. Houndtime - Unknown license
  9. Scrogglet - Personal use only
  10. discotech - Personal use only
  11. AB Barberian - 100% free
  12. BPpong - Unknown license
  13. ComixHeavy - Unknown license
  14. Moondog Fifteen - Unknown license
  15. Spongy - Unknown license
  16. MW POLKA2 - Personal use only
  17. Burlesque - Unknown license
  18. Accent Watermelon - Unknown license
  19. KiddieClip 2 - Unknown license
  20. Eat More Chocolate - Personal use only
  21. ThreadFun - Unknown license
  22. Dr. Eve L - Unknown license
  23. HVD Rowdy - 100% free
  24. Not Quite Right BRK - Unknown license
  25. Franken's-SteinA - 100% free
  26. Shaun the Sheep - Personal use only
  27. Doggon - Personal use only
  28. KR Eight Santas - Unknown license
  29. Jumbo - 100% free
  30. Nonstop - Unknown license
  31. Yahoo!© - Unknown license
  32. Tiki Tooka BV - Unknown license
  33. CRAY AN? - 100% free
  34. Captain Podd - 100% free
  35. Crushed Out Girl - Unknown license
  36. 1-2-3 GO! - Personal use only
  37. Hoshi Font - Unknown license
  38. KR Hunnybee - Unknown license
  39. Press Gothic by Canada Type, $24.95
    Press Gothic is a revival of Aldo Novarese's Metropol typeface, released by Nebiolo in 1967 as a competitor to Stephenson Blake's Impact (designed by Goeffrey Lee). Though Metropol enjoyed a few short months of popularity and use in Italy, Germany and France, Impact won the technological outlasting battle by moving on to film type then to computer outlines bundled with mainstream software, while Metropol never made it past the metal state until now. Too bad really, since this is one of the few faces that could have played well with all the horrendous stretch'n'squeezing of the 1970s. Just like its inspiration, Press Gothic aims to be a fresh alternative to big economical poster fonts with clear sans serif forms and an urgent, strong, yet elegant design appeal. In the summer of 2008, Press Gothic underwent a major linguistic and aesthetic reworking for an international publishing company. The result of this on the retail side are new small capitals and biform/unicase additions to the main font, as well as expanded language support that includes Cyrillic, Greek, Turkish, Baltic, Central and Eastern European, Maltese, and Esperanto. Press Gothic Pro, the OpenType version, combines all three fonts into one, taking advantage of the small caps feature, and the stylistic alternate feature for the biform shapes.
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