Torpedo is a five-weight rounded, compressed sans serif font family. It was designed by Steve Jackaman over a several-year period, and was released in 2017 alongside its sister typefaces Coliseum Pro and Clydesdale. Torpedo, whose name was inspired by round torpedo warheads, is a visually sturdy font that maintains excellent legibility. Torpedo is flexible in its applications, like its violent namesake; it is explosive at large sizes, and still works efficiently at low profiles.

Clydesdale is a five-weight compressed sans serif font family. It was designed by Steve Jackaman over a several-year period, and was released in 2017. Clydesdale, much like its sister typefaces Coliseum and Torpedo, was inspired by authoritative Roman display typefaces. The font family excels in displays, but is a great performer in all text sizes. It is perfect for users who enjoy the impressiveness of Coliseum Pro and Torpedo, and need a complementary sans serif typeface.

Villain is a new handwritten, multi-alternate glyph font. This font was created with a natural flow in mind. Since it's meant to look handwritten, Villain comes with 3 different glyphs per letter and number and even a few alternate symbols, as well. Pro Tip: Play with the baseline shift of each character to get an even more realistic, organic result. *Note: Grunge overlay texture is for previews only. Villain Font is completely clean and free of texture.

Meysha was created with stylish and authentic handwritten characters. This font is PUA encoded and contains an extended Latin Character set. Meysha comes with 281 glyphs and 52 alternate characters as OpenType features (supported with contextual alternates mode). Meysha also includes 11 extended ligatures, allowing you to make you designs look more exclusive and pro standard. Meysha works perfectly for logos, display, product branding, wedding invitation cards, stationary, packaging, clothing, flyer, apparel, magazines, brochures, labels, posters, badges, and more.

A free-spirited hand-script font. Very similar to pre-computer hand-written letttering with a ruling pen.

BillieBob was made by cramping straight shapes into squares. Somewhat reminds me of pre cold-war Russian type.

Muisca, that in its early edition was named as «Muisca Sans», was developed in mid-1997 and based on the graphic concept of pre-Columbian characteristics figures within some of the very few visual elements recovered from the Muisca culture. This ancient pre-Columbian tribe disappeared since the arrival of the Spanish 500 years ago, in what is now the center of Colombia. In fact, the name of the capital Bogotá goes back to Bacatá as primary or village downtown of what was once the imperial capital of the Muisca tribe. This typographic project was submitted as my work for the degree in Graphic Design, obtained in September of that year (at the Universidad Nacional de Colombia), under the creative concept of vindicating the ancient culture and identity through a functional typeface, into a fact without precedent in the country. Muisca was recently edited, arranged and completed, including multilingual diacritic glyphs to be versatile in several languages. Related and inspired by Latin America, Ethnic, Native, Tribal, Mysthical, Handmade, Aboriginal, Pre-Hispanic, Pre-Columbian, Textured, Fantasy. Ideal to be used in logos, display text & titles, games and other design applications that reminds of the Pre-Hispanic art.

Cinque Donne means “Five Women” in Italian. It was inspired by the five sisters in my family as well as a group of five high school friends I have known for 46 years, aka “The Club Girls”. The Pro version has 3370 glyphs with all the bells and whistles! Women are connectors, encouragers and supporters. Young, old, shy, extroverted, when you put us together, somehow we make a beautiful impact on each other’s lives. This is what Cinque Donne does in a visual way. Some letters are simple and prefer to sit quietly. Others are flourished and proud and like the limelight in the middle of a word. And then there are alternates that are flexible and work in any number of surprising places. Stylistic sets can add a vivacious feel while contextual alternates bring better understanding. Classic or contemporary, subdued or flamboyant, these letters represent the variety of women that make life interesting for us all. Within the varied glyphs, I hope you find characters that remind you of the special women in your life. Let Cinque Donne salute them on the page! The Cinque Donne Family includes: Cinque Donne, Cinque Donne Bold, Cinque Donne Swash and Cinque Donne Pro. Check out the Buying Choices tab to see special discounted combinations! Crafters: All of my fonts have been specially coded for PUA (Private Use Area) so you can access all of the swashes and alternates using Character Map (PC) or Character Viewer (Mac) or with any number of apps including PopChar. If you would like to purchase PopChar at a special discount email me and I will send you the link. Cinque Donne Pro and Cinque Donne Swash include Swash, Stylistic and Titling Alternates, Contextual Alternates, Standard and Discretionary Ligatures, Roman Numerals & Fractions.

