Based on ‘Players,’ a typeface from English designer Adrian Williams, circa 1976.

Pleyo is the player for all situations - packages, labels, posters, titles, logos etc.

Based on the Stephenson Blake design.

Based on the original Stephenson Blake drawings.

Torjus is so rigid and stiff typeface. While designing a more dry and stiff handwriting typeface, I tried to remove the Bezier curves. Rhythms were also created by dramatically simplifying the paths used in the Glyphs and emphasizing individual contrasts. 60 predefined Ligatures to bring your passion and inspire you to wonder. Ligatures : Ba, Be, Bo, Ca, Ce, Co, Da, De, Do, Ea, Fa, Fe, Fo, Ga, Ge, Go, Ha, He, Ho, Ja, Je, Jo, Ka, Ke, Ko, La, Le, Lo, Ma, Me, Mo, Na, Ne, No, Oa, Pa, Pe, Po, Ra, Re, Ro, Sa, Se, So, Ta, Te, To, Va, Ve, Vo, Wa, We, Wo, Ye, Yo, ee, ff, ll, oo, rr.

Robert Harling’s 1938 revival of this nineteenth century form, designed for Stephenson Blake.

Ornaments 1 are from designs from 18th and 19th Cent. founders descended to Stephenson Blake.

Babble go gaga? Babble a liddle baba aba dittle boo-boo? Babble gotta Owie? Babble wanna see dada go bonk? See dada go WAAHHH?! Babble wanna bockle? Babble wanna see mama? Babble wanna have milky milky num-nums? Ahhh... Babble id soooooooo cuuuuuute! Dada and Mama love Babble. Big Hug, babble!

A minimal san serif typeface inspired by the work of Herbert Bayer and the Bauhaus Movement.

A creative variation of the Oldstyle form designed by E. Pechey for Stephenson Blake early in the twentieth century.

Inspired by H. Trafton's Quick, released by Bauer in 1933, Parfum is an elegant script font for many purposes.

The basic type design for National Spirit JNL is known by many names, and has gained popularity since its use on the NRA posters of the Roosevelt era. This all-purpose font gets an extra boost of patriotism by the addition of stars. Its clean look typifies the Art Deco feel of 1930s America.

Spantaran is a sporty display typeface which is very suitable for logos, titles, player names on the jersey, and more. It was made with italic & bold characters which give it a strong feel.

A freely drawn heading face prepared in 1912 by Lucian Bernhard for Bauer. The typeface enjoys a vogue in Europe.

Folio was designed by Konrad F. Bauer and Walter Baum and appeared with the Bauer font foundry (Bauersche Gießerei) in 1957. The designers based their ideas on Helvetica but Folio did not turn out to pose the competition they had hoped. The font has the same applications as Helvetica and is an extremely legible font. Folio is particularly good for text and has an objective, neutral character.