ZapfinoExtra is an OpenType format typeface available in two versions. The Contextual version contains a treasure-trove of extra contextual features. When created in 2004, this was the most advanced OpenType font released to date. By purchasing the Contextual version, users of OpenType-supporting applications, such as Adobe InDesign, may access all of the features available in the entire Zapfino family through just two fonts, Zapfino Extra LT Pro (Contextual), and Zapfino Forte LT Pro! Unfortunately, most non-Adobe applications currently do not support the contextual features made possible by recent OpenType developments. Users of Quark XPress and Microsoft Office should instead purchase all of the non-contextual fonts of Zapfino Extra Pro family, in order to access all of the Zapfino family's 1676 glyphs. The Zapfino family's character set supports 48 western and central European languages. More Zapfino History: Today's digital font technology allowed the world-renowned typeface designer/calligrapher Hermann Zapf to finally realize a vision he first had more than fifty years ago: creating a typeface that could capture the freedom and liveliness of beautiful handwriting. The basic Zapfino™ font family, released in 1998, consists of four alphabets with many additional stylistic alternates that can be freely mixed together to emulate the variations in handwritten text. In 2003, Herman Zapf completely reworked the Zapfino design, creating Zapfino™ Extra. This large expansion of the Zapfino family was designed in close collaboration with Akira Kobayashi. Zapfino™ Extra includes a cornucopia of new characters. It features exuberant hyper-flourishes, elegant small caps, dozens of ornaments, more alternates and ligatures, index characters, and a very useful bold version-named Zapfino™ Forte. Use Zapfino to produce unusual and graceful advertisements, packaging, and invitations. Zapfino Extra is so joyously abundant that it's tempting to over-indulge, so be sure to check out the tips for working well with the possibilities!"

TBS GARTEK CONDENSED is a latin based condensed type of font that has a different characters from the previous TBS GARTEK BLACK font, TBS GARTEK CONDENSED has a strong yet sharp looks character, with a post modernism and semi 90's nostalgic, supported by more than 60± accent languages ranging from West, South East, Central Europe and a bit of Vietnamese. TBS GARTEK CONDENSED is able to complete your current needs who are designing something great. the single DemiBold weight is stunning in Magazine, Posters, Social Media Content, headlines, clothing, large print formats and wherever you want to see it. Inspired by the design styles of post modernism and popular style's nowadays, let's get your project elevate works with TBS GARTEK CONDENSED.

I love going to flea markets and second-hand stores; in fact a lot of the furniture in our home is second hand (or pre-loved, a euphemism I find rather peculiar). I personally believe that buying used products is a good way to help this planet, as no new stuff needs to be made and the old stuff gets a second life. Fleabitten is a ‘western style’ serif font. You could use it to pimp the posters for your line dance festival, but hey, be creative! I am sure you’ll find some good use for this very nice pre-loved font. Yes, pre-loved: I loved it first!

Neela is an Art Nouveau serif typeface designed for a variety of design needs. With 27 font families consisting of thin, extralight, light, regular, medium, semibold, bold, extrabold, and black, as well as condensed and expanded types, Neela can be used for various sizes and design needs. Neela is characterized by sleek and elegant letters, with typical Art Nouveau elements, such as subtle and elegant decorative flourishes. This font is suitable for various design needs, such as: Book covers, wine labels, wedding invitations, exhibitions, packaging, merchandise, event billboards, posters and many others. Neela also supports 65 Latin alphabet languages, so it can be used for various design needs throughout the world. Characteristics The letters are sleek and elegant Distinctive Art Nouveau elements Suitable for a variety of design needs Neela is the perfect typeface for designers looking for an elegant and versatile Art Nouveau serif typeface. This font can be used for various design needs, from book design, labels, invitations, to graphic design.

MN Grissee - a Sans Serif Super Family Font. This typeface has many alternatives with swashes that can make your lettering/logotype more attractive. This font is suitable for logos and various other formal forms, such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels, or advertising. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease! 436 Glyphs 9 Opentype features 10 Ligatures, Stylistic Set and Swash 3 Widths (Condensed, Normal, Expanded) 8 Weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Bold, Extrabold) 2 Styles (Regular & Italic) Support Multilingual for 89 languages We highly recommend using a program that supports the OpenType feature and the Glyphs pane like many Adobe and Corel Draw applications, so that you can view and access all variations of Glyphs. Thanks for your support of our product and using it in your project.

BLANC GROOVE INKTRAP, a font with a futuristic and experimental concept created with a strong and charismatic character. following the current trend design style. BLANC GROOVE INKTRAP is made experimentally following a futuristic style recipe with alternate characters made with outstanding INKTRAP and display that makes this font more stylish and varied. BLANC GROOVE INKTRAP is a variable font that has 18 Font, 9 weights with 2 Variable from thin to black & Italic. also includes alternates that are more varied with variables. BLANC GROOVE INKTRAP is a versatile font system, designed primarily for display uses with a need of visual impact. What's Include : Thin & Italic Light & Italic ExtraLight & Italic Regular & Italic Medium & Italic SemiBold & Italic Bold & Italic ExtraBold & Italic Black & Italic Feature : Alternate Character Ligature Discretionary Ligature Multilingual Support Numeral & Punctuation Symbol etc Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help.

Marco is a lively text face, with an informal touch, inspired by 15th century Italian letter-forms with strong calligraphic traces and intended to be used primarily in continuous and intensive reading conditions. Marco is full of features required for high-quality book typography, including: strong language-support in extended Latin, Cyrillic and polytonic Greek, a multitude of swashes in the italic styles of Latin and Cyrillic, stylistic alternates to obtain the best possible solutions and other typographic niceties. Inspiration for Marco goes back to Italian humanist typography such as those of Nicholas Jenson or Aldus Manutius, and general influences from calligraphy. As a result, Marco has matured into a personal and unique text face where its lively and somewhat informal style is an ideal counterpart to its careful and ingenious crafting. Toshi Omagari’s Marco features a huge set of over 1900 characters per style —and almost 2600 in the italics— and is available in Regular, SemiBold, Bold with matching Italics.

VTF Ruth is a different typeface with a sans serif style inspired by classic geometric typefaces, adding a contemporary and modern touch in its output to seek style and quality in any project. This very personal character of its shapes, together with the variety of eighteen weights with their respective italics (Thin, Extra Light, Ultra Light, Light, Regular, SemiBold, Bold, Ultra Bold, and Black) and two styles, makes it perfect to combine with VTF Justina in digital editorial projects (e.g., web or apps) or printed (e.g., books, magazines or packaging). Making it an exciting option for large and small bodies without losing legibility at any weight. VTF Ruth has Opentype functions (case-sensitive forms, ordinals, scientific lower case, denominators, superscripts, subscripts, numerators, fractions) designed exclusively for your design. Supported languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish and Zulu.

Monarcha is a serifed type family, with a strong influence of the baroque style, for extended texts. Its roman versions are slightly skewed, in the sense of reading, and its italics have unusual calligraphic features. Moreover, the contrast between thick and thin strokes is relatively smaller than in conventional serif fonts. These characteristics, coupled with its rounded shapes, give Monarcha a delicious fluidity and texture. Monarcha innovates and brings an exclusive OpenType feature to convert Arabic to Roman numerals up to 3999. It also has several other professional features - small caps, fractions, old style-, lining-, tabular numbers, scientific superior/inferior figures, stylistic sets and more than 40 different ligatures (standard + discretionary). The family consists of 8 styles, 4 weights - Book, Regular, SemiBold and Bold - plus their respective italic versions. The fonts are available in OpenType PS format and have extended character set to support CE, Baltic, Turkish as well as Western European languages.

Bremenoff is a timeless sans-serif typeface family of 14 fonts, made with simplicity in every aspect of design. Created with a special focus on readability and the finest visual capabilities, this typeface can turn your design projects into something extraordinary. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 289 glyphs are included. Bremenoff is a perfect choice for graphic design, text presentation, web design, print and display use. The typeface can be an amazing option for beautiful branding, logo / logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the Caps will make this font perfect for minimal headlines and logotypes as shown in promo images here. Bremenoff typeface family comes with a total of 14 fonts having 7 weights (Thin / Light / Book / Regular / SemiBold / Bold / Heavy) as well as Italic versions of all weights.

Univa Nova is a beautiful minimalist typeface with masterclass design and outstanding usability features. The typeface is inspired by some of the original Swiss design-based branding projects. Univa Nova is a perfect choice for graphic design, text presentation, web design, print and display use. The typeface can be an amazing option for beautiful branding, logo / logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the Caps will make this font perfect for minimal headlines and logotypes as shown in promo images here. The typeface is specially handmade with great OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 306 glyphs are included. Univa Nova typeface comes with a total of 16 fonts having 8 weights (Hairline / Thin / Light / Regular / Medium / SemiBold / Bold / Heavy as well as Italic versions of each weights.

A practical font family with 4 weights for all your day to day design needs: headlines, body text, signage etc. High legibility at small sizes. An extended sans serif typeface with rounded endings that provides a unique softness appearance without losing legibility. The Pro version is an excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. Best used with apps that support right to left Hebrew text, like Adobe InDesign CC or MS Word.

Bebas Kai is free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. We have another Bebas edition called Bebas Neue and there are some derived, rounded fonts such as Bebas Neue SemiRounded and Bebas Neue Rounded. Bebas Neue Pro has lowercases and Italics. When you need more impact for titling, please try Dharma Gothic and Rama Gothic. When you need body-text font matching with this Bebas family, please try our Bio Sans font family.

Goudy Modern/Open was designed by Frederic Goudy, who was inspired by the caption of a French engraving. It is Goudy's first attempt at a "modern" face, but with less contrast and rigidity normally found in Bodoni style Modern faces. Goudy Modern was designed later in 1918 after viewing a proof of Goudy Open with the line filled in. Not a true modern face, but still a Goudy classic. The Pro versions include ligatures, varieties of numerals and Central European character sets.

Goudy Modern/Open was designed by Frederic Goudy, who was inspired by the caption of a French engraving. It is Goudy's first attempt at a "modern" face, but with less contrast and rigidity normally found in Bodoni style Modern faces. Goudy Modern was designed later in 1918 after viewing a proof of Goudy Open with the line filled in. Not a true modern face, but still a Goudy classic. The Pro versions include ligatures, varieties of numerals and Central European character sets.

Encorpada classic brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is a elegant choice for your type library. The Encorpada family began in 2011 with the release of Encorpada Black. After that instant success, in 2012, dooType brought to us Encorpada PRO. Encorpada Classic retains the main look and feel of his predecessors, but is designed with more functional considerations. With 14 styles, Encorpada Classic is a fine choice.

LIETZ Lindham is based on letters taken from an old type specimen folder from 1936 featuring handdrawn sans-serif ABC's. It's kinda bauhausy and straight but also shows the wonderful lively unevenness of hand-drawn letters. Being made for the use in large-scale advertisements and posters, LIETZ Lindham fits perfectly for pro-communist propaganda posters, but also features legibility in smaller sizes, so you can use it for your Neue Typographie manifesto too, Jan. Go grotesk! Go bold! Go neu!

Cookie Time, a font where a cute script and doodles make a perfect blend together. Dream and create joyful and lovely designs for packaging, websites, branding, tags, photography, book covers, posters, and anything you can imagine! Cookie Time contains 510 glyphs, featuring standard & discretionary ligatures, swashes, alternates for upper and lowercase characters, alternate ligatures, and a full Latin Pro character set. Cookie Time Ornaments offers 80+ doodles & flags to be combined with each other and create playful and dynamic design.

This font is inspired by a horror film title or opening, taking inspiration from underground bands, made from watercolor brushes and so you get sharp textured results, with its defiant shape, rough edges and unadulterated imperfections. and give a spooky, firm, horror impression. There are several unique ligatures that can make sentences more unique. Regular Stylistic alternates SS01-SS03 Ligatures os, St, fl, ff, ffi, ffl, ae, si, ss, ha Multilanguge Support Latin Pro Uppercase & Lowercase Numerals & Punctuation 443 glyphs

Jam jars; Warhol’s “Tomato Soup”; chalk lettering and baseball. Those were the triggers to make this soft chancery cursive turned into a script font. Brand is thought mainly for packaging but can be used in magazines and invitations also. It can be easily converted into a logo when using it and its features. Pro styles are loaded with the most complete sets of alternates, ligatures and ornaments; while Std styles are smaller versions of the font, with no decorative alternates.

The new Clarendon BT Pro typeface family features 450 glyphs in each font with expanded support for Central and Eastern European languages, and enhanced OpenType features including ligatures, diagonal fractions, superscript/subscripts and Case-Sensitive Forms. Clarendon BT is an updated revival of the square serif (also called Ionic or Egyptienne styles) with bracketed serifs, ball terminals and high xheights. These attributes give Clarendon BT a timeless appearance for a wide range of contemporary uses from websites, ads, publications and signage.

Byronic is soft modern sans-serif but with an antique style lower-case. The rounded end soft look gives Byronic a friendly soft look whilst still retaining a classical typographic appearance. A very clean style and slightly condensed it is excellent for text setting and headline with an unusual loser case that compliments the caps perfectly. Available in a range of 5 weights and 5 italics and a Latin Pro character set of 430 characters including ranging numerals and small caps.

Introducing my new font, Jennifer elis font made with a pen brush refined to look neat. like dance letters, smooth, clean and simple. Jennifer elis font are perfect for weddings, events, invitations, escort cards, table numbers, Quotes, displays, logos, blog sliders, special addresses, stamps, packaging, greeting cards, etc.Features: Basic Latin A-Z and a-z Numeral & Punctuation Ligatures 10 Alternate Swashes Script 592 Glyphs Sans 354 Glyphs Latin Pro Support Character ** Thank you for downloading my font, hopefully it’s useful **

Neue Reman Grotesk It has 70 font styles in total family + 1 Variable. This typeface is designed to be used very practically. Each style can be changed easily. Has a variety of alternative letters that can be selected to make typography designs more attractive. The family comes in 7 weights with matching italics + Variable Font File and includes multilingual latin pro characters. 1. Extra Light - Condensed - Expanded - Slanted Italic 2. Light - Condensed - Expanded - Slanted Italic 3. Regular - Condensed - Expanded - Slanted Italic 4. Medium - Condensed - Expanded - Slanted Italic 5. Semi Bold - Condensed - Expanded - Slanted Italic 6. Bold - Condensed - Expanded - Slanted Italic 7. Heavy - Condensed - Expanded - Slanted Italic Neue Reman Grotesk contains 750 glyphs, a Latin Pro Fonts. This is the second version of Neue Reman Family. Complete with Stylistic Alternates, Stylistic Set, Caps Swashes Letter, Standard Ligatures, Discretionary Ligatures, Tabular Figures, Proportional Figures, Superscript, Subscript, Scientific Inferiors, Fractions, Ordinals, Arrows and a variety of figures and fractions. Neue Reman typeface suitable to use in multipurpose projects such as on websites, systems, printing, embedding, servers, screens, display, digital-ads, branding, logos, titles, headlines, teks, and everything else. Need something else? Get in touch with us on propertype.foundry@gmail.com Thank you

Check out the new Lust Pro & Lust Pro Didone to see how the series has grown and evolved. Confident and versatile, Lust is an exercise in indulgence—an attempt to create something over the top and vastly useful. If Lust Slim seems both new and familiar, that’s because it is. The series unapologetically channels Herb Lubalin, but produced with a deliberate, contemporary twist. There is an intentional slyness infused in the letterforms—the extreme thick and thin lines flow effortlessly without becoming gratuitous. It’s always just enough, not too much. What makes the type series so appealing? The curves. When asked to describe the letterforms, most people unwittingly allude to the human form, using adjectives usually reserved for describing physical traits… creating all-too-familiar comparisons. Summerour has grown to accept this as unavoidable and reasonable given his acknowledgement of its influences and has provided nuances within the letterforms to accentuate that. Intended to be set large, the typeface has both Standard (Lust, Lust Didone and a single unified Italic) and Display variants making it perfect for editorial use and a flexible solution for any display need.

Canilari is a post-modern type family inspired by Diaguita pottery and contemporary serif typefaces. The Diaguita culture—developed from 10th century A.D. until 16th century A.D.—settled in the area of the present-day north Chile and northwest Argentina. Surviving cultural expressions of the Diaguita people are reduced to just a few pieces of beautifully decorated pottery of high technical quality. Canilari itself is a scream of identity with an incomparable tone that borrows elements from native America and proudly show them to the world. The intense and consistent personality of Canilari makes it a functional font for a wide range of uses: from continuous text in the most challenging environments to pithy, high-impact headlines. Canilari is well-suited for publishing: newspapers, magazines, books, etc. Its flashy look and angular shapes also make it an excellent choice for posters, logotypes, and advertising. The family consists of 2 sets: one standard and one pro, each in 4 weights plus italics. Canilari also includes a set of ornaments and illuminated caps. Together, the Std set (369 characters) and Pro (710 characters) support 219 different languages. This typeface was selected at the Bienal Tipos Latinos 2014.

This Arabic typeface is one of Parachute’s most involved text typefaces. For the first time -back in 2010- a contemporary Arabic equivalent to a comprehensive DIN series of fonts was available. In fact, this set of fonts contains the most complete and powerful array of Arabic features commercially today. It comes in eight weights and includes Latin. Based on the DIN Text Pro superfamily, Parachute® released -in collaboration with designer Hasan Abu Afash- 2 new versions. DIN Text Arabic is the basic Arabic version which includes Latin and supports all variations of the Arabic script such as Persian, Urdu and Pashto. The second version DIN Text Universal is the most advanced DIN superfamily ever. It combines the powerful DIN Text Pro with DIN Text Arabic bringing the number of glyphs to 3320 per font. It is also enhanced with 30 advanced opentype features and kerning for all languages. Altogether it supports hundreds of languages, proving to be an essential tool for corporations which operate internationally. The whole family consists of eight weights from extra black to hairline. DIN Text Arabic is featured in the recent book Arabesque 2 by Gestalten.

“Designers can’t help but be inspired by the things that surround them,” says Massif’s designer Steve Matteson. An avid mountain climber, Matteson found his inspiration for his text face family in the dramatic granite formations of North America’s Sierra Nevada Mountains. Most of Matteson’s type designs are custom projects designed with an end use or customer in mind. Massif, which had no customer or specific purpose, was probably his most personal typeface to date. “My goal was to embody, in Massif’s two-dimensional letterforms, the angular tension and smooth curvature characteristic of the rugged terrain of Yosemite National Park’s Half Dome, which was formed by eons of glacial and tectonic activity,” Matteson explains. The typeface’s striking design echoes the faults and fissures that define a massif formation, resulting in a rich texture when used for body text and revealing distinctive shapes and proportions at display sizes. The Massif family comes in six weights, from Light to ExtraBold, each with an italic companion. The OpenType Pro suite contains small caps, ligatures and old style figures, and offers a small set of decorative ornaments. Pro fonts also include an extended character set supporting most Central European and many Eastern European languages